Although Xie Xiaojuan's parents were not at the scene, the teachers who cared for her and loved her were all here. > Yawen Bar>_ __ w-w-w=.-y'a-w-e·n·8·.·c-omEven if they are not there, Xie Xiaojuan will play every note that belongs to her with her heart.

When she gets serious, she has a different kind of beauty, which is because of her slightly ordinary appearance. Especially when the strings in her hands are struck on the strings, sometimes like a gurgling stream, sometimes like sparkling, and even when a waterfall splashes.

In various different moods, the expressions and movements on Xie Xiaojuan's face are just right, and there is a special classical charm. It is also because she does not concentrate more of her energy on the practice of dulcimer technique and the cultivation of her own connotation and character.

At the end of the dulcimer concerto, when the waves of the river rushed into the current, it was also the time when she was the most passionate, and her whole body burst out with extraordinary power and performed the most brilliant and gorgeous chapters.

Lin Baoqing, who sang the leading role before, during this period, her guqin only existed as a supporting role, but it was also indispensable. It is also their strong cooperation that makes the musical image played by Xie Xiaojuan more vivid and vivid.

For the audience, this is also a time when the tacit understanding of their sisters can be particularly reflected, the timing of the harmony of various instruments, and the timeline of exit, must be mastered to score exactly the same. They also did this perfectly, making the good sisters' performance even more exciting.

The dulcimer is the main player, and the other instruments play in concert, brilliant and prosperous, and after the river enters the sea, everything returns to softness and calm, just like the tranquility and depth of the sea.

Long Fujin and Wu Yifen, the two professors of the composition department who are most familiar with this piece, also nodded with a smile.

It is said that the stage is the best place to train people, and it is not wrong at all.

As far as Xie Xiaojuan is concerned, her performance today is a step up from the last New Year's Day concert. This is not only a deepening of her perception and experience of music, but also a doubling of her confidence in her own dulcimer playing skills. She doesn't have a delicate and beautiful face like Wang Zizi, nor does she have a tall and slender figure like Zuo Shuqin, but she has always gone all out for music and dreams.

You sang and I appeared, and the next singer was Qian Shuyuan.

Like Qin Wanyi and Ning Yuanjing, and even Chen Gong and Bai Xueni. For those who are not too familiar with the members of the orchestra, and even some are face blind, she and Xie Xiaojuan, who has just played the dulcimer, look like sisters. But they also have a way, and if they want to tell the difference, they can start with the instrument in their hand.

The two girls are very plump, and even their personalities are similar, especially in their diligence and dedication to music, they are surprisingly consistent.

In terms of musical style, Qian Shuyuan is not as intense as Huang Jing. Her motives for Qin Fangge are also gentle and peaceful, just like her character, virtuous and gentle.

Under the stage, in the center of the concert hall, Qin Wanyi, who is also a student of erhu, is highly concentrated. It is also a blessing for the sound of the concert hall, even if she sits in the middle of the concert hall, she can still hear the performance on the stage clearly.

The erhu in Qian Shuyuan's hand still plays a beautiful and moving melody, which is also the overall feature of the whole piece. Qin Fangge, God's darling, is the only one who can be as inspired as if he didn't want money, and create such a pleasant melody. _ Yawen Bar w-w·w'.=y·a'w·e·And in addition to these wonderful melodies, there is a lot hidden in them.

Qin Wanyi listened very attentively, of course, the difficulty of this was a little beyond her imagination. Qian Shuyuan looks inconspicuous, but her erhu performance level is really high. Just listening to it made her feel very rewarding.

Qin Wanyi even felt that there were countless wonderful musical ideas in the other erhu harmonies. Their erhu is used as a harmony to help and highlight Qian Shuyuan's erhu, and the musical phrases played are naturally different. There is also the difference between the general score and the sub-score, and the conductor Teng Shuting is the most troubled. Even in such concertos, she is responsible for regulating the rhythm of the concerto sections.

Three minutes of precious time, whether it was Qin Fangge, who composed the music, or Qian Shuyuan, who was in charge of the performance, they all waved it to the extreme, and they were unwilling to waste even a second of time.

