There is also a consensus on this sonata, and it is only after getting the score that a comprehensive evaluation can be made. But as far as the current performance effect is concerned, it is beyond everyone's imagination.

Many people even thought that classical music had come to an end, that the great musicians and composers who had come before had created everything they could, and that it was almost impossible for future generations to create works similar to the classics.

But Qin Fangge broke such a curse-like existence, and used his excellent music works to show that there is no limit to the music that human beings can create in this world.

A sonata like this now is the best proof of this.

It is also adhering to the consistent style of Qin Fangge's creation, which is beautiful and beautiful in melody, and is not weak in other artistic connotations, which is worthy of in-depth study and analysis. But at present, this work is basically done by the piano department and composition department of the Huaxia Conservatory of Music. Without him, Qin Fangge was born, which is the pride of the Conservatory, and can even be expanded to Chinese and even the whole world This generation is proud of him.

The applause didn't last long, because Qin Fangge saw that the applause was still warm, so he stood up from the piano and said loudly in his loud and broad voice, "Thank you for your applause and enthusiasm, the schedule will be tight tonight, in order to let everyone go home early, this link can be omitted a little." ”

No one thinks he's holding it up, he's bold enough to say something like that. Moreover, this also makes everyone realize once again the fact that he is God's favorite darling, and he has the world's top tenor on his name! Although many people don't want to believe it, he is so favored, do you want to give people a way to live. In the domestic classical music circle and magazines, they are highly praised for this, and they are the best at it. Even in some fashion magazines, such as Xue Min's "Fashion Pioneer", he was blown to be unparalleled in the sky and on the earth. But she always remembered it. The idea of asking him to be a model has not yet come true, and she has to continue to work hard.

There is no need to argue about the tenor, you can see it in the opera house the day after tomorrow. When the time comes, it doesn't matter if you like him or you are jealous of him. can be heard without discrimination.

Back to the topic, after Qin Fangge sat down. Ready to play again, the concert hall was calm again.

Judging from the program list, what he played this time was music that everyone had heard before, but many people didn't really like it.

Prelude and fugue.

It is also a very old genre of music, but for those who want to improve their piano skills, it is a hurdle that cannot be bypassed. Many students practice this kind of music, and they feel that it is as boring as suffering. The technical requirements are particularly high.

Like Qin Fangge, he didn't say anything about what he wrote, but he wrote many songs. Judging from the previous situation, his ambition is not small, and according to the number of the law of average, it is estimated that he will write forty-eight poems.

A perverted guy like him is simply rare. So that many can't even be jealous.

What he's going to play today is the one he's recorded before, the fourth prelude and fugue, C sharp minor. This is also a collection of several piano pieces with five voices.

Bach's Piano Pieces for Equal Temperament is divided into two volumes, with a total of 48 pieces. It is also known as the "Old Testament", and its lofty status is needless to say. Many musicians and pianists believe that playing piano music in an equal temper every day is a great help to their music career, and if they don't know what to listen to, then listen to the piano music in equal temperament!

And in the entrance exams of the Conservatory. Preludes and fugues of this type are required. Therefore, students have to take the time to practice, even if they are not very willing to learn. And if you want to improve your music career, you need to spend more time on it.

Xiao Yuran doesn't like to practice such repertoire very much, which makes her very big, but she has to practice every day.

It's Wu Hongqin, she likes this kind of music very much, and when she practices every day, she is also full of energy.

This prelude in C sharp minor has also been commented by some critics as "the most sacred and sublime piece of music presented by musical culture." ”

As for how Qin Fangge was created, everyone doesn't know, but genius is to do things that others can't do, and create music that others can't create.

At this time, everyone paid more attention to Qin Fangge's performance.

His piano performance level has tended to reach the peak level, so that the music, which is relatively slow and the rhythm is not bright at all, seems to become colorful when he plays, of course, it is more of that kind of sacred and solemn, majestic artistic conception.

Many of my music peers have analyzed this piece for a long time, and if you want to practice it well, you must have a deep understanding of each part.

It's still exciting to listen to him play.

The motive that appears at the beginning of the piece, and the motive that appears in measure 5, is imitated by the various voices, and is distorted, as if "it speaks of the longing of a great soul." ”

When it comes to the fugue part, it's even more amazing.

The fugue of the five voices, many people present, could not even hear it clearly. Being able to know exactly how many voices there are is already an introduction to classical music.

However, Qin Fangge's interpretation is very exciting, which greatly reduces the level of entry.

The timbre he plays is particularly beautiful, and between the different parts of the voice, it is like a five-color light, which is colorful and gorgeous, which makes people feel very comfortable listening to it. On this basis, he did not forget his great mission, which was like building a huge church.

There were many music critics present, and they were good at using words to describe the feeling of listening to music, and in this regard, many professional pianists and performers with higher performance levels did not necessarily have such literary skills.

"The first theme, which is like a moan of pain, appears in the bass, and as it rises slowly to the top, it unfolds a breathtaking close-knit and positional technique, which is the most important and the finale of the piece. This is followed by the end on the sustained bass of the genitive. The combination of the three themes of this song makes the most of all the counterpoint techniques. ”

Freeman, the most famous classical music critic in New York, USA, has commented on this piece after listening to Qin Fang's record repeatedly. and published in the famous "Philharmonic".

This time, Qin Fangge's piano performance gave him a shocking feeling.

But Freeman is also puzzled, because he does not know whether Qin Fangge believes in God, and in the ancient and mysterious land of China, faith is actually relatively confused. Among the heroes worshipped, from mortals to gods. Even examples of God Butchers abound.

