At the beginning, when Long Fujin and Wu Yifen, two professors of the composition department, commented on this music, they sighed and said that with the current level of Qin Fangge, they can start a sect!

Qin Fangge is naturally modest, and also said that let the audience test the world of bullets.

This put an inexplicable pressure on Xiao Jingru.

Fortunately, she has never been a person who is afraid of pressure, and she is indeed a soft girl from the water town in the south of the Yangtze River. However, the Jiangnan described by Qin Fangge in this music is very different from the Jiangnan she has been in contact with since she was a child. In the era of market-oriented industrialization, not only the place has changed, but even people's hearts are only oriented towards money.

So, Xiao Jingru did not hesitate, and resolutely chose to follow Qin Fangge, using music and the bamboo flute in her hand to pursue the kind of beauty that only exists in imagination, which is also the magic of the music world.

Judging from the audience's response, whether it is Qin Fangge or Xiao Jingru, they have done it very successfully.

The melodious flute sound gradually fades away, just like the beautiful Jiangnan in that impression.

Although dreamy, beauty is beautiful after all, and it is also worth thanking to be able to leave such an impression in people's hearts.

After the flute, Yu Xiaoxia's three strings appeared on the stage.

Xiao Jingru's flute sound is reminiscent of Jiangnan, and Yu Xiaoxia's three strings make people think of Cantonese music for the first time.

Xiao Jingru is a typical Jiangnan girl, with a petite physique, gentle and beautiful.

Yu Xiaoxia's words are much more ordinary, especially her skin, which is the darkest among girls. But today, You Jiayu, a professional stylist, is here, and under her skillful hands, Yu Xiaoxia instantly transforms into a beautiful woman, as kind and lovely as the little sister next door.

In the usual activities of the sisters, Yu Xiaoxia is the one with the thinnest and least prominent sense of existence. If she hadn't joined the orchestra and often worked with Song Xian, it is estimated that she would have really found friends.

However, at this moment, when the sound of the three strings sounded, Yu Xiaoxia was the protagonist of the stage, and she was also the focus of attention of the audience in the entire concert hall.

When Qin Fangge tailored this music work for them, he did not ignore Yu Xiaoxia, even if her sense of existence is indeed not strong, and people are relatively silent. He also studied and discussed with her that the three strings are also very ancient instruments, but the more he studied them, the more he felt that they were profound and profound.

As the saying goes, "A thousand days of pipa and a hundred days of zheng, half a lifetime of three strings can not be learned." ”

It refers to the three strings, a very traditional national plucked instrument, and the level of difficulty in playing is quite high.

Coupled with Yu Xiaoxia's own musical talent, she is not particularly outstanding among a group of girls, and it is difficult to be particularly brilliant in ordinary times.

When Qin Fangge was creating, he was also troubled by Sanxian. The key is also that there are actually many types of three strings, in addition to the big three strings and small three strings, even the electric three strings, and there are many types of three strings in various restructurings, and there is no unified standard. But in this piece, he still uses the small three strings that Yu Xiaoxia is good at.

Originally, in Cantonese music, the three strings were mainly used as ensembles.

But in Qin Fangge's eyes, any musical instrument can be used as a solo. The volume of the three strings is large, the timbre is rich, and the range of variation is large, and it is also a yin and yang supermarket that can be the protagonist

。 It would be even better if there were other instruments to help with the concert.

He also created based on the motivations given by Yu Xiaoxia, combined with her own personality traits, as well as the characteristics of the instrument itself.

The music creation of an instrument like this is best written with local characteristics. The average three-string player directly adapts other music into a three-string version, and naturally, there will be situations where the water and soil are not adapted.

Qin Fangge naturally does not make such a mistake, and the music he created is also quite in line with the characteristics of Cantonese music, short and concise, with a brisk and lively style, lingering and delicate, smooth and beautiful, which makes people feel relaxed and happy after listening to it.

If it was played on three strings alone, Qin Fangge's grasp was not so great.