The erhu is the closest to the human voice, and it can also touch people's heartstrings, and when they continue to climb the peak during the march, all kinds of maneuvers are also particularly attractive. When she reached the peak of this melody, even the rhythm became bright and lively, and Qian Shuyuan, who has always been quiet and gentle, also pulled the erhu forward and backward, but in everyone's opinion, this is not an exaggeration at all. If it were a radical like Huang Jing, I am afraid it would be even more passionate.

After the sound of the erhu gradually faded out, Chen Tianhong's pipa appeared on the dazzling stage.

Qin Wanyi only felt that the erhu still had too few scenes, and in her thoughts, she must wish that the erhu could always sing the leading role.

Qian Shuyuan's parents are not here, her teachers and two professors from the composition department, through her performance today, you can tell how good her performance is now. The successful experience of the New Year's Day concert performance has improved her confidence, which also makes her more relaxed and comfortable when she plays.

When she is confident and serious, Qian Shuyuan is also extraordinarily beautiful.

And after having the prelude, as well as the experience of Xie Xiaojuan and Qian Shuyuan singing the leading roles, even the audience who listened to this music for the first time gradually figured out Qin Fangge's idea of creating this folk music ensemble, and even the music structure behind it can be guessed.

It is also every young and beautiful girl on the stage and their beloved musical instruments in their hands, taking turns to sing the leading role, and finally a collective ensemble.

Once the script is written, it's up to them to perform it! As for those who have heard this song, their sense of expectation will not be weakened in the slightest, on the contrary, they want to hear more wonderful performances from them.

Chen Gong, director of CCTV Music Channel, is a senior musician, in view of Qin Fangge's wonderful performance in the prelude, dulcimer, and erhu-based music, he is sure that more surprises are still to come, waiting for him to listen slowly and dig carefully.

As he expected, the pipa played by Chen Tianhong immediately changed from the gentleness and delicacy that Xie Xiaojuan and Qian Shuyuan had at the beginning of the game, and the tenderness was like water. Her motivation for Qin Fangge was very agitated, full of the majestic momentum of Jin Ge Iron Horse falling into a dream.

Anyone who knows about folk music knows that in ancient times, pipa was originally known for its heroic, hot-blooded, tragic and desolate interpretation of Biansai music. Of course, the comprehensiveness of the pipa has also been perfectly reflected in other aspects, and Bai Juyi's "Pipa Xing" shows this image to all ages.

It is worth mentioning that Qin Fangge also specially created "Pipa Xing" for Chen Tianhong on her birthday. > Yawen__8 _ w=But not many people know about this, and those in the audience who are close to them know about it.

After the relationship with Qin Fangge went further, Chen Tianhong's feelings for the pipa in his hand became more profound. When I played the lute, I became more and more passionate. Her personality is warm and lively, and she doesn't want to interpret that kind of heartfelt emotion, what she likes is the feeling of fighting on the battlefield and killing decisively. Just like she bravely went straight in, conquered Qin Fangge, and brought him under the pomegranate skirt.

And Qin Fangge follows Chen Tianhong's character, and according to the motivation she gave, let her perform her favorite music style to her heart's content. She herself is also willing to practice, and what she brings to the audience is a very unique and novel pipa music.

When Chen Tianhong plays the pipa, her movements have always been passionate, but she controls the balance very well, and it does not seem exaggerated, let alone ugly.

Wang Zizi beside her, whose face is delicate and flawless, surpasses her, but she has not robbed her of her demeanor as the protagonist at this moment. Zhong Ruan in Wang Zizi's hand played a very good supporting role, accompanied by her on the road of musical ideals, running all the way, even if it was windy, rain and muddy, she still sang loudly.

Youth is at the right time, cherish the people in front of you!

This is what Chen Tianhong wants to express with the pipa in his hand! Because he is young, whether it is Qin Fangge or Chen Tianhong, he can be fearless, reckless and frivolous, and face everything in the future with enthusiasm and warm emotions. Even if it is a moth to a fire, it is destined to have no result, and there is no regret.

I have had a few fish and water feelings with Qin Fangge, and after changing from a girl to a woman, the flower of passion in Chen Tianhong's heart is even more brilliant. When he was not on the scene, she still lived a wonderful life, but in the pipa sound she deduced, she didn't feel a little more lovesick.