In Qin Fangge's musical works, this kind of religion-like can be seen everywhere. Divine radiance. He once wondered if he was God's doppelganger on earth, or how could he explain his endless inspiration and so many musical works that were so good that they could be called classics.

In addition to music critics like Freeman, more pianists, pianists, and piano students focused on Qin Fangge while listening attentively.

How his fingers fluttered nimbly on the keys. Dynamics, angles, speeds, etc., why can you play such a shocking music that hits the heart?

They wish their eyes were cameras, recording his every move unmistakably and slowly replaying it afterwards. From this point of view, the people who studied the piano with him. It's really lucky.

Huang Huan is one of the three hundred luckiest fans of Qin Fangge. He is only in his first year of high school this year, but he has been learning piano for more than ten years, and his goal is to enter the piano department of Huaxia Conservatory of Music.

When Qin Fangge was hotly hyped, Huang Huan was actually quite disdainful, thinking that he was grandstanding and so on. He's only a few years older than himself!

But his instructor solemnly recommended Qin Fangge to him, and asked Huang Huan to listen to his records, saying that he would study it carefully, and maybe he could make unexpected progress. Among the homework assigned to him, that is, Qin Fang's song.

Huang Huan actually wanted to refuse at first, but after listening to Qin Fangge's recorded record seriously and without prejudice. couldn't extricate himself from becoming his brainless fan.

If you want to enter the top conservatory in the country such as Huaxia Conservatory of Music, the difficulty can be imagined, and the relevant exercises must be prepared in advance. In terms of exam-oriented education, China is also the best in the world. More gifted students aim for more top-notch world-class conservatories. Huang Huan knows his strength, although he has been praised as a genius since he was a child, and the people around him have also praised him as the next Zhou Jia Su Yunfei or something. After participating in several piano competitions, he knows very well what kind of true portrayal of "there is a sky outside the sky, there are people outside the people", there are many Chinese, and among the students who learn piano, geniuses or something, it is just like cabbage.

Among the exercises targeted by the instructor, the prelude and fugue were the most difficult for Huang Huan.

When he has to play other big pieces such as sonatas, fantasias, scherzos, etc., he feels better, and when he practices, he is more motivated.

But this multi-part prelude and fugue are simply deadly. But if you don't practice, you will definitely not be able to pass the test, not to mention the Huaxia Conservatory of Music, as well as other slightly worse conservatories, the requirements for this are also rigid.

The preludes and fugues in Qin Fang's record also made Huang Huan feel breathtaking after listening to them.

In addition to being an author, his talent for playing is undoubtedly the best in the world. Huang Huan's instructor, even if he has listened to so many classical music records, no one can play such a perfect timbre of music like prelude and fugue like Qin Fangge, and each part is even more wonderful.

When the teacher talked about how to practice, he also mentioned to him, "You need to pay attention to the control of the fingers on the contrast of each voice level, the grasp of the direction of the melody line, the processing of the beginning and end of the musical phrase, the coordination between the two hands, etc., all need you to think carefully." The most important thing is that, in addition to the ability on your fingers, you should be able to clearly hear what you are playing when you are playing. Can the various parts of the work be clearly displayed under your own hands? If we can hear Qin Fangge live in person, it will be a great help to us. ”

In Qin Fangge's first concert, in order to repay the love of fans, what kind of questionnaire was done and then the quota was selected. Huang Huan writes very seriously, and it also truthfully reflects his mood and expectations.

Not to mention how ecstatic he was when he received the invitation, and how he came to Yanjing, a city he had longed for for a long time, but it was a strange city.

I can enjoy Qin Fangge's piano performance at the scene, although the seat is a little farther away, and I want to see the specific situation of Qin Fang's singer clearly, unless I use a telescope.

But for Huang Huan, this is already the happiest thing in life. Didn't you see so many pianists and critics in the front row whose names he had heard or hadn't heard were all attentive, listening to Qin Fangge's performance?

The previous sonatas, since they had not been heard before, were even more unlikely to get the score. Beauty is beautiful, and surprises are also great, but lack of understanding, although he feels that it should not be difficult to play, but to deal with emotions to the level of Qin Fangge's performance on stage, he estimates that it will take decades of effort.

Huang Huan has carefully studied this five-part fugue before, and has listened to the record countless times, but it is not as shocking as this time today. He would not choose such a piece as the music for the exam, and even if he practiced, it was out of reach. Being able to practice three-part and four-part tunes well is like a luxury for him.

The sense of rigor and grandeur and sacredness is not at all comparable to that of recording in an environment with a particularly excellent acoustic structure such as a concert hall.

When students like Huang Huan are so happy that they can't find the north, more classical music peers are trying to dig out more things.

No one would take this kind of music lightly, and the treasures contained in it are also unimaginable and incomprehensible, and there are countless possibilities.

When I went to the scene to listen to Qin Fang's singing, I felt more profound and shocking.

And when Qin Fangge was playing, his expression was still calm and calm, not like his usual smile. Compared with some exaggerated pianists, his external image is much more restrained.

But his music does not lie, and the expression of various emotions and emotions is vivid, even if it is like the previous good sonatas, the gloomy, sentimental and other negative emotions are particularly clear. It shows that he is a person with an extremely rich emotional world, and only in this way can he create such amazing musical works.

And the huge contrast between appearance and music also makes Qin Fangge's image clearer and clearer, and even the cute ones see cuteness. (To be continued.) )

This book is from /b/hl/21/21968/