But with the concertos of other instruments, he has a lot more choice when it comes to his creation. In addition, when he was learning the three strings with Yu Xiaoxia, he listened to her talk about the situation in his hometown, and created this paragraph, which is particularly vivid, and was happily called by Yu Xiaoxia as the three-string concerto of "Rain Hitting Basho".

Of course, in traditional Cantonese music, there are works like "Rain Hitting Basho", but Yu Xiaoxia herself doesn't like it very much. She also feels that the musical image of this section created by Qin Fangge for her is more prominent, and it is also based on her story, her motivation for writing, coupled with Qin Fangge's mature composition technology, rich imagination and unparalleled creativity, from a certain point of view, it is simply an irreproducible miracle.

She also showed this music to her advisor, and Professor Yu applauded it.

Qin Fangge depicts all kinds of details of the rain hitting the plantain through music, among them, the performance of the three strings is important, but the concerto of other instruments is the most noteworthy place.

Of course, it must also be done by the person who plays the concert.

For this reason, Teng Shuting and the others also spent a lot of effort on this three-string concerto, and Wu Yifen and Long Fujin, two professors of the composition department, also boasted about Qin Fangge on this section. Then, the requirements for Teng Shuting and them are also higher, and this change in performance style has also made them all very miserable for a while, and there seems to be no other way than hard practice. During this period, Qin Fangge had a very chic life, and was ridiculed by them.

But it turns out that all this pain, diligent practice, is of special value.

Seeing Yu Xiaoxia's brilliant smiling face, Teng Shuting felt that everything they did was particularly worthwhile.

This piece of music, sandwiched in the whole music, is actually not abrupt, but also because there is Xiao Jingru's Dizi Jiangnan in front of him as a foreshadowing.

When the audience listened, it felt like they had changed places and unfolded another wonderful scene.

Qin Fangge, this guy is very good at grasping the rhythm, and he cherishes time like gold. Without giving the audience time to think carefully, it moved on to the next scene.

Wu Yifen once laughed at Qin Fangge, saying that he didn't even seem to know how to irrigate. If it were any other composer, it would not be uncommon for the previous inspirations to be expanded into an hour or so of music. Only Qin Fangge can unleash his talent and talent freely.

This three-stringed drum is lively and relaxed, and when Pan Lina's drum kit is the protagonist, it is simply dynamic and fashionable, and the drum sound is very rhythmic, and even makes many people's bodies move with it

。

Of course, the sound of the drums alone is certainly not enough, it is too monotonous and boring, and it is still indispensable to cooperate with other instruments.

Everyone's famous focus has shifted from Yu Xiaoxia to Pan Linna in front of the drum kit. And then all with a kind smile. Indeed, if the burden on the girl is too great, it will be painful to play percussion.

Pan Lina does not have such a problem, it seems that as compensation, her face and skin are particularly beautiful, and even she is very tall. But the advantage is also that she can unleash her fiery enthusiasm and passionate sweat.

Pan Lina originally studied ethnic percussion, and in response to the needs of the orchestra, she played a more powerful drum kit, and she was also at ease. In the yin and yang folk music department, Pan Lina has become a rare animal in their percussion department, like her trademark flat chest, because the percussion boys occupy an absolute advantage.

They also formed a percussion group and invited Pan Linna to participate, but she did not accept, and after joining the Jinse Huanian Orchestra, the sisters still regarded her as a national treasure. As for the reason, Huang Jing often talks about it, "Flat chest is a precious resource!"

Pan Lina is also a particularly lively and cheerful lord, and the motivation for Qin Fangge is also quite dynamic and lively. What else to say, to highlight her characteristics of a fashionable and athletic woman, among girls, she is indeed the most athletic. Fortunately, she has to exercise both hands, so as not to become unicorn arms, but the muscles in her hands are more and stronger than those of her sisters, which is also something that bothers her extraordinarily.