In the ears of professors who are accustomed to hearing her wanton enthusiasm, it is not surprising that Chen Tianhong performs such lovesickness and sorrow, and the pipa is also a must when expressing his feelings of resentment and sorrow.

In Bai Juyi's pipa line, there is such a wonderful description, "Don't have sorrow and hatred, silence is better than sound at this time!"

Wu Yifen would rather regard this as a manifestation of Chen Tianhong's maturity, even if it is a flying youth, there is always a gloomy and melancholy mood!

Of course, when the pipa music was at its peak, Chen Tianhong also released the strength of his whole body to the fullest, and performed the most gorgeous and brilliant movements.

With her, it was the girls of the entire orchestra who were at the top, even Lin Baoqing, who was very gentle and elegant before, and Xie Xiaojuan and them were the same, using the instruments in their respective hands to bloom their own supreme glory.

The whole song also ushered in the first real high. The tide, completely, released the youth and passion of the girls.

Chen Tianhong's pipa, without the slightest nostalgia, quietly left the scene when it was in full bloom.

Chen Tianhong's mentor, Professor He Xiaofang, through her playing style and emotional changes, is also sensitive to the gradual maturity of her disciples. Who has had a young age, who does not have a few unforgettable love, He Xiaofang is sure that Chen Tianhong, this girl should be in love! But the result of this love does not seem to be very good, this sorrow suppresses the pain of lovesickness, and it is expressed through her pipa.

He Xiaofang knows very well that there are very few boys who have contact with Chen Tianhong, and the biggest suspect is naturally Qin Fangge. If it is really his words, it is reasonable, "I can't ask for it, tossing and turning", Chen Tianhong's words to him are destined to be fruitless. She would rather Chen Tianhong be in unrequited love, otherwise, if it spreads, it will be a scandal, you know, Qin Fangge is her good sister's boyfriend!

As a teacher, He Xiaofang should not only care about the student's learning, but also care about her emotional life, and in general, the relationship between the teachers and students of the Conservatory of Music is more like that of the master and the apprentice in the past, the relationship is closer and closer.

It's just that Chen Tianhong is definitely not willing to talk to her about this, after all, it is difficult to talk about it. He Xiaofang was thinking in her heart, how to let her speak better, although it was difficult to persuade her, but as a teacher, she still had to fulfill her responsibilities.

Chen Tianhong didn't think about it so much, of course, she didn't think that she could hide it from everyone, she only had the mentality of an ostrich, and it was a while to be able to hide it. She is not as easy as He Xiaofang as an audience member, and she only focuses on her current performance.

The sound of the flute is melodious, as if coming from the distant sky, and it seems to echo the previous Zheng Zheng pipa.

This also reminded Bai Xueni of the famous poem of the Tang Dynasty poet Gao Shi, "Plug it and listen to the flute": "The snow is clean and the sky is herding the horses, and the moon is bright and the Qiang flute is between the buildings, and the wind blows all night in Guanshan." ”

"Plum Blossom Falling" is a famous flute song, but Xiao Jingru, the focus of attention at this moment, is not playing plum blossom falling, but a typical Jiangnan scenery.

This is also quite interesting, Chen Tianhong's pipa is like the rough passion of Saibei, and Xiao Jingru's flute is like the gentle lingering sound of Jiangnan. In addition, Xiao Jingru is a typical Jiangnan girl, delicate and pretty.

Xiao Jingru, who was born in the family of silk and bamboo in the south of the Yangtze River, has nothing to say about her flute skills, crisp and melodious, and has the unique gentleness and lingering of the Jiangnan water town, delicate and tactful. Her motivation for Qin Fangge is such tenderness like water.

Xiao Mingshan and Hua Xiuqing, who were sitting under the stage, couldn't help but feel agitated when their daughter's bamboo flute was the protagonist.

This kind of Jiangnan charm is more like an artistic conception, as opposed to Saibei. From the text, in the music, from the body of Xiao Jingru, who played the bamboo flute on the stage, you can experience the Jiangnan style. Jiangnan, it seems that when you mention it, it will make people feel extraordinarily beautiful.

