The leaders of the academy on the second floor are not straw bales, and the professors of the Department of Folk Music are shaking their heads slightly, probably thinking that it is a pity not to be a soloist with such a talent.

But the audience doesn't care so much, they just listen to it.

Qin Fangge and the girls did not disappoint them, from the prelude to the end of Huang Jing's Gaohu, the melody has always been very catchy, and it has also made many people immersed in the wonderful world of music, and they don't have time to think about other things.

After a period of bustle, Teng Shuting's keyboard, as the protagonist, is ready to start another chapter of music. Electronic synthesizers are commonplace in pop bands, but in folk bands, they are extremely rare. Many people don't know what they thought at the beginning, and they know more about Teng Shuting's background, and they are wondering if they are influenced by her father Teng Jianhui and want to rock folk music. No, they still have guitars and drums in this band, and with a bass, they can have a concert. They also have some bass instruments here, and the most conspicuous one is the double bass that is taller than the girl who plays.

However, here, Teng Shuting did not show off her keyboard playing skills, although she is quite proficient in it, and even her piano level is not comparable to the level of piano performance.

When Qin Fangge was creating this paragraph, the task that the keyboard had to undertake was to carry on the past and the future, and play an excessive role.

Although the form of the whole folk music ensemble is scattered, if it is really allowed to continue to be scattered, there is really no way to end it, and the structure must still be there.

In this section, the rich expressiveness of the keyboard is well expressed, and it can simulate the sound of many musical instruments, and even complete a piece of performance independently.

But Qin Fangge still let other folk instruments join in, also to dilute the feeling of electronicization, with Huang Jing's erhu and Lin Baoqing's guqin and other national musical instruments to play, the overall feeling will be much better.

Teng Shuting herself also studied composition, so she is naturally very aware of this. But she is still a well-deserved protagonist in this section, using the rich timbre of the keyboard to lead the sisters to get high together.

This music is also very exciting, and the girls also release their passions to the fullest, and they have been very unhappy in the front.

After the end of this wonderful music, many people think that it is the end of the whole music, after all, the time is not short, just here, it sounds like the last carnival.

Some people even couldn't wait to applaud, and in the concert hall, it seemed a little harsh Nine Realms Climbing God.

But soon, Ye Xiuling's high-pitched and loud suona sounded, with splendor and festivity, and immediately suppressed these applause.

Ye Xiuling is petite and exquisite, but her small body seems to contain endless energy.

A high-pitched and loud, but just and soft, melodious suona, people can't help but worry about whether she can catch her breath.

But these fears proved to be unfounded.

Ye Xiuling's motive for Qin Fangge was nostalgia, wanting him to help, showing the rigid and soft side of suona. Originally from the Loess Plateau, she is alone and often misses her hometown.

Qin Fangge took this theme and composed this suona concerto, which is about the same duration as other songs, all of which are about three minutes. In this concerto of suona, Qin Fangge is not limited to the rough and unrestrained suona, but focuses on the delicate and graceful side.

He has studied suona with Ye Xiuling for a period of time, and has seen a lot of photos of her hometown, heard her tell a lot of hometown stories, customs, and listened to her tell her about her eager longing for her hometown. Girls who are alone will always have such emotions, even if they are accompanied by many good friends and sisters, homesickness is still inevitable.

Qin Fangge also gave full play to his imagination and carried out artistic processing, but he couldn't really connect directly and seamlessly with the real version of the Loess Plateau, and there would be a big psychological gap.

The most beautiful thing is after art, and even Ye Xiuling herself admits that there is a big gap between the hometown she misses and the real hometown. It seems that in my thoughts, everything is very beautiful.

After Qin Fangge finished the creation, he also discussed with her to see if he needed to make any further modifications. Ye Xiuling studied it carefully and played it herself, saying that she didn't need it at all.

With the longing and nostalgia for her hometown, Ye Xiuling was extra attentive and affectionate when she played this music with a strong hometown color.

Zuo Shuqin and the others all understand Ye Xiuling's thoughts, and their cooperation with her is also very tacit. Of course, this tacit understanding is also exercised through long-term practice. Especially this kind of work with a strong local style, for others, it is a challenge, which is constantly cultivated in the process of Long Fujin and Teng Shuting stopping and correcting again and again.

For this reason, they also communicated with Ye Xiuling more, and cared for her and loved her.

