This is a breeze and bright moon night, the breeze in front of the main hall, the moonlight dissolves, warm and moist like water, the queen mother specially let the turkey light the silver candle, put the incense, the smoke is thick, curling and rising, and it is like a fairyland. After the Empress Dowager www.biquge.info bathed and changed her clothes, she was even more radiant and radiant, and she deliberately wore a flowing dress, she said softly: "Let's learn Guzheng today." "I saw a few cases have been placed on an antique antique zither, look carefully, is carved with the best texture clear agarwood finely carved, there are exquisite rhino jade gold color, the stars are dotted as decoration, there are golden boy heads, jade girl waist, fairy back, dragon pool, phoenix swamp, jade, gold emblem, it is really ingenious, royal level, fine selection of materials. Bao Zhao's poem No. 7 of "Quasi-Ancient": "In the dust box of the mirror, Yaoqin is snared. Wang Changling's poem "Autumn Night Waishi Meeting with the Master Zhenren": "Yaoqin thinks far, and it is even more polite. "Fang Wen's "Shijiu's Visit to Han Yuanchang": Zhushu folds first in autumn, and Yaoqin hurts me alone. Because the ancients believed that the music played by the qin was the music of the heavenly Yao Pond, they called the qin "Yao Qin".

This guzheng is obviously prepared, waiting for my big drive, a glimpse of the face, after coming to ancient times, it is really endless to learn the sea, learning endlessly, this age I have to start learning the piano again, in the modern society a little better zither have to be two, thirty thousand, the price is expensive, and this workmanship is so fine, the material is so good, to be able to bring back, you have to change how many BMW Mercedes-Benz swaggering through the market, I thought to the ape.

After the queen mother adjusted her clothes slightly, she sat in front of the guzheng and gently plucked it with her jade fingers, it was really melodious, the timbre was pure, the charm was full, the aftermath was lingering, and it was endless for three days, I couldn't help but applaud, the queen mother saw me intoxicated, and was very happy: "Yue'er, I guess you also know a little bit about it, come, you can also try it-" I was at a loss, but I saw that the left part was very empty, so I played it on the left side in a mess, the queen mother smiled slightly, and said step by step: " Yue'er, wrong, it seems that you really don't know anything about the guzheng, this guzheng is only played on the right part, this green string is the sign sound, the lower note is the feather sound, what is the sound above?"4", I said tentatively, the queen mother corrected me: "Wrong, it is the horn sound, in the thirteen roots of the guzheng, there is no such sound, Gong, Shang, horn, sign, feather, you have to assist the left hand to play out." ”

The Queen Mother pointed to the guzheng carefully and said: "Zheng, usually people call it guzheng, simple and elegant, is one of the oldest plucked instruments of Han national string music in China, with an enduring history. The earliest record can be found in Li Si's "Book of Expulsion of Guests" in the late Warring States period, when the Zheng was equivalent to the national music of the Qin State, and was called the voice of the true Qin, also called the Qin Zheng, and the fact was explained in the book "Interpretation of the Name" by Liu Xi of the Eastern Han Dynasty. This shows that the zither is named after the "zheng, zheng" emitted by itself. Ruan Li, the seventh son of Jian'an, praised the Zheng as the crown of public music in "Zheng Fu", describing its sound as conforming to heaven and earth; From the shape of the Zheng to the teacher of the instruments, the musical effect, the artistic style, the playing technique, the musical aesthetics, and the social influence have made an incisive discussion, the Zheng has become a kind of "high and low" musical instrument, and praises the dominant position of the Zheng in the many musical instruments with vain, bud, crown, endowment and cage. It can be seen that the guzheng is a very noble musical instrument, which is widely valued by scholars and scribes in the government and the opposition, and has reached a high level in terms of expressive ability, playing skills and production technology.

