Qin Fangge said that they were here for communication, and the members of the orchestra had long wanted to see the true strength of his legendary musical genius. In addition to being a composer, he is also a part-time instrumentalist and tenor, and recently his reputation as the world's number one tenor has been hot, from Rome, Italy, to Prague in the Czech Republic, almost simultaneously.

They had rehearsal tasks in the past, and they would be free, and they would not be polite to watch him. Conductor Karpache and director Vucik are obviously their own people, and after listening to his evaluation of the orchestra, they strongly recommended Qin Fangge to come to the last paragraph, "Qin, do you have to let them see what a real genius is, and play the piano together?"

Qin Fangge naturally didn't plan to sing such an idea as arias in opera excerpts, and even the piano performance no longer considered the scope. The audience was dominated by orchestral music, and the Czech Philharmonic Orchestra is best known for its strings, and he also made arrangements.

Zhou Xiuying and the others all know that if Qin Fangge doesn't show his hand, he will definitely not be able to say it, and it is what he should do to convince talents with his talents, and there is no need to be modest or anything. If you have talent and talent, you can show it boldly, and he belongs to the kind of genius that others can't even envy. Zhou Xiuying smiled and said to Qin Fangge, "After listening to their wonderful performance, you have to pay attention to courtesy, or you can play a violin piece!"

Before Qin Fangge could nod, Karpache and the others were so shocked that they were almost speechless, but fortunately, Vucik was well-informed and immediately asked, "Does Qin have any new violin works?"

The violin concerto he was going to perform at a domestic concert was not yet finished, but there were quite a few other violin works. Zhou Xiuying replied for him, there are only twenty-four caprice songs for Long Xueyao to practice!

"Qin is really amazing, we were quite impressed by the Dong Xiao performance at the concert last time, and it is really our luck to hear him play the violin today!" Karpache has personally experienced the scene, although he does not particularly understand the Dong Xiao Guqin, but he can still feel the things with Chinese style that he shows in the music.

As for the violinists of the orchestra, they are even more mixed in their hearts, everyone here is older than Qin Fangge, and most of them are more than twice as old as him, this guy actually has the courage to play the violin in the concert, it seems that he is also full of confidence, and the standard should not be much worse!

It's really remarkable, like the youngest Daejeon, who has been practicing the violin for almost 30 years, and is still dedicated to practicing only this instrument. This talent gap is too big, and it is not an exaggeration to say that it is a world of difference. However, they don't have too high expectations for the violin performance level of listening to Qin Fangge, as long as they can reach the level of a bachelor's degree graduate of the Conservatory of Music, it is completely enough for a composer like him.

If you don't know anything about violin, you can write a violin piece that will definitely have problems here or there.

This time, the members of the orchestra were even less anxious to leave.

What Zhou Xiuying said basically represented the meaning of Qin Fangge, but he didn't carry a violin with him, so he was going to borrow a violin to play. But before he could speak, Datian Hetai took the initiative to stand up and borrow his violin for Qin to sing, his violin is completely performance-level, and the rough estimate of the price is millions, his economic conditions are quite good, and the investment in the violin is completely worth it.

Qin Fangge also smiled and said thank you to him, also in English, and praised his violin for being very nice!

After the violin arrived, Qin Fangge made a little adjustment, and stood in the middle of the rehearsal room to prepare to play! In the rehearsal room, he didn't have to pay so much attention, unlike the concert hall, where it was best to go to the center of the stage.

When he auditioned, the whole rehearsal room fell completely silent, and everyone's eyes and attention were focused on him. His posture is particularly standard, but with his tall and burly figure, the violin in his hand looks particularly small. His head was no less impressive than the other violinists present.

Qin Fangge didn't say what repertoire he was going to play, but after everyone only listened to the first few notes, they immediately understood what he was going to play.

One of the pride of the Czech Republic is Wenceslas's Violin Concerto in A minor, the second movement, is full of bohemian style. This violin concerto is also a repertoire of the Czech Philharmonic Orchestra.

The second movement is a romantic piece, too slow adagio, and the violin in his hand plays a serene arched melody, with unmistakable intonation and pure timbre, as if singing peacefully, and the melody is beautiful and melodious.

Subsequently, the other two bohemian themes are shifted to a minor key with an octave two-note pattern that intensifies the mood of the music, as if the calm surface of a lake is beginning to wrinkle. This long slow movement has a lot of musical thoughts, and all kinds of emotions are stored in it, some sadness and some joy, and the turning point of several emotions is the climax of the movement.

The violinists of the Czech Philharmonic can be said to be the most familiar with this work in the world, and it is precisely because of this understanding that they feel more and more shocked, and they also evaluate Qin Fangge's violin performance level and raise it again. He didn't come up with a particularly high-speed work, but everyone knows that the more such adagio music works, the more exquisite the player's understanding of the connotation and emotion of the work, and the performance skills are secondary.

Qin Fangge's treatment of the three themes in the movement that are very Czech national characteristics and bohemian style are just right, and the romantic sadness slowly flows out of his fingers. Even without the concerto of the symphony orchestra, the violin still played beautiful music. The violin, on the other hand, has the most difficulty in pleasing the audience, especially for beginners, who can easily make noise from the violin. Even if you are a violinist, there are occasional misses, but because it is a solo, the timbre, intonation, and rhythm played by the violin can make the listener more clear at a glance.

Among them, the contrast in the minor key and the very beautiful modulation transition sequence, the pitch, timbre, and Qin Fang's songs of each key are handled quite brilliantly, and for Karpache and Daejeon, his performance is simply perfect.

Finally, the beautiful sound of the violin ended with the reproduction of the poetic and charming melody at the beginning, and Ota and the others could not help but applaud.