But when it comes to this, in fact, girls have their own troubles. With so much time spent practicing musical instruments every day, everyone will feel more or less tired, but it also highlights the importance of correct posture.

The lively rhythm melody brought up by the drum kit, the wonderful and compact rhythm, under the concerto of other ethnic instruments, gradually condensed, layered, and finally burst out in a concentrated manner.

Full of rhythm, just like their youth, so vigorous and unstoppable.

Some people also think that it is not a little out of tune with the overall atmosphere, but think about it, those gongs and drums are noisy folk music. Sure enough, there is a contrast to see more thoroughly. Even compared to those percussion ensembles, they are too conservative, and they have a strong girlish atmosphere.

They can't play that rough to the extreme, and it also makes people sigh that girls are girls after all. But now it seems that the main practitioners and inheritors of folk music are girls, and it is no secret that folk music is in full swing and in decline.

After the lively and jubilant craze brought by the drum kit, Wang Zizi's Zhongruan stood up again and sang the leading role.

In fact, just like Wang Zizi herself, no matter where she goes, she will be the focus of attention.

Wang Zizi tonight is also dressed very strongly. But with Qin Fang's singing and singing of Zhuyu, a girl from their vocal opera department, Wang Zizi, who usually looks a little exaggerated offstage, is very ordinary after going on stage.

Her beauty did not bring her too much burden, and in the eyes of outsiders, Wang Zizi was also extremely cold and unapproachable. Only people who are particularly familiar with her know that her inner enthusiasm is like fire, and there are even many funny places, and Qin Fangge feels very deeply about this.

Aside from the discussion and evaluation of her appearance, Wang Zizi has attained attainments in Ruan's musical instrument, but there is no pop-up window for the perfect star that is quite deep

。 was able to enter the Huaxia Conservatory of Music at the beginning, but not only because she was beautiful, but she had no real hard power, so she couldn't get in.

And here, Wang Zizi uses the middle ruan as the middle part of the orchestra, the high ruan is also the small ruan, the big ruan is five degrees lower than the middle ruan, this is the middle music instrument, Wang Zizi can take it down, everything still depends on the needs of the orchestra.

The theme of her song to Qin Fang is also warm and lively, which is the same as her own character. She and Chen Tianhong, Pan Linna, and Huang Jing are a few noisy guys, Qin Fangge has already seen them.

As a traditional plucked instrument, Zhongruan's timbre is pure and mellow, like a pearl falling on a jade plate, which is pleasant to the ear and elegant and luxurious. After a series of improvements, Ruan's expressiveness has been greatly increased.

Moreover, Ruan's appearance is very beautiful, round and charming, and when the girl is held in her arms, it feels even more obvious. Wang Zizi's Zhongruan, made by a famous artist, has a demure, soft, very poetic tone, and when it is played with a melody, it is even more elegant and moving.

However, what Wang Zizi likes is that it is a lively and relaxed, pleasant and moving type, and when Qin Fangge was creating, she also fulfilled her wish. But I didn't forget to show her lively and cheerful at the same time, but also to show another elegant and noble side.

For such a good thing, Wang Zizi has no reason to refuse.

In fact, when Wang Zizi sat there quietly and played, most people couldn't imagine what kind of character she would have.

There are a lot of musical works about Ruan, and there are various genres, but Qin Fangge does not intend to follow the old path of others. He also mainly combines it with Wang Zizi's image, beautiful, exquisite, passionate, and the pursuit of truth, goodness and beauty.

As the protagonist, Wang Zizi also cherishes such an opportunity to play her own music with her beloved Ruan. She has a wealth of performance experience, and when she was working outside, she played in public, so naturally there was no tension or anything at the moment. Her sense of musicality is very good, and she usually practices very hard, in fact, with her appearance, no matter how bad her level is, everyone will applaud warmly. However, she has very high requirements for herself, and the pressure is also there, and she doesn't want to be regarded as a vase-like role, and it is necessary to play kung fu solidly.