Let me introduce you to the structure of the guzheng - it is composed of a panel, a goose pillar, a string, a front mountain, a string nail, a tuning box, a foot, a back mountain, a side plate, a sound outlet, a bottom plate, and a string hole. The shape of the zither is a rectangular wooden speaker, and the string frame zhengzhu (i.e., the goose pillar) can move freely, one string and one tone, arranged according to the pentatonic scale. In the long years, the guzheng has changed a lot, from the initial five strings to the Han and Jin dynasties before and after the development of 12 strings, in the Tang Dynasty and another string was added, the development of the current 13 strings, the panel of the guzheng is arc-shaped, the bottom plate is straight, Yueshan is also called the wooden beam or mountain pass, there are two Yueshan, one is at the junction of the panel and the head of the zheng, called the former Yueshan, and the other is at the junction of the panel and the tail of the zheng, called the Houyue Mountain. It is the vibration transmission pillar of the zither strings and panels. The strings of the zither are mounted on the panel, and each string is supported by a zither pillar, and there are several strings with several pillars, because its arrangement resembles a flying goose, so it is called a goose pillar, commonly known as a yard. The common goose in ancient poetry and the promotion of the pillar are precisely due to the fact that the zither has a goose pillar. Guzheng has a beautiful timbre, a wide range of sounds, rich playing skills, it has a five-tone chord sequence pronunciation, very rhythmic; the rich and colorful playing techniques of the left hand, profoundly and skillfully express the heart of the person, the sound of the zither is wonderful and peculiar, sonorous and crisp agitated, that is, it can express the small bridge and flowing water, the beautiful and lyrical tune, and can express the majestic and breathing music of the mountains and rivers, which makes people fascinated, the zither is excited, and the new sound is wonderful.

The former dynasty poet Xue Neng's "Jingzhong Guest House Wen Zheng" - twelve and three strings with a total of five tones, each sound is like cutting off people's hearts. At that time, Xiang Xiu heard the flute of his neighbor, not that he had been away from home for a long time. Wang Renyu's jade fiber picked off the sound of ice splitting, and dispersed into the autumn sky rhyme. Twenty-five fingers in the middle sentence of the goose, thirteen strings on the spring warbler. The score was stolen from the pottery room, and the song was written to Qin Lou. The women in the palace with infinite thin waists are in the middle of the love of the king of Chu. Li Bai also has a poetic face and a cloud ring sitting in the jade building, and he is sad for a while in the thirteen strings. It can best express the vocal range of the guzheng. Before the Tang Dynasty, the kite players generally used real armor to play, Bai Juyi's sorrow came at the end of the year, hatred into the strings, the beads were broken with a thousand fingers, the knife was cut off, Cao Xun's "Chaozhong Cuo", the Zheng persuaded the wine glass to be deep. Singing and dancing. Show fingers on the thirteen strings, provoking the jade and gold. The brocade surface of the tooth table, gently move the goose pillar, and turn low to the new sound. Miao is not need silver armor, to say to people to do their best, but the real nail is easy to wear, now we use the prosthetic armor, mainly horns, ivory, tortoiseshell, etc. to play the kite, of course, it was also used in ancient times, Liu Yuxi's "Hurt Qin Shuxing" waiter cried to collect the silver armor, Du Fu's silver armor to play the kite, Bai Juyi's "Zheng" The armor of the silver Xuan, the pillar touches the jade exquisite-"The Queen Mother said, while skillfully bringing the prosthetic nail to her spring-like nails, and then turned to me to bring it gently, and a warm current surged to the heart.

The Queen Mother gushed and said: "Pay attention to playing the guzheng, have no distractions, concentrate, don't be disturbed by the red dust and worldly foreign objects, and enter the state of emptiness, so that you can become one with the qin." This technique is skillful and free, and it can also integrate thoughts into the sound of the piano. Playing the guzheng should pay attention to the demeanor, raise the head and chest, the posture is beautiful, the body and mind are relaxed, playing the piano is not only to please others, but also to make the soul ethereal, empty, but also to please yourself, Wang Wei's playing the piano realm makes people yearn for - sitting alone in the secluded fence, playing the piano and roaring. People in the deep forest don't know, and the bright moon comes to take pictures. Li Bai's is also good, in "Listening to Shu Seng Rui Playing the Piano", he wrote that Shu monks hugged Luqi and went west to Emei Peak. Wave your hand for me, like listening to ten thousand songs. The guest heart washes the water, and the aftermath rings into the frost bell. I don't feel that the blue mountains are twilight, the autumn clouds are dark, and I wave my hand, such as listening to ten thousand pines. How chic and wanton this kind of piano playing. When playing, through the left hand press, press, release and other fingering can play portamento, change the tone, the guqin is the left hand to press the fingers into the sound. One string has multiple notes, and you can use open strings, pressed strings, etc., colorful, each different, come, I'll listen carefully to the last paragraph at will——"

