After the prelude and the five-part fugue, Qin Fangge only paused for about ten seconds before starting the next piece.

With the exception of the opening fifteen-minute sonata, the order in which he arranged the program seems to be from simple to difficult.

Music such as preludes and fugues, which are difficult for ordinary students, can be regarded as basic at the level of a pianist and pianist.

The next song is a waltz, which is also known by everyone

"The Puppy Waltz" was originally the latest of Chopin's twenty-one waltzes.

At Qin Fangge's level, any piano music can play out tricks and make flowers, but in this waltz, what he interprets is simple or not as many changes as everyone imagined.

It makes people feel like they are back to basics, and seeing the puppy whirling around their tails seems to be returning to innocence.

This kind of music also attracts all the attention and attention of the audience. They have played most of this song, but it is very difficult to achieve it like him, with clear grains, clear rhythms, and perfect expression of that innocent feeling.

The puppy waltz is followed by an etude, an etude in A minor. It didn't appear in everyone's audiovisual range before, and this etude, originally a work by Chopin, was also affectionately known by everyone

"Winter wind" means a whirlwind in winter. In fact, there are many etudes composed by himself, mainly for the specific situation of Xiao Yuran and Wu Hongqin.

Unlike Chopin Liszt, who specialized in composing many etudes. And Liszt's super etudes are the favorite of virtuoso pianists, and it is difficult to perform them completely if they are not talented enough.

As a representative musician of Romantic music, Chopin's musical works have always been known for their poetry and romance, and among them, there is also the melancholy and sentimentality that are indispensable to his poetic temperament.

Winter Wind is a pretty wonderful etude. When it is played in Qin Fang's singers, it is easier for people to realize this, and Chopin enriches the content of the etudes.

He sublimates it. For the majority of listeners, today's concert is really worth a thousand dollars, so many new tunes, and when Qin Fang sings for free, he starts with a march style, repeating the main melody motive with the left hand, and unfolding it with a chromatic scale with the right hand.

Start with the musical motive of a serene monophonic situation. Like the bells of a church in the distance, solemn and sacred.

Later, it appears again in the form of a four-part carrier. Faintly like a bell ringing through the valley, there was an intermittent echo.

From one P to two P, it feels as if you want the darkness before dawn and the calm before the explosion.

At this time, his fingers were also extremely gentle, and the volume of the play could not be lower.

But for the music connoisseurs here. This kind of voice that is too weak to be weak will definitely not be the end, and it will not end so soon, and the remaining possibility is foreshadowing.

They are all mentally prepared enough for the coming storm. Sure enough, all of a sudden, it was like a winter wind.

Countless musical notes fell from the sky, like a torrential rain, pouring down violently and frantically.

The majestic momentum thus formed, with a devastating and unstoppable attitude, these notes have been silent since the beginning.

The energy that burst out was very impressive. It is mainly expressed in the right hand, but the bass part of the left hand, the unyielding rhythm, is also very important.

The left hand strictly controls the rhythm, leading this storm-like and intense and persistent wind, as if it has vitality.

Throughout the etude. In a trance, many viewers heard the taste of the symphony.

To play such a piece well, the technical difficulty is very high. It must also be like Qin Fangge, in the process of fingers touching the piano keys, it must be fast and agile, and at the same time, the requirements for accuracy are unusually high.

When the fingers are running fast, the stamina required is also very high. Especially on the right hand, I play notes with high difficulty and high speed continuously, and it feels like the wind.

The sound clusters in the fast-paced etudes also give the impression of a winter wind, mercilessly rolling dead leaves into the sky, making them dance in the air.

Some people even made a similar sigh in their hearts,

"As far as you can imagine, it's the richest sound. In the concert hall, the audience who sat relatively far forward and could clearly see how Qin Fangge was dancing on the keys was even more impressed.

At the same time, they are also the luckiest, not everyone has such an opportunity, and if you sit a little farther away, it will be difficult to see clearly.

The technical difficulties, such as chromatic descends, rondo arpeggios, etc., can only be left for the best pianists to work on later.

This kind of etude is a great challenge for the physical strength and endurance of the performer. But Qin Fangge seems to be lightweight, even if it is more difficult, Liszt's twelve super etudes, he can play them all in one breath without panting.

After the storm, Qin Fangge played a nocturne, which eased the rhythm a little. It also allows everyone's heart to be stimulated a little, and the pressure is slightly reduced.

The soothing and beautiful Nocturne in B-flat minor was composed by Qin Fangge himself, commemorating his countless beautiful nights in the original time and space.

The melody is naturally particularly beautiful and moving, and the most noteworthy thing is the strong feeling of longing.

Yes

"I wish people a long time, thousands of miles together" nostalgia and feelings, there is also the status quo of everything returning to tranquility.

Because no matter what, life always has to pass, and the glorious or unbearable past cannot be an obstacle on the way forward.

However, small worries and sorrows are also essential spices for life, especially for musicians who have the sensitivity and richness of the soul like a poet.

Melancholy, sadness, even gloom, decadence and other negative emotions are more beneficial than bad for them, which can lead to more wonderful works.

If the music is just happy and sunny, it doesn't mean much. The contrast is even more obvious, and what people want to see is not a smooth sailing scene.

Instead, we are full of hope, growing up in constant challenges and setbacks, and constantly overcoming ourselves when overcoming external difficulties, and finally reaching the point of sublimating ourselves.

From this point of view, Qin Fangge's growth path is too smooth and uneventful. There's a lot less drama and conflict.

But Qin Fangge himself is quite satisfied with this life, but in the world of music, he also has all kinds of human emotions that are rarely expressed in reality.

In addition to the positive side of the sun, the gray and gloomy. Manic, greedy, and so on.

So. People think that this kind of him is more real. Human beings are inherently a complex of contradictions, and composers need such a rich and complex inner emotional world in order to create more excellent works.

Qin Fangge has composed many forms of music himself, and also spans different musical genres, from the original Baroque music style to classical music.

He also dabbled in romantic music, as well as impressionist music, New Age music, etc., and the musical works he created were very good.

On top of that, his pop music is also superb, but I definitely didn't get a chance to see it today.

Two days at the opera house. You can see his amazing talent for opera. After the nocturne, Qin Fangge played another ballade, written based on his own experience, which had been published before and also on the record.

In this piece, he also puts show off his skills and emotions. It's fairly balanced. And the subsequent opera fantasy is, without a doubt, a typical masterpiece of showmanship.

Many people are a little surprised to see the name of opera fantasy from the program list. But those who know understand that Qin Fangge has already created an opera Don Juan, and this opera fantasy.

It is a condensed composition of all the music in the opera. The opera's music, which was originally two and a half hours long, was condensed into this fantasia, which lasted only a quarter of an hour.

The demands on the performers are unimaginable. In another time and space, it is also on the list of the most difficult pianos.

Qin Fangge's guy is not enough, what is condensed is the essence, he still has to pursue perfection. With such a piano fantasia, more opera is expressed

"Don Juan", as epic as huge content to come. Deng Hongmei and Xiao Yuran had heