Xie Xiaojuan has been engrossed in playing, and when she gets serious, she has a different kind of beauty, which is beyond her slightly ordinary appearance. Especially when the strings in her hands are struck on the strings, sometimes like a gurgling stream, sometimes like sparkling, and even when a waterfall splashes.

In various different moods, the expressions and movements on Xie Xiaojuan's face are just right, and there is a special classical charm. It is also because she does not concentrate more of her energy on the practice of dulcimer technique and the cultivation of her own connotation and character.

When Qin Fangge was composing, when he wrote the concerto when each of them was the protagonist, the structure of the song was also quite complete and motivated, and then it developed into the presentation department, and then the development part and the reproduction part. At the time of the opening part, it is the stage of the small high court played by everyone, and finally the epilogue.

As the first person to eat crabs, Xie Xiaojuan also perfectly expressed these characteristics of his creation. When she played to the time of rushing into the current, it was also the time when she was most passionate, and her whole body burst out with extraordinary energy, which was also the time to really test her dulcimer playing skills. She didn't let her three-month efforts come to naught, her sisters' encouragement, the professor's guidance, Qin Fangge's expectations, and her parents' teachings all allowed her to turn pressure into motivation and deduce the most brilliant chapter.

Teng Shuting and Lin Baoqing also tried their best to make the music image played by Xie Xiaojuan more vivid and vivid. At this time, it is also a time that can especially reflect the tacit understanding of their sisters, the timing of the harmony of various instruments, and the timeline of exit, must be mastered to score exactly right. They also did this perfectly, making the good sisters' performance even more exciting.

The dulcimer is the main player, and the other instruments play together, which is brilliant, but when the prosperity finally ends, after the river enters the sea, everything returns to softness and calm.

At this time, the erhu stood up again and became the source of new musical power.

The person in charge of playing is Qian Shuyuan, and in appearance, she and Xie Xiaojuan look the most like sisters. The body is very plump, and even the personality is similar, especially in the diligence and dedication to music, it is surprisingly consistent.

Qian Shuyuan is wearing the beautiful blue and white dress that Qin Fangge helped him choose yesterday, which also made her whole body look thinner, and even professional stylist You Jiayu praised her for choosing this skirt well. When she heard that Qin Fangge helped with the selection, You Jiayu also joked, telling Qin Fangge not to be a stylist, otherwise they would have nothing to eat, and everyone laughed.

Her hairstyle was also specially designed by You Jiayu, which is similar to Qin Fangge's hero. However, You Jiayu is obviously more professional, and when she let her scatter her hair to cover her slightly round face, she also made hands and feet on her hair accessories to make her face look more petite.

Qian Shuyuan's facial features are actually quite good, and after being dressed up like this, she has a little more virtuous and gentle beauty.

In terms of musical style, Qian Shuyuan is not as intense as Huang Jing. Her motives for Qin Fangge are also relatively gentle and peaceful.

This must be difficult for Qin Fangge, after he expanded the motive, he made various variations, and the colors became more colorful and colorful unconsciously. In addition, there are other sisters' concertos, harmonies, chords, and the addition of huge textures, which also makes the overall musical image more three-dimensional and full.

Among them, Qin Fangge also carefully considered the characteristics of the erhu instrument, as well as Qian Shuyuan's own erhu performance level.

In terms of taste, her talent and performance skills are still worse than Huang Jing, but it doesn't matter, Qin Fangge has a way to promote her strengths and avoid her weaknesses. But he has increased the difficulty, in line with her personality, this kind of relatively slow, and emotionally heavy playing, also particularly tests people's skills, erhu, like other instruments, is not the faster you play, the better. What students are most afraid of is the repertoire that is very slow and needs to come slowly.

The purpose is to let Qian Shuyuan grow up in practice, although it is only about three minutes, the time required to be the protagonist is a hundredfold, or even a thousand times the time of three minutes.

In order to play this erhu well, Qian Shuyuan consulted Qin Fangge, discussed with Huang Jing, worked hard with Feng Lulu, and studied with her own professor. Coupled with her own diligent and unremitting efforts, three months later, Qian Shuyuan's overall erhu performance level is not the same as yesterday's Amon, and even she herself is particularly surprised that the master is too brutal and has no pop-ups

！

In addition to increasing the difficulty of erhu performance, Qin Fangge did not discount the excitement of this part of the song.