Detached from reality, the Jiangnan in everyone's mind has a different picture. Xiao Jingru's music does not want to show specific things, but guides everyone's imagination through music. The audience seems to be able to enjoy the picturesque Jiangnan picture scroll through the music played by Xiao Jingru and her good sisters.

Small bridges and flowing water, stepping on stone roads, willows swinging lightly, lotus moving fishing boats, and even Xizi Huansha, West Lake broken bridges and other beautiful scenes.

Everything is so beautiful.

Xiao Jingru's ethereal and melodious flute also seems to lead everyone through thousands of years of time and space to return to those dynasties that have deep memories for the Chinese people.

Like the clouds of the past, and like a dream.

In this composition, Qin Fangge also truly demonstrated his understanding of folk music, and the overall style of this work became rich in changes. In this section of the flute concerto, there is actually no obvious **, and more emphasis is placed on the description of the artistic conception. But naming this movement after Jiangnan is the most appropriate.

In this section, only Lin Baoqing's guqin, Li Ruoli's sheng, Xie Xiaojuan's dulcimer and Song Xian's guzheng are only responsible for harmony, and even Qian Shuyuan's erhu did not come in handy. makes the overall atmosphere more classical, to say the purest folk music, this paragraph is definitely counted. This also gave other girls a chance to rest, especially Qian Shuyuan and Feng Lulu, who have been in charge of accompaniment, and a few hard-working erhu players.

Xiao Jingru also resolutely chose to follow the composer Qin Fangge, using music and the bamboo flute in her hand to pursue the kind of Jiangnan that only exists in the imagination, which is also the magic of the music world.

The melodious sound of the flute gradually faded away, just like the beautiful Jiangnan in the impression, which gradually disappeared into reality.

Although dreamy, beauty is beautiful after all, and it is also worth thanking to be able to leave such an impression in people's hearts.

Xiao Mingshan and Hua Xiuqing, who live in the water town in the south of the Yangtze River, listened to it the most. There is no need to force this movement to elevate the meaning, Qin Fangge took into account the factors of reality when he was composing, adding a dreamy flavor, and even making Long Fujin and Wu Yifen call it a "sect and a school".

Their husband and wife are actually fine, at least they have seen the music score before, and they have seen the video passed to them by their daughter Xiao Jingru.

People like Chen Gong, Bai Xueni, Huang Zhengyin, and others who listened to this music for the first time were so shocked that they didn't know how to feel. Qin Fangge's level of composition is too high? Xiao Jingru's interpretation is too deeply rooted in the hearts of the people?

More audiences are intoxicated by the beautiful Jiangnan and are reluctant to wake up for a long time.

However, after the flute, Yu Xiaoxia's three strings bloomed wonderfully on the stage.

Xiao Jingru's flute sound makes people unconsciously think of Jiangnan, and Yu Xiaoxia's three strings make people think of Cantonese music for the first time.

Xiao Jingru is a typical Jiangnan girl, with a petite physique, gentle and beautiful.

Yu Xiaoxia's words are much more ordinary, especially her skin, which is the darkest among girls, no, it should be the healthiest. But no matter what, when the sound of the three strings sounded, Yu Xiaoxia was the protagonist of the stage, and she was also the focus of attention of the audience in the entire concert hall.

In addition, Qin Fangge's tailor-made music for her is quite in line with the characteristics of Cantonese music, and the image is distinct, and Yu Xiaoxia happily called it the movement of "Rain Hitting Basho".

Yu Xiaoxia also loved this movement, according to her story, the motivation she wrote, coupled with Qin Fangge's mature composition technology, rich imagination and unparalleled creativity, from a certain point of view, it is simply an irreproducible miracle.

Yu Xiaoxia's professor, Professor Yu, was also present today, and he was also paying close attention to his promising student.

Qin Fangge depicts all kinds of details of the rain hitting the plantain through music, among them, the performance of the three strings is important, but the concerto of other instruments is the most noteworthy place.

This piece of music, sandwiched in the whole music, is actually not abrupt, but also because there is Xiao Jingru's Dizi Jiangnan in front of it as a foreshadowing.

When the audience listened, it felt like a different place, from Saibei to Jiangnan, and then to Guangdong in the south, starting another wonderful and wonderful trip.