Chapter 312: Loss
Of course, things will not be as simple as Deng Hongmei said on the phone, she just said the topic on the phone, and the meeting time of several people is quite long. ใ็พ\|ๅบฆ\|search\|\|\|small\|say\|more\|new\|most\|fastใใใ
And what Stand is most curious about is that a gifted student like Wu Hongqin wants to focus almost all of his energy on whose musical works he specializes in.
He said the names of several great musicians and composers, such as Goethe, such as Christopher and George Bernard Shaw, and said that he could give her guidance in all these things, and even if he couldn't, he knew countless piano masters who could always help her.
Wu Hongqin said that the works of these musicians have been performed by too many people, and each has its own characteristics, and it doesn't matter if there is one more or less of her.
Of course, this Dry is the most aware and agrees with the works of these composers for more than 100 years, 200 years or more, and musicians and performers of all eras are conducting repeated research and interpretation, and various versions are also emerging in endlessly.
No matter how talented and talented Wu Hongqin is, let alone surpassing, as long as she can play with the style of some masters, it is enough to stand out from the crowd, and there are really not many top female pianists in the world.
Then, after getting a lot of negative answers, Stand simply asked her directly whose works she wanted to specialize in, and Wu Hongqin said Qin Fangge's name.
Planted said he was a little impressed, as if he had heard it somewhere, but he had not had time to find out. Also, Ernst is a super busy person, and Qin Fangge's name can make him have some impressions, which is quite remarkable.
At the same time, he also bluntly said that there have been no great musicians, pianists, and composers for many years, and before, these titles were often one-person. Not only in China, but also in the United States, but also in Europe, the birthplace of Western ancient music, there has been no recognized great musician for a long time.
In these days, it is quite good news to have a few pianists who are recognized around the world.
And as soon as Qin Fangge heard the name, he knew that he was Chinese. Ernst even asked Wu Hongqin if Qin Fangge was a pianist of the older generation in China, and he did not know much about Chinese pianists.
Wu Hongqin said that Qin Fangge is a young pianist composer, younger than her, and now her teacher.
Ernst couldn't believe it, he thought Wu Hongqin was joking, and asked Deng Hongmei next to him, isn't Professor Deng your teacher?
Deng Hongmei helped confirm that there was such a thing, and said that Qin Fangge was indeed Wu Hongqin's teacher and composed a lot of piano music.
Ernst felt even more incredible and asked Deng Hongmei, is he younger than Wu Hongqin?
Deng Hongmei said that Qin Fangge is a real musical genius, and his talent is not only manifested in the piano. He is still low-key, or is she herself cheeky, pulled him into the piano department, and asked him to record or something.
Ernst was even more surprised, and even Deng Hongmei said so. He also had old friends mention Qin Fangge before, praising him as a rare musical genius.
But in Ernst's life, he has seen so many geniuses, and there are many who claim to be the reincarnation of a certain great musician when he is young, and the results often prove that the more powerful he blows, the more unbearable the level, and he is not surprised to see it later. He originally thought that Qin Fangge was also such a cowhide product, let alone in that place in China. Although there are many piano learners, there are geniuses, and the probability of producing young musicians is also high, and he himself has also trained two well-known young Chinese pianists.
But if you want to say that the soil for creation is still too lacking, not only in China, but also in the world. It seems that the great composers of the previous generations have created all the works they can write.
Posterity can only look up, play, and appreciate.
Now, Ernst can only choose to believe, because the world is really changing too fast, so that his aging thinking seems to be unable to keep up with the rhythm.
Over the years, how had he ever seen someone who had been admitted to the Curtis Institute of Music but didn't want to come to school?
Wu Hongqin's parents did not have a high level of English, and they could understand simple conversations, although they knew what Wu Hongqin meant, but they were powerless to stop it.
Then, Wu Hongqin, who had been prepared for a long time, also took out a few piano CDs of Qin Fangge and put them on the top, which was the variation that she felt could best reflect Qin Fangge's piano creation and performance level, which lasted about an hour and a half.
Ernst also said that he had been listening to his friends' recommendations, but he didn't have time to listen to them, and now he was just appreciating them.
Although Ernst thought it was super incredible, he already believed that Qin Fangge was indeed level.
Whether it is his friends, or Wu Hongqin and Deng Hongmei, regardless of the level of piano performance, the level of appreciation of this piano is among the best in the world.