This is also the reason why he spent almost half a month in retreat.

The melody is still beautiful and moving, which is characteristic of the whole piece and what has puzzled composers from ancient times to the present day. This thing really can only rely on inspiration, the source of inspiration, or the gift of talent, and the gift of power in the dark.

Qin Fangge seems to be the darling of God, in addition to these wonderful melodies, there are many things hidden in them, even Huang Jing and Feng Lulu's erhu harmonies, there are countless wonderful musical thoughts. Their erhu is used as a harmony to help and highlight Qian Shuyuan's erhu, and the musical phrases played are naturally different.

Three minutes of precious time, whether it is Qin Fangge, who composed the music, or Qian Shuyuan, who is in charge of the performance, they have brought it to the extreme, and they are not willing to waste even a second of time.

The erhu is the closest to the human voice, and it can also touch people's heartstrings, and when they continue to climb the peak during the march, all kinds of maneuvers are also particularly attractive. When she reached the peak of this melody, even the rhythm became bright and lively, and Qian Shuyuan, who has always been quiet and gentle, also pulled the erhu forward and backward, but in everyone's opinion, this is not an exaggeration at all. If it is a radical, I am afraid it will be even more passionate.

Qian Shuyuan couldn't help but breathe a long sigh of relief after playing this erhu, she finally didn't disappoint everyone.

And from the time when Qian Shuyuan's erhu played the leading role, everyone backstage in the concert hall was almost crowded together. The students who played on stage in front of them didn't care about other things and listened attentively to the performances on the stage. Qin Fangge occupied the favorable terrain, silently paying attention and praying.

The stage does have its charm, and these girls are better and more enthusiastic than they usually rehearse. It also reminded him of what Huang Jing said, "There are audiences and there are no audiences, there are more audiences and fewer audiences, and the feeling is completely different." ”

Tonight's concert hall of the Huaxia Conservatory of Music, not to mention the full house, there were many students standing in the aisle, which is the greatest encouragement and encouragement for them.

After the sound of the erhu gradually faded out, Chen Tianhong's pipa reappeared on the stage of history.

At this point, the audience in the concert hall gradually figured out Qin Fangge's idea of composing this folk music ensemble, and even the musical structure behind it could be guessed.

It's nothing more than every girl on the stage, and their beloved musical instruments, taking turns to be the protagonists, and finally a collective ensemble.

But in view of Qin Fangge's wonderful performance in the prelude, dulcimer, and erhu-based music, they are also looking forward to it more and more, and they can also have a vague sense of achievement.

At this moment, the pipa played by Chen Tianhong has also changed the gentleness and delicacy of Xie Xiaojuan and Qian Shuyuan at the beginning of the game, and the tenderness is like water.

Her motivation for Qin Fangge was very agitated, full of the momentum of Jin Ge Iron Horse falling into a dream.

In ancient times, the pipa was originally known for the heroic, hot-blooded, tragic, and desolate rebirth of the splendid emperor's wife

。 Of course, the comprehensiveness of the pipa has also been perfectly reflected in other aspects, and Bai Juyi's "Pipa Xing" shows this image to all ages.

Here, Chen Tianhong doesn't want to interpret that kind of heartfelt emotion, what she likes is the feeling of fighting on the battlefield and killing decisively.

The desert is lonely, and the sun sets over the long river.

Grape wine luminous glass, want to drink pipa immediately urge.

The pipa dances and changes the sound, always closing the old feelings.

Hu people play the pipa half-detached. The pipa is broken, and the wind is bleak and the night is long.

In addition to these lofty ambitions, there is also homesickness and parting, and there are also resentments and self-pity such as "the princess has a lot of resentment".

It's just that Chen Tianhong doesn't love these, so Qin Fangge doesn't perform it, follows Chen Tianhong's character, and lets her interpret the music style she likes. She is also willing to practice, and what she brings to the audience is very chic and innovative music.

When Chen Tianhong plays the pipa, his movements are also very passionate, but they are not exaggerated, and they are not intimidating.

Wang Zizi next to her is more beautiful than her, but she has not robbed her of her demeanor as the protagonist at this moment. Zhong Ruan in Wang Zizi's hand played a very good supporting role, accompanied by her on the road of musical ideals, running all the way, even if it was windy, rain and muddy, she still sang loudly.

It's time for youth!