The Queen Mother is really like Bai Juyi's poem "The cloud bun is fluttering green, and the flowers are beautiful and red." Cut autumn water with both eyes, and peel spring onions with ten fingers. Zhang Gu's "night wind produces pilasters, spring water swallows red strings" sure enough, the sound of the piano is clear, endless, the sound of the empty strings is loud and vigorous, macro like a copper bell; the overtone is transparent like a pearl, the treble is light and crisp, like a bell in the wind, the alto is bright and sonorous, and the bass is thick and powerful, like the roar of a mountain spring, and the various glides in the sound are soft and soft like a song. It's really "Zhu Xian's voice is different, and the jade pillars are similar", "The ten fingers of the inch heart have long and short, and no one knows the wonderful".

"Then let's start with a song, you listen to it-" The Queen Mother sat down gracefully, smiled lightly, gently brushed her sleeves, raised her jade fingers lightly, stroked the surface of the piano, condensed and pondered, looked left and right, autumn water contains waves, Gu Pan Shengsheng, sincere feelings, hundreds of turns and thousands of lengths, simple and elegant, clear and elegant. Just like Yan several "Bodhisattva Barbarians" - lamenting the kite and making "Xiangjiang Song", the sound is written all the Xiangbo edge. Finger the thirteen strings, and the hatred will be passed on. When the autumn water is slow, the jade pillar is flying geese. When the spring is broken, the eyebrows of Chunshan are low. The broken rainbow falls on Pingshan, and the oblique geese are walking safely. The nail bell is double-cut wood, and the thousands of beads are mixed. The dragon cries the jade sea, and the night swallow is carved in the language. For a while, such as the mountain stream spring singing, the flowing water murmuring, the wind blows the willows, the horse rattle, the ring bell rings, the empty valley orchid, the lonely Hong flies by, the aftertaste is long, for a while it seems to be a rapid rain knocking on the steps, the rain hits the plantains, the wind rises and clouds, the waves hit the shore, the lightning and thunder, the river flows eastward, the moon stars are scarce, the breeze is slow, the queen mother's skirt is fluttering, curling Tingting, Qianqian ten fingers, trembling, pressing, slipping, kneading, two-pronged, melodious and wonderful, melodious and melodious, let you flutter like a fairy, like intoxicated, like a dream. Emperor Wu ascended to heaven and stayed in the Dharma song, and the sadness covered up the string pillars. The people of Shangyang Palace complained about the moss, and they wanted to pity the jasper this night. The woman stabbed the wall of the high-rise building, and the sorrowful ape called the moon parrot Hu'er. The ten fingers of the inch heart have the length and shortness, and no one knows where the magic is in the gods.