The other sisters also tried their best to help her realize her dreams, and the music played by the sisters together was as beautiful as ever, and Qin Fangge never spared his own talent in this melody, which was the most ear-catching point.

The concerto time of Zhongruan is about the same as that of other instruments, which is about three minutes.

Of course, Qin Fangge did not forget, echoing the whole work, through various foreshadowing, propulsion, maneuvering, contrasting and other techniques, once again forming a small Gao Qi Dynasty.

Seeing Wang Zizi hugging Zhongruan, full of passion, many boys' eyes were straight.

In the handover of Wang Zizi's eyes, Huang Jing quickly took over the heavy responsibility she passed over, and the high beard in her hand also pushed the atmosphere that Wang Zizi had just brought back to a new high.

The performances of these young and beautiful girls on the stage make people feel pleasing to the eye after watching them. And the beautiful melodies they play make people feel full of freshness, and after listening to them, they have infinite expectations.

Audiences who have not heard this work before could not have imagined what kind of surprises and novel musical experiences they would bring to everyone with the instruments in their hands

。

In addition to the contribution of Qin Fangge, the composer, the beautiful performers on the stage are even more indispensable.

Huang Jing is also a beauty, and after dressing up carefully, she looks more and more so.

What is even more commendable is her exquisite playing skills.

In the Jinse Huanian Orchestra, Huang Jing is considered to be the most likely soloist, as well as Lin Baoqing, and Kanako is also one.

However, Huang Jing, a girl, is very attentive to the orchestra and attaches great importance to sisterhood, so the idea of being a soloist is not so strong.

At the same time, she is also very brave, even radical, with many crazy ideas such as making erhu rock.

She now plays the takahu, and she also took the initiative to propose it herself, at that time to get Kanako to join in. She plays the gaohu herself, while Kanako is responsible for the bass gehu to enrich the various parts of the orchestra. For this reason, Qin Fangge, the composer, also spent more thought and energy on creation.

Huang Jing is also the most active person to hand over her motivation to Qin Fangge, and now she plays the gaohu, occupying the natural advantage of the high notes, and Huang Jing can show off her skills to the fullest.

Qin Fangge's Gaohu Concerto composed for her also strongly highlighted this point at her request, and even added a high degree of difficulty to it. Even for a talented person like Huang Jing, it can be regarded as a challenge, but she is not afraid, but bravely rises to the challenge. When Qin Fangge was creating, he didn't think about really stumping her, but helped her keep improving and challenge her limits.

Under Huang Jing's diligent and unremitting efforts, she was not afraid to ask the professors for advice, and she quickly overcame the technical difficulties, and the emotional processing was what made her practice hard. She also said more than once that Qin Fangge was a pervert, and he only regarded this as a compliment to him.

In this Gao Hu concerto, Gao Hu's performance contains a lot of possibilities, all kinds of wonderful musical ideas, just like not asking for money, which makes people dizzy. He also made it clear that Huang Jing should show something deeper when he kept playing at a high speed.

Just referring to Gao Hu is not enough to express it vividly, but there are also a variety of folk instruments to help with the concert. It's just that Huang Jing feels that the difficulty has not decreased, but has increased a lot. This also requires the tacit cooperation between her and her sisters, and everyone spent a lot of effort to overcome this section.

But these efforts have now paid off, and Huang Jing can also feel the tacit feeling of everyone communicating with their hearts when they are fully engaged in playing.

Now Teng Shuting doesn't need to use her eyes or words to command everyone at all, the sound of the keyboard in her hand is enough.

This Gaohu Concerto is gorgeous, wonderful, colorful, and the tone is always rising, just like climbing a peak. Not only Huang Jing likes this feeling, but the audience below the stage also encouraged and cheered for her in their hearts, and she also lived up to expectations, leading her sisters to overcome difficulties and obstacles and climb to a higher mountain. The cool breeze here is blowing, the mountains are small at a glance, and the scenery is breathtaking.