Such a heartfelt performance brought to the audience, as well as the teachers and parents upstairs, and it was also a spiritual shock.

Girls' minds are originally more delicate, and when dealing with such homesickness, which can be said to be common to human hearts, they also show more and more brilliance.

Revert to one 's origin.

Among the people here, most of them are not Yanjing locals, and it is not easy to work hard in Yanjing, and in the quiet night, it is easier to miss their hometown, mountains and rivers, and their fathers and villagers.

The melodious and tactful sound of suona spreads with full of homesickness.

Fortunately, Qin Fangge was considered when he was composing, and there was no sensationalism, coupled with time constraints, after the audience's emotions were mobilized, they were transferred to mix again

。

This time, the erhu that is still the closest to the human voice and the most resonant with the audience is used.

The performer is Feng Lulu, she is the same as Ye Xiuling, she belongs to the sweet and lovely type, if you are more familiar with her, you will also find that she is actually a little cute, and her daze is still caught by Huang Jing and them, made an expression, and forwarded it within the Hongyan group.

Feng Lulu's motive for Qin Fangge is related to family affection.

Her family lives in Yanjing, and her parents are together, so she also feels very deeply about this kind of emotion.

This aspect is also Qin Fangge's specialty, and there are countless excellent works that have always praised family affection. But Qin Fangge chose to start from Feng Lulu's personal experience.

The erhu also has a special advantage when expressing this kind of emotion, with a tear-jerking effect, and if the erhu is called second, it is difficult for other instruments to be called first.

Family affection, especially parental affection, is the most selfless in the world, pity the hearts of parents in the world, I am afraid that it is difficult to find people in this world who are better to themselves than their parents.

Qin Fangge used to be a father, and his own experience was quite rich. But he chose to bury such an experience in his heart, and only expressed the common emotions of parents all over the world.

Sincere emotion, heartfelt performance, Feng Lulu has practiced a lot of time during this period, the key is to have a personal feeling, and it is tailor-made for her, if she doesn't play well, she has no face herself.

In addition, Feng Lulu also practiced the tunes of several other erhu players, and it can be said that the busiest people in the orchestra, except for Teng Shuting, are a few of them who learn erhu.

And in this paragraph, the tear gas bomb did not explode, only accumulated these emotions and saved them for the subsequent outburst. And whether it is Feng Lulu or Qin Fangge, they don't want to see the scene of pulling themselves and others into tears.

After the erhu is Li Ruoli's sheng, which, like her person, is beautiful and elegant, crystal clear.

I have guests, drummers and shengs. - "Poetry, Xiaoya, Luming", Sheng, which has a long history, is now also constantly improving.

Li Ruoli, who was born in a classical music family, is particularly deeply influenced by traditional music culture. She is petite and delicate, with a weak temperament and a small guts. The girls in the orchestra also care for her as a little sister, but they still hope that she can be braver.

Li Ruoli insists on what he likes, and the things he likes are still more traditional, which is very similar to Lin Baoqing.

Her motivation for Qin Fangge is also to hope that the sisters will be harmonious for a long time, which is also very in line with Sheng's and her own characteristics.

And from the words about Sheng, it can also be seen that the sheng song is boiling, the sheng chime is homophonic, and so on.

Qin Fangge also created with such a motive, which is also completely the structure of classical music, and the musical image in it is also like Li Ruoli, a delicate and shy girl, with the fragrance of a book.

Such a girl, no matter where she goes, is worthy of love and care

。

In terms of melody, Qin Fangge will naturally not be lazy, and he has always maintained a high level.

Li Ruoli's sheng plays this beautiful and moving, gentle and lovely melody. The harmonies of the other instruments, one by one, are just like the care and love of the sisters for her.

And the audience can also tell in their suitability to play that the musical image is the girl who plays the sheng. She has a delicate temperament, a delicate body, and the kindest and most beautiful heart. At the same time, everyone can also hear the attachment and sisterhood, which can be vividly reflected in this song.

After that, it was Zuo Shuqin's guitar, and the expressiveness of classical guitar was one of the best among all musical instruments. However, usually, the most common contact is electric guitar and folk guitar.

Zuo Shuqin's motivation is also very selfless, and she is also willing to be excessive. However, Qin Fangge, the composer, always likes to play some special tricks, and when he is here, it is no exception, if he scatters it again, the whole piece will be completely unreadable.