He would listen to the top CD first, and for a pianist like him, it didn't really matter which record it was. It is not necessary to listen to a complete record at all to roughly judge the true level of the performers.
The name of this record is "Aria with Many Variations", the performance and composer are Qin Fangge, Ernst was quite surprised after watching it, and asked Deng Hongmei if this record was just a tune, and they all nodded yes.
Ernst didn't ask much, just put it in the office, the Curtis Institute of Music is super rich, the students are fully scholarshipd, and the sound system in the office of Ernst, the vice dean, is the world's top level.
After listening to a few notes, Ernst knew that this Qin Fang song really deserved its reputation.
Just a few notes of this prelude, he handled it as if it were light, and reached the realm of returning to the basics. This level is something that few people in the world can do.
As the music continues, and. Like many veteran music lovers who heard this piece for the first time, Ernst's heart was shocked beyond comparison.
This time, the music coming out of the stereo brought him more than just an auditory enjoyment at a performance level. In addition, the infinite joy of composing and the unleashing of imagination are unleashed, but all of this is perfectly organized according to the rules of variation.
In the end, the result is a huge, magnificent, spectacular, and great musical work that people can only look up to.
Ernst himself is a world-renowned and frequent pianist, so naturally he knows this piece more deeply. He also secretly weighed it, and it was embarrassing for him to play such a level as Qin Fangge.
Although he has a lot of experience, in terms of talent alone, he still can't compare to Qin Fangge. This can be seen in his meticulous treatment of the inconsistencies in the timbre, power, touch, and feel of each note.
Ernst's own words, due to his age, his memory is not as good as before, and he is easy to forget some tunes when he plays some tunes. But he himself is strong in the overall grasp of the song, and he can also pass on some of his own ideas and feelings to the audience through music, which is also the happiest thing for him.
But Qin Fangge's pervert is not only impeccable in details, but also makes the listener's ears get the ultimate enjoyment.
Really, even Ernst almost couldn't help but applaud the image.
Most importantly, his ability to express and control the rhythm and emotions is even more speechless.
It sounds smooth and natural, as if it was born to be this way.
It is not easy to do this, and it is difficult to say that it is difficult to tune the words, and each pianist has different opinions on a piece, and the performance also has its own merits.
Qin Fangge's performance made people have no other thoughts at all. I just want to follow his performance and experience the beauty of music to the fullest.
Moreover, even if it was the first time he heard this piece, Ernst knew that without enough life experience and experience, let alone composing such a piece, it would be difficult to even play it.
Ernst silently counted in his heart that there would be no more than five people in the world who could play this piece well. is still on the premise that they are not required to reach the record of Qin Fangge, if they really want to say that it is perfectly interpreted, there is only Qin Fangge, the original creator himself. He can grasp every note in it best, and the colorful notes are the crystallization of his hard work.
Ernst, though not like many people, was hypnotized when he listened.
An hour and a half later, Ernst was still in good spirits, and after listening to it, he boasted about Qin Fang's song. He called it a great, perfect, and marvelous work. also said that Qin Fangge's performance was impeccable, and also said that his research on piano performance had reached a new level and height.
Deng Hongmei thanked him for such a high evaluation, and also said that they didn't listen to it more than once, and they would have new gains.
Wu Hongqin said that she never got tired of listening to it, and she felt that she could gain a lot of things from it, not only in terms of skills, but also in new insights in life. It is said that listening to music is the same as reading books, both of which are experiencing a different life.
Ernst agreed with this, so much so that he was a little skeptical that it was not Qin Fangge's work, and how many life experiences and perceptions he could have at such a young age. But he thought about it again, it is unlikely to be someone else's work, because no one in the world can create such a work. It is better to believe that Qin Fangge is a real genius, either he created it himself, or took it from God, and the result is almost the same. It does not detract from the greatness of this work, and it is called a divine comedy by many people, which is not unreasonable, but the highest evaluation.
After some praise, of course, Ernst did not forget to ask Deng Hongmei why Qin Fangge didn't come to the international stage to show his talent, he believed that as long as he was willing to come out to give a concert, at such a level in the record, it would definitely be full.
Ernst said that he could also help, and he also really cherished his talents, and he had helped many Chinese students.
It's a pity that Deng Hongmei can only shake her head, saying that Qin Fangge's pursuit is different from others, he pursues more, and not only on the piano.
Ernst begged her to persuade him more, otherwise it would be a great loss to the piano world.