After listening to Chen Tianhong's interpretation of the pipa, the professors and teachers on the second floor also sighed in their hearts!

Because of his youth, whether it is Qin Fangge or Chen Tianhong, they can be fearless, reckless, and face everything in the future with enthusiasm and warm emotions.

In terms of creative techniques, Qin Fangge is also extremely bold. The fashionability and liveliness of the lines are also beyond everyone's imagination of national music.

Moreover, when the pipa music was at its peak, the whole piece also ushered in the first real high dynasty, as if it was completely released, releasing the youth and strength of the girls.

Chen Tianhong's pipa, without the slightest nostalgia, left the scene at the most gorgeous time.

"Why should Qiang Di complain about the willows, the spring breeze does not pass the jade gate. ”

The sound of the flute is melodious, as if it comes from the distant horizon.

Everyone's eyes involuntarily focused on Xiao Jingru's body. Though they are conscious, or not aware of it at all, they are unconsciously following the rhythm of the author and the performers on stage.

Qin Fangge is also bad, he doesn't give the audience much time to think at all, and he keeps taking them to wander in the world of music. However, they also seem to be happy with the status quo, because no matter what instrument sung the lead role, the overall melody is really quite beautiful and beautiful, giving them auditory stimulation and pleasure again and again.

As for the visual enjoyment, it is also quite rich, the girls on the stage are carefully dressed, shining under the dazzling lights, and the enjoyment of beauty is incomparable to the secret of cheating

。

Xiao Jingru is a typical Jiangnan girl, and the water town in the south of the Yangtze River has always been famous for silk and bamboo. She was born in a famous bamboo flute family in the south of the Yangtze River, and her playing skills are naturally speechless, crisp and melodious, and with the unique gentleness and lingering of the Jiangnan water town, delicate and tactful.

Her motive for giving Qin Fangge was like this.

Although Qin Fangge has never been to the real Jiangnan water town, in the text, in the music, from Xiao Jingru's body, he has already understood enough Jiangnan flavor, as well as the hazy and wonderful artistic conception and feeling of the water town in his dreams.

Gangnam.

When you mention it, it makes people feel good.

Qin Fangge doesn't need the real Jiangnan in reality, and he doesn't like the Jiangnan water towns that have been transformed by modern industry.

What exists in his memory is Bai Juyi's "Remembering Jiangnan", "The sunrise river flowers are red, and the river is as green as blue in spring." "Looking for Guizi in the middle of the month in the mountain temple, looking at the tide on the pillow of the county pavilion. "Wu wine a cup of spring bamboo leaves, Wu Wa double dance drunk hibiscus. "The view, the wine, the beauty, it seems that all the memories are beautiful.

It is a beautiful scene of "Jiangnan can pick lotus, lotus leaves He Tiantian" in Hanle Mansion.

There is also the prosperity of Li Taibai's "fireworks in Yangzhou in March".

Therefore, when Qin Fangge composed this bamboo flute concerto for Xiao Jingru, he also focused on expressing what he understood, the beautiful scenery of Jiangnan, and the people of Jiangnan.

These beautiful imaginations also make this piece of music particularly beautiful.

The audience seems to be able to enjoy the picturesque Jiangnan picture scroll through the music played by Xiao Jingru and her good sisters.

Those small bridges and flowing water, willows by the river, lotus fishing boats, and even the beautiful scenes of Xizi Huansha.

Everything is so beautiful and beautiful.

Xiao Jingru's ethereal and melodious flute also seems to lead everyone through thousands of years of time and space to return to those dynasties that have deep memories for the Chinese people.

The past is like a dream.

In this composition, Qin Fangge also truly demonstrated his understanding of folk music, and made the overall style of this work unpredictable.

The professors and teachers of the Department of Folk Music were very pleased to hear this, and Professor Xiao Jingru smiled even more happily.

In the section of the flute, there is no obvious high dynasty, but the audience doesn't seem to remember this rule, and by the time they think about it afterwards, it's too late.

In charge of harmony, only Lin Baoqing's guqin, Li Ruoli's sheng, Xie Xiaojuan's dulcimer and Song Xian's guzheng are responsible, and even Qian Shuyuan's erhu did not come in handy. To make the overall atmosphere more classical, to pure folk music, this paragraph is definitely counted.

This also gave other girls a chance to rest, especially Qian Shuyuan and Feng Lulu, who had been in charge of accompaniment, and a few erhu players.