Ernst also really wants a musical genius like Qin Fangge to come out and show his talent on a broader stageBook friend group 25779-060 or 240-0612

After listening to the recording of Qin Fangge, Ernst became even more eager for this idea.

He also said frankly that although the progress of recording technology has been considerable, it has also greatly facilitated the dissemination and preservation of music culture. However, the recording still has inherent flaws, and no matter how much it progresses, it is impossible to truly restore the scene, or even replace the scene.

The live performance of the pianists is, in a sense, the real music. Not only the original sound of the music, but also the atmosphere of the time, the expressions, movements, and every move of the musicians are very important and can be remembered.

Going to a live concert by a great musician is really not a pretense, but a real, beautiful enjoyment, and for some people, a journey of spiritual purification and sublimation.

It's a pity that Qin Fangge he met didn't really think so, Deng Hongmei immediately said that she was helpless about this matter, Qin Fangge really didn't have so much time to do touring or something. asked him to record, she didn't want to be cheeky. What she can do now is to promote his work as much as possible.

Ernst said that the best way to promote his work is to play it himself, and it is really difficult for others to play at the same level as his records. As far as this variation is concerned, with Ernst's own top piano master, it is impossible to play at the level of Qin Fangge.

Deng Hongmei didn't know this, Ernst even wanted to invite him in person to see if he was really as oil and salt as Deng Hongmei said, but was persuaded by Deng Hongmei.

She said that it was really a waste of time, and Deng Hongmei also listed what Qin Fangge is doing now, the music of ancient TV dramas is a trivial matter, and his vocal opera has been collectively recognized by Italian ancient music masters, and now Zhou Xiuying, a Chinese vocal music expert, is fully cultivated. The folk music he is doing is also quite tasteful, and many folk music masters want to communicate with him.

Ernst could only give up such thoughts, and he looked at the others. A few discography. It takes a lot of time to listen to the table of contents one by one.

Then, he asked Wu Hongqin if he could play Duan Qin Fangge's works, so that he could listen to how far she is improving now.

Wu Hongqin and Deng Hongmei looked at each other and nodded quickly.

She has been practicing Qin Fangge's works for a long time, and she often follows them. Qin Fangge, the original author, consulted, and Wu Hongqin can definitely be regarded as one of the most profound people in the world who know his works.

"I'll play the prelude and fugue!" Wu said.

Deng Hongmei and Ernst have no opinion, the prelude and fugue, whether it is the Huaxia Conservatory of Music or the Curtis Institute of Music, are the necessary topics for the exam.

It is also an advanced piano performance, and the repertoire that must be played well, although it is more boring than other piano pieces, must be firmly mastered.

Wu Hongqin sat down in front of the piano, pondered for a while, and began to play several preludes and fugues composed by Qin Fangge.

She has a quiet temperament, not as lively as Xiao Yuran. The same is true for the style of musical performance.

Xiao Yuran is full of spirituality, and when she is allowed to play freely, she often comes out of her temperament and is out of whimsy.

Wu Hongqin's performance tends to be more rational, even if her talent is not worse than Xiao Yuran, but even higher.

When practicing, Xiao Yuran likes to play romantic or lively works, such as parting songs and nocturnes.

Wu Hongqin's words are more focused on rational and regular works, and Wu Hongqin has practiced the most of these fugue works. I also consulted Qin Fangge and Deng Hongmei many times, and benefited a lot from it.

This is also due to the fact that she has been practicing with Deng Hongmei since she was a child, and knows the importance of urgency, preludes and fugues like this are not only in the practice of multiple voices, but also in the improvement of the ability to analyze and understand various composition techniques of music, rational thinking, texture, harmony, etc., which are quite helpful.

In a word, preludes and fugues, no matter how much you practice, you can't overdo it. And Wu Hongqin's shot did pop up the level and style.

Rational, regular, and disciplined music, in her hands, as if she had a new life, made her play a colorful and wonderful taste.

The notes, or flowing, or blooming, or floating, but in a certain peculiar law, harmoniously and naturally combined, make people feel emotional.

The prelude and fugue of the first piece are played by Wu Hongqin as sacred, magnificent, majestic, but also love the world.

This also made Ernst look at her with admiration.

In the processing of multiple voices, which many students seem to struggle with, Wu Hongqin plays with ease, and each different voice part is played by her with its own splendor.

As soon as the song was played, Ernst couldn't help but applaud.

Wu Hongqin is very modest, and I don't play as well as one-tenth of Mr. Qin.

Ernst was a little unconvinced, and Wu Hongqin only said that he would understand it if he listened to the record.

Ernst said that he still wanted to listen to the scene, and asked Wu Hongqin to play two more songs.

Wu Hongqin is not shy and timid, when she first practiced Qin Fangge's works, Deng Hongmei asked her to practice hard, and strive to spread Qin Fangge's excellent works when she came to study at the Curtis Institute of Music.

Although she doesn't plan to study here now, it's still okay to show her strength and the excellence of Qin Fangge's works. Especially in front of the vice president of the Curtis Institute of Music, Wu Hongqin naturally went all out.

When Qin Fangge communicated and discussed with them, he didn't have anything to hide, and he didn't need it, there was a lot of truth, in fact, everyone knew that because of the difference in physical fitness, he couldn't be so good.

Qin Fangge didn't say that he found another way, but at least through his own perverted talent, super computing ability, and perfect control over his body, he opened their eyes to them, and it turned out that they could play the piano like this. Qin Fangge asked them to be strict with every note, saying that it was a truly great work, and no note was superfluous or wasted. He also taught them how to play the piano with their brains, not just muscle memory.

Now, Wu Hongqin shows the results of his learning during this time, and Ernst is really impressed.

When she came to the school for the exam half a year ago, her level was not so high, and she felt that her current piano performance level was almost the same as that of Zhou Jia, a few young pianists who had been famous for a long time.

What makes Ernst feel even more nostalgic is that Wu Hongqin has not stopped, or is proud and complacent, and plans to study with Qin Fangge for a few more years before going out of the mountain.