After the song was finished, I was still immersed in it, and the Queen Mother said slowly: "Wu Rong wrote exceptionally well. "Li Zhou's Song of Playing the Zheng" The ancients said that silk is not as good as bamboo, and bamboo is not as good as meat. When Wen Jun was seven or eight years old, he knew all the five tones and six rhythms. The thirteen strings are the best, and the palace is young. Qingcong is accustomed to walking on the day of the long catalpa, and several times he has been called urgently. A word goose line oblique royal feast, Qiang Jin Yu Ling non-smoke. The beginning is like the five watches in the waning moon, poignant and dew cicadas. It is also like a stone pile under the leaves, and the cliff spring is flowing through the cliff. Hongmen jade bucket is on the ground, and the weaver girl Jin Suo flies to the sky. Sometimes the garden is full of flowers, and sometimes it is too liquid and the autumn waves are wide. When the head sits alone, the wind blows. The sky is open, the sacred heart is happy, and the purple gold and white beads are stained with gifts. Come out and return home without time, and go to the Qinglou to get drunk with the bright moon. In the year, he turned sixty arts into fine and wrote new songs in Liyuan. Recently, I am still melancholy, and the spring desert in my hometown is flat. Enshrine and listen to the words, and see the music from the rise and fall of the past. Just like Yizhou and Liangzhou, it is full of peaceful songs and dances. This guzheng is actually an easy-to-learn instrument, there is no age limit, no foundation is required, as long as you practice consistently and diligently, you will definitely learn well. As the most brilliant musical instrument treasure in the treasure house of Chinese millennium civilization, the guzheng, with its profound historical heritage, the sound of nature, has the effect of nourishing the soul, so that the practitioner of the zheng, imperceptibly cultivated noble. It can cultivate rich imagination, high concentration, bold expressiveness, deep understanding, excellent memory, good coordination, calm self-control, and determined innovation. Playing the guzheng well can also cultivate a good mentality and emotion, nourish the soul, and cultivate benevolence and harmony can also make you versatile, blockbuster, and stand out among the crowd. The most important thing is to let yourself return to the ethereal in the complicated red world, the unity of heaven and earth, no distractions, pure heart and few desires, cherish time, seize the day, thriving, make your life picturesque and no longer vulgar and boring. ”

The Queen Mother continued: "The Zheng is one of the popular musical instruments, it is deeply loved by people from all walks of life, and has the characteristics of elegance and common appreciation. There are more than 500 poems describing musical instruments and instrumental music in "All Tang Poems", involving more than 30 kinds of musical instruments, of which the number of plucked instrument poems is the majority. The number of Zheng poems is second only to qin poems and pipa poems, with a total of more than 130 poems. Under the pen of the poets of the Tang Dynasty, the art of guzheng was vividly described and became a glorious page in the history of guzheng. Li Bai, Cen Shen, Lu Lun, Bai Juyi, Li Duan, Yuan Zhen and countless other poets have written guzheng poems that have been passed down through the ages. Li Duan wrote the story of the Three Kingdoms in "Listening to the Zheng", singing the golden chestnut pillar of the zither and in front of the jade house. If you want to treat Zhou Langgu, you will always flick the strings by mistake. Bai Juyi's "Night Kite" is in the bright moon with purple sleeves and red strings, and he feels low and low. Su Shi's "Playing the Kite in Ganlu Temple" played the Divine Comedy on the multi-scene floor, wanting to break the mourning strings and urging again and again. Concubine Jiang listened to the fog and rain, and the white waves turned into the air and moved the floating jade. Summoned my family's Shuangfeng trough and sent it to the Three Gorges Lone Ape. Li Bai's "Spring Day Walk" The beautiful woman makes the day in the window, and the strings will play the zither in sign language. The spring breeze blows down the king's ears, and this song is a trip to heaven. Yang Juyuan's "Listening to the Zheng in the Snow" Yuzhu Ling Ling to the cold snow, what is the grievance of the Qing businessmen. Wang Wan's "Watching the Zheng" has a Qin Zheng in the virtual room, and the Zheng Crescent Moon is restored. The strings are many and the songs are composed, and the pillars are clear. Liu Yuxi's "Shooting with the Left-behind Wang Servant Shoots a Thing in Spring, from One Rhyme to Seven" Ying. Spring will be half, the sky wants to be bright. The beginning of Nanmo, the resumption of the east city. Lin Shu when the shadow, the flowers are dense but the sound is heard. The camp is in the middle of the piccolo, and the upstairs comes up to set the mourning kite. Liu Yuxi's "Winter Night Banquet in the River Li Xianggong Zhongtang Ordered Zheng Song to Send Wine" Lang Lang Chicken Strings, Huatang Thinks a Lot at Night. The snow outside the curtain is deep, and the people in the seat are half drunk. The green moth is clear, and the song is full of meaning. Chang Jian's "High-rise Night Kite Playing" is more than 100 feet tall and goes straight to the river level. The bright moon shines on the people, and the curtain is opened to play the jade zither. The mountain is high and the ape is in a hurry, and the sky is quiet and the wild goose is singing. The curvature is still not over, and the east peak is half a life. Wang Changling's "Listening to the Tune of the Flowing People": The lonely boat and the moon are on the maple forest, sharing the kite and the guest heart. The mountains are heavy and rainy, and the broken strings are closed and the tears are deep. Sadu Thorn "The Kite Presenter"? Silver armor plays fifty strings of ice, and the wind and geese in Haimen are in a hurry. Therefore, how much do people know about their grievances, and Yang Zijiang is full of moon. ”

I was also interested: "And Yang Weizhen's "Song of the Zheng"? Qin Zheng spits out the tune, and the jade pillar Yangqing song." The strings are broken according to the high tension, and the sound continues with the wonderful fingers. Hearing the sound around the beam, Ning knows that Yan is like jade. Li Duan's "Listening to the Zheng" sat in the jade building with a flowery face, and he was worried for a while in the thirteen strings. Pingjun played to Daoxiu and committed suicide in Jiangzhou Sima Tou. Li Bai's "Spring Day Walk" beauty is the window to make the day, and the strings will play the sign language and the zither. The spring breeze blows down the king's ears, and this song is "Ascension to Heaven". Xue Neng's "Hearing the Zheng in the Beijing Guest House" has a total of five tones in twelve or three strings, each of which is like cutting off people's hearts. At that time, Xiang Xiu heard the flute of the neighbor, not that he had been away from home for a long time. Li Shangyin's "Jin Se"? Suddenly heard that the river was declining, bitter and affectionate. Who to send? The smoke gathers and the clouds are collected, and it is Xiang Ling according to the agreement. Although I am not good at playing the piano, I also know a lot of stories. Boya drum and piano, aiming at the high mountains. Zhong Ziqi said: "Good! E'e Xi is like Mount Tai! Aiming at flowing water, Zhong Ziqi said: "Good! Yang is like a river! What Boya reads, Zhong Zi will get it. Boya swims in the yin of Mount Tai, dies in the rainstorm, stops under the rock, the heart is sad, is to help the piano and drum it. At the beginning, it was the operation of the rain, and it made the sound of the collapse of the mountain. Every time the song is played, the bell is full of fun. Boya sighed and said, "Good, good! The son listens to the husband's will, and imagines my heart." So Boya was overjoyed to learn that he was acquainted all over the world, and he knew a few people! After his death, Boya was overwhelmed with grief and felt that no one in the world could understand him so truly. It's really the death of a confidant. ”

The Queen Mother said happily: "Yue'er is not bad, Bo Gu Tongjin, then I will also join in the fun and tell a few stories about the piano." Shuzhong Mountain is bright and beautiful, and the earth spirit is outstanding, giving birth to many outstanding literati, Sima Xiangru is one of them. Soon after Emperor Jing of the Han Dynasty ascended the throne, Sima Xiangru came to Chang'an, and in his twenties, he became the guard of Emperor Jing of the Han Dynasty called Wuqi Changshi, but he was not reused and made him sigh that he did not meet a bosom friend. Sima Xiangru admired it very much, so he followed King Liang. It was at this time that he wrote the famous Zi Xuan Fu for King Liang. is like playing the piano in Liangdi, and life is very proud. King Liang praised his talent and gave him a piano named Luqi, which was engraved with the word Tongzi Hejing, which was a rare and valuable musical instrument at that time. In the sixth year of Emperor Jing's reign, Sima Xiangru returned to Shu, and it happened that the rich Zhuo Wangsun there prepared a banquet to entertain guests. The county commander Wang Ji and Sima Xiangru attended the banquet together. The guests were attracted by Sima Xiangru's dignified appearance and chic demeanor, and when the wine was familiar, Wang Ji asked Sima Xiangru to play a song to cheer up. At this time, Wen Jun had admired his literary talent for a long time, so he was hiding behind the screen and peeping. Seeing the figure swaying behind the screen, he knew that it was Wen Jun peeking, and he couldn't help but be secretly happy in his heart, but he pretended not to know on the surface. When she was invited to play the piano, she took the opportunity to play a song "Phoenix Seeking Phoenix", Zhuo Wenjun listened to it, her heart was touched by this beautiful music, and she was sensitive to capture the love and admiration that came with the sound of music. Sima Xiangru also loved Zhuo Wenjun, so he stayed in Zhuo's garden overnight with drunkenness, and the two were able to meet each other, so they made a private contract for life. This piano is the one that Sima Xiangru later used to play Fengqiuhuang, and Zhuo Wenjun ran at night after listening to it.

There is also a story that the Jin Ping Gong held a banquet to entertain Wei Linggong, during the banquet the pianist of the Wei Kingdom played the piano, and suddenly the musician Shi Kuang of the Jin Kingdom walked to the piano, held the piano down, and shouted: Don't play it any further! This is "Qing Shang", it is the sound of the dead country, in the past, King Yin Xun loved to listen to this kind of beautiful sound, so he lost the country, do you not fear the death of the country? Jin Ping Gong asked Shi Kuang: I love to listen to this kind of qin music, is this "Qing Shang" the best tune? Shi Kuang replied helplessly: There is also a beautiful qin song and "Qing Zheng". Ping Gong said to Shi Kuang: "You are the most famous violinist of our time, how about you play a song for us?" Shi Kuang said in a contemptuous tone: No, in ancient times, all the monarchs who listened to "Qing Hui" were virtuous and righteous, and your virtue was not enough. Pinggong begged: The widow loves music, please play the latest music to me, I want to reward you heavily. Shi Kuang felt that the king's order was difficult to disobey, so he had to sit down and unfold his piano. When he dialed out the first string of sounds with his wonderful fingering, he saw 16 cranes flying from the south, stretching their necks and chirping vigorously, while spreading their wings in a neat queue. As he continued to play, the sound of the crane and the sound of the piano merged into one and echoed in the sky for a long time. Jin Ping Gong and the guests attending the banquet were pleasantly surprised. At the end of the song, Jin Pinggong excitedly carried the wine jug, left his seat and toasted to Shi Kuang and asked: In the world, there is probably no more pathetic tune than this Qing Hui, right? Shi Kuang replied: No, it is far inferior to "Qingjiao". Jin Ping Gong couldn't help but say overjoyed: That's great, let's ask the Taishi to play another song "Qingjiao"!

Shi Kuang hurriedly shook his head and said: "Qingjiao" is an unusual tune! It was composed by the Yellow Emperor when he gathered all the ghosts and gods on the West Mount Tai, so how could it be played so easily? If it caused disaster, he would regret it, and Pinggong said that the Taishi should not worry too much. The things of the ancients are even more ancient, how can they be harmed now? What does it matter if you come and listen to it? Shi Kuang saw that Jin Pinggong must listen to it, so he had no choice but to play "Qingjiao". When a string of mysterious music flowed from Shi Kuang's fingers, people saw that in the northwest direction, the clear sky was in vain rolling black clouds. When the second string of speakers drifted away from the temple, a violent storm followed. When the third string of sound suddenly started, but saw a sharp wind howling, overturning the roof tiles of the palace, tearing apart the curtains in the room, all kinds of sacrificial heavy weapons were shattered, and the roof tiles fell to the ground. The hall was full of frightened guests who fled in panic and ran in all directions. Jin Pinggong was also so frightened that he hugged his head and ran away, lying under the pillars, and shouted in panic: "Qingjiao" can no longer be played! Shi Kuang stopped, and suddenly the wind and rain subsided, and the clouds opened and the fog dispersed. All the people present admired Shi Kuang's piano skills from the bottom of their hearts. Shi Juan, the musician of the patriotic country, opened his eyes, stepped forward excitedly to hold Shi Kuang's hand and said: Your skills are really shocking, crying ghosts and gods!

Another story is that the musician Ji Kang of the Wei and Jin dynasties opposed the rule of the Sima clique. Before his execution, he played his beloved "Guangling San" for the last time. After the song, Ji Kang looked up to the sky and sighed: I'm not afraid of death, but it's a pity that this "Guangling San" is probably going to become a masterpiece. If you throw the piano, you will be punished. Ji Kang's "Guangling San" is actually created on the basis of Yangzhou ancient music. After Ji Kang, "Guangling San" became known to more people because of his generous and tragic songs. "Guangling San" shows the story of Nie Zheng's assassination of King Han. Nie Zheng's father forged a sword for the Marquis of Han Ai, and was killed by the king of Han because of a delay. When Nie Zheng grew up, his mother told him the truth about his father's death, and Nie Zheng Fa Hui assassinated King Han to avenge his father. Nie Zheng practiced martial arts and practiced swords, but the assassination of the human palace was not successful. So he fled into the mountains to learn the piano, practiced hard for ten years, and learned outstanding piano skills. After returning to South Korea, Nie Zheng played the piano in the market, and the listeners surrounded him, and the horses and cattle stopped. Nie Zheng's reputation rose to prominence and attracted the summons of King Han. Nie Zheng hid the sharp short sword in the piano and entered the palace. In the palace of King Han, Nie Zheng played a piano sound like fairy music. When King Han, the ministers, and the guards were relaxed, Nie Zheng suddenly drew his short sword and stabbed King Han to death. People compiled this singing and crying historical story into "Guangling San". So, is "Guangling San" really lost with Ji Kang's death?" "The Queen Mother is quite good at telling stories, full of fun, and colorful, I listened to it with relish, and wondered if it had disappeared?"

The Queen Mother said: "In fact, "Guangling San" did not reverge with future generations because of Ji Kang's death. In the "Magical Secret Score" compiled and printed by Zhu Quan in the Ming Dynasty, the composition of "Guangling San" was included. There are a total of 45 sections in the full score, which respectively show the contents of "Piercing Han", "Chong Guan", "Anger", "Reporting the Sword", etc., all recorded in a book of "Mysterious Score", which restores this ancient masterpiece and makes "Guangling San" reappear in the world. ”。 It turned out that the "Magical Secret Score" of the Ming Dynasty, the founder of the Guqin Zhejiang School of the Southern Song Dynasty, was based on the "Mysterious Spectrum".

"Then where is this book," I asked curiously, "far away in the sky, close in front of me, in my hand," the Queen Mother raised slightly proudly.