With her paving effect, it also laid a good foundation for Han Wei's double bass later, but it was almost misunderstood by some audiences that the whole song ended.

However, at this time, anyone who still has some brains to think about it should know that Qin Fangge, this guy, will definitely not give up if he doesn't take the musical instruments in each girl's hand separately and let them be the protagonists.

Han Wei is actually a little quirky, and there is also an obvious gloomy side in her personality, even the motive for Qin Fangge, with sadness and decadence, a sad aesthetic.

But whether it is Qin Fangge or her sisters, they all hope that she can put away this inexplicable sentimentality and sorrow, and embrace a better tomorrow with a brighter attitude.

For this reason, the music he created is also entangled in romance and sentimentality, but in the end, it is still necessary to face it with a positive mood.

But everyone who engages in art seems to like this kind of tune, and Qin Fangge is not surprised.

After Han Wei, it is Song Xian, who is as famous as her name.

She is also a relatively demure nature, and for her, the guzheng is the vast majority of life and learning, and then it is to read and think.

The motivation she gives is to think about life and the future, which seems to be a particularly difficult philosophical question to solve.

Fortunately, Qin Fangge's experience is complicated, and he can give some answers to such a situation. Of course, it is impossible to answer the question completely, and everyone's standards are different.

Even so, his understanding is much deeper than that of Song Xian.

In the eyes of the audience, it also seems very profound, but all of this is packaged in a delicate, elegant, and beautiful melody, just listening to it once or twice, it is difficult to understand all the emotions behind it, even if Song Xian's guzheng performance level is already quite good, and the cooperation with the sisters is also very good.

After Song Xian, it was Kanako's Gehu. In order to join the Jinse Huanian Orchestra, the sacrifices she made were no better than Huang Jingxiao's reborn life

。

Her motivation for Qin Fangge is strong, and she also has a bit of the flavor of Kyoto, Japan, after all, she grew up there since she was a child, and it is her second hometown.

Qin Fangge also expanded more on this according to her own situation.

The musical image also starts from the origin of the erhu, which is divided into two lines and spread to Japan, where it is inherited and developed. The other line is naturally on the Chinese side, and then there is mutual exchange and communication, which naturally has some flavor of Japanese music, but in the end, as Kanako did, the leaves fell back to their roots and returned to Chinese orthodoxy. Among them, it is also mixed with the longing of overseas travelers for their hometown, full of positive energy.

Not to mention, although Qin Fangge is lazy, everyone is quite satisfied, including Kanako or Li Zhilan.

In just three minutes, it was almost tossed by Qin Fangge into a historical drama about erhu, ups and downs, and full of anger.

The difficulty of playing in this is naturally not low, but Kanako is talented, and she has more real feelings, and after practicing hard for three months, she has communicated with Huang Jing, Qian Shuyuan, Feng Lulu and them many times, and it is naturally not a problem to take it down. It's just that Teng Shuting suffered, she has too much work to do.

The final finale was handed over to Lin Baoqing to complete.

Lin Baoqing's folk music skills and performance level are the highest among the girls.

And she has high ambitions, her motivation is particularly lofty, and the inheritance and development of national music is also her long-standing ideal.

Therefore, Qin Fangge also put this theme at the end, and it also echoed the motive theme chosen by Kanako.

No matter where the essence of traditional culture and folk music is, if they want to inherit and develop traditional culture and folk music, they still have to rely on their own efforts in the end.

And what they are doing now, is such an effort.

The harmony, texture, and organizational form of folk music, no matter what they come up with, must take years or even decades of effort.

Regardless of whether their efforts will be recognized by everyone, Lin Baoqing feels and firmly believes that they should work hard to do it, make progress in continuous attempts, and have no regrets even if they make mistakes or have ups and downs.

Among them, Qin Fangge's role is very huge, and it is a great achievement for him to save this orchestra. Not to mention the many musical works he has composed, especially the continuous exploration of unprecedented folk music.

These ideals and feelings are hidden under the melody that sounds particularly gorgeous and beautiful, and is particularly attractive.

Lin Baoqing can't take it lightly when she plays, but she is relatively indifferent, and her appearance is still as light as flowing water, and the music she plays is still ancient and leisurely.

Lin Baoqing said when he was practicing with his loyal partner and ally Teng Shuting, who is also an ally who realizes their ideals together, "As long as one percent of the audience can understand, we should be satisfied!"