Karpacz Vucik They felt more deeply, relying on the fact that they had known Qin Fangge for a long time, Karpache had to step forward to shake hands with him, and felt that he took time out of his busy schedule to fly to China to listen to Qin Fangge's concert, which was not so famous at that time, which was the most correct choice he had made in his life. Vertex updates are the fastest

"I never thought that Qin's violin played so well, and it also made us feel new things in terms of counterpoint and emotional processing. Karpacz's eyes lit up, and the look of excitement on his face didn't look like he was pretending.

"Wenceslas is a composer I particularly like, not only for his beautiful melodies, but also for his incomparably distinctive national style in his works!" Qin Fangge replied with a smile, his skills in following the local customs are still good.

Soon, Daejeon Hetai and the Czech Philharmonic Orchestra's principal violinist Hašek also came to express their excitement, especially Hašek, who performed this violin concerto, and said excitedly, "Thank you, Qin's wonderful performance has given me a lot of inspiration and helped me find new inspiration!"

"The stones of other mountains can be used to attack jade. Datian Hetai said in Chinese, "Listening to Qin's performance also benefited me a lot. ”

Qin Fangge naturally said modestly that everyone communicated together, and after a period of mutual praise, these violinists, who were mostly in their forties, also strongly asked Qin Fangge to come back to another song. is different from the return of the concert, they also want to see the true strength of Qin Fangge, which will make everyone have the bottom of their hearts, I am afraid that the level is much higher than they imagined.

Next to Zhou Xiuying, Xi Wanqing, they were also overjoyed, these violinists can be regarded as world-class, the Czech Philharmonic Orchestra has been ranked in the forefront for a long time, the strength of strings is the strongest, the competition for each position is quite fierce, and those who can stand out among so many people are all geniuses among geniuses.

Qin Fangge naturally does not deliberately hide his strength, the previous Wenceslas violin concerto, but he went to other people's territory and gave some respect, he can perform Czech-style music, everyone looks good on face, and it is easier to get closer to each other. Others don't know that under his young man's body, there is actually a soul hidden who doesn't know how many years have passed.

Under the graciousness, Qin Fangge also nodded and agreed, "Then I will play another piece of music that I usually practice, and I will also ask everyone to help correct it." ”

At this time, Karpach Hašek and they all knew that Qin Fangge would be serious, and they were looking forward to it more and more in their hearts, thinking that it should be his own original work. Although he didn't say anything, or even what format it was, it was up to them to make their own judgments after listening to it. This seems to be Qin Fangge's consistent style, insiders don't need to say much, and laymen don't understand it, except for Xi Wanqing and Qian Feifei, the others are basically elites in the classical music industry.

The rehearsal room was quiet again, Qin Fangge didn't need to adjust it anymore, and soon started playing, Hasek, Daejeon, Hetai, they all listened carefully with their ears pricked up, D minor, the style of Baroque music, very similar to the style of Barton's works, but definitely not. As one of the top violin players in the industry, Hašek is well versed in violin works around the world, especially solo violin works.

They were a little dazed when they heard this work, they had never heard Qin Fangge play this work before, and they rarely saw him practice the violin, and when he practiced it was basically late at night or with Long Xueyao. But this does not prevent them from listening attentively, even if they don't understand well, just using what they see, not making a sound.

Of course, when Qin Fangge played this piece, he didn't want to express any special emotions, but more like he was telling this musical work.

Listening to such a piece is not only a great test for Xi Wanqing, but also for top violinists such as Hasek, Datian Hetai, etc. They didn't even dare to be distracted in the slightest, for fear of missing a note.

When Qin Fangge was playing, he had very few expressions, and he always did, refusing to make performance emojis, unlike many other performers, sometimes closing his eyes and making an intoxication appearance, and sometimes staring at his eyes and distorting his face, all kinds of things, for fear that others would not know what kind of emotions they were playing, which seemed to confirm that he wanted to impress others and move himself first.

But for Qin Fangge, these are completely unnecessary, they only need to be expressed through music, what the audience hears is what it is, everyone's aesthetics are different, and their imagination is also very different.

For example, now, although Xi Wanqing and her sisters have been influenced by Qin Fangge for a long time, and their level of appreciating classical music has been improving day by day, they are not as professional as Hashek after all. They listened to Qin Fangge's performance, and there was no melodious melody, and the beginning was still low and slow, and it seemed to have a particularly melancholy temperament as soon as they came, and even made them want to cry with delicate emotions. But under his playing, this melancholy is well contained, and it continues to whirl. It seems that they can completely empty their minds and listen without even emotion.

And Hashek and they soon heard that Qin Fangge was using various composition techniques and techniques to constantly change the theme. Later on, the more Lang was invented, and this was the solemn three-beat dance music, which was particularly popular in the Baroque period, and was also a form of polyphonic music, that is, multiple variations on a fixed theme or a series of fixed harmonic progressions.

This form of music is the Chakong Dance, or translated as Summer Sky.

As with many musical genres, the purpose of creation is not to express an actual content or emotion, but only to use the genre to express the logic of the music itself. Because music itself is already a logical art form (embodied in harmonic logic, musical structure, motive development, etc.), it does not need to be given meaning by something else (such as emotion). The emotion of music is given by the listener when the musical work is completed. It is an add-on to the music, not the music itself.

As a musical genre of the Baroque period, the meaning of writing this kind of work is roughly to explore the various possibilities of musical variations under the fixed harmonic progression, and to show the logic of music itself through these variations.

For Xi Wanqing and them, these are too profound, but for Hashek and them, these are just the incomparable beauty, the inner logical interaction, and this kind of musicality is the most valuable thing. (To be continued.) )