"No accumulation of steps, no thousands of miles, no accumulation of streams, no rivers and seas, dripping stones through, anything with perseverance, perseverance, perseverance will definitely achieve something, I practiced it this way, today I will give you a brief introduction to the tunes in the book one by one, and then play them for you one by one. "Xiaoxiang Water Cloud", sometimes unrestrained and vigorous, covered by clouds and water, the vast smoke and waves..... "Guangling San" it with majestic momentum, unique style, huge structure, performance of impassioned heroism, respected by the pianists, South Korean minister Yan Zhongzi and the prime minister Xia tired of a vendetta, and Nie Zheng and Yan Zhongzi befriended, he assassinated Han Xiang for Yan Zhongzi, reflecting a kind of sentiment of death for those who know it. Nie Zheng was a Korean during the Warring States Period, and his father was killed by King Han because he forged a sword and violated the deadline. Nie Zheng failed to avenge his father's assassination, but after he knew that King Han was happy, he was disfigured, went into the mountains, and studied the piano for more than 10 years. When he returned to South Korea with his stunts, he no one knew him. When he found an opportunity to enter the palace to play the piano for King Han, he took out a dagger from the belly of the piano and stabbed King Han to death. "Fisherman's Q&A" shows the pleasure of fisherman's joy in the middle of green mountains and green waters. The rise and fall of ancient and modern times are like a hand, and the green mountains and green waters are solid. Thousands of years of gains and losses, just pay for the fisherman's words. "Fisherman's Q&A" Qin Xue Chujin" cloud this song: "The meaning of the song is profound, the expression is free and easy, and the towering mountains, the oceans of water, the ding ding of axes, and the sound of the oars are faintly under the fingers." "The rhythm of "Flat Sand and Falling Geese" rises and falls. The whole song is euphemistic and smooth, eternal and fresh, taking the autumn high and refreshing, the wind is calm and the sand is flat, the clouds are thousands of miles, the sky is flying, borrowing the far-sighted ambition of the Honghu, writing the heart of Yishi"; "The sand is flat and the water is far away, the mind is leisurely, the friends have no guesses, the male and female have narration, "Yang Spring and White Snow" shows the beauty of early spring when winter goes to spring, the earth recovers, and everything is thriving. The melody is fresh and smooth, and the rhythm is light and bright. Song Yudao "is its song is high, and its harmony is widowed." The more elegant and complex the songs are, the fewer people who can sing harmony, that is, the higher and lower the songs. Song Yu said, "Not only the birds have phoenixes, but also the fish, and the scholars." In the end, Song Yu led to his own conclusion, that is, "the husband and the saint are detached and alone, and the people of the world are safe and know what the ministers do?" Song Yu means that all the great and transcendent people in the world are often mavericks, and their thoughts and actions are often not understood by ordinary people. "Eighteen Beats of Hu Ji" reflects Cai Wen's extremely contradictory painful feelings of missing his hometown and not being able to bear the separation of flesh and blood. The music is euphemistic and sad, tearing the liver and intestines. Li Ji's "Listening to Dong Da Playing the Hu Ji and Giving Things in the Language": "Cai Nu used to make the sound of Hu Ji, and there were eight beats out of ten in one play. The Hu people wept and stained the grass, and the Han envoys returned to the guests. Wen Ji empathized with the sound, borrowed the music of Hu Ji who was good at expressing homesickness and grievances, and integrated it into the tone of the guqin, showing a kind of heroic resentment. There is also "Sunshine Three Stacks", a qin song based on the Tang Dynasty poet Wang Weishi. Use a tune to change and repeat, and sing it three times, so it is called "three stacks". The affection is genuine, excited and depressed. "Plum Blossom Three Alleys" is a guqin song, adapted from the flute song, the whole song shows the plum blossom white, proud snow and frosty noble character. The structure of this piece adopts the technique of cyclic reproduction, repeating the whole theme three times, and each repetition adopts the overtone method, so it is called "Three Alleys". The rhythm is free and refreshing. "Drunken Fishing Singing Evening" is a piano song composed by the Tang poets Pi Rixiu and Tortoise Meng, the whole song depicts the fisherman's uninhibited and uninhibited, peach blossom flowing water drunkenness, the material is refined, the structure is tight, it is a delicate piano piece sketch. The music uses rhythms, portamento fingerings, and the repetition of patterns to express an uninhibited drunkenness. Among them, there is a tone that expresses singing loudly and a tone similar to the sound of a rocking oar, "Ambush on All Sides", which depicts the decisive battle between Liu Bang and Xiang Yu under the wall, and the scene of Chu and Han fighting. The music mainly praises Liu Bang, the victor of Chu and Han, and tries his best to portray the majestic posture of the victorious army. "Autumn Moon in the Han Palace" expresses the sad and sad emotions of the ancient palace maids and a helpless, lonely and cold artistic conception of life. It is intended to express the grievances and sorrows of the oppressed court ladies in ancient times, and arouse people's sympathy for their misfortunes. ”

The Queen Mother is full of emotion, looking forward to Shenfei playing for me one by one, in the clear light and bright moon is more graceful and luxurious, gentle and elegant, the charm still exists, and this guzheng is really similar to the Western musical instrument piano, and I feel that the aftermath is lingering, more superior, and finally the Queen Mother also sent me the incomparably precious, priceless guzheng, and told me to practice more every day, but unfortunately Xiaofei was not here, otherwise he immediately asked the craftsmen of the palace to help, so that the music-loving Queen Mother can also play the piano that is all the rage in modern times, and it is good" Vote for me with papaya, and repay it with Qiongju. Bandits will be repaid, and they will always be good! Vote for me with a peach, and repay me with Qiong Yao. Bandits will always be good! Vote for me with Mu Li, and repay me with Qiong Jiu. Bandit retribution, always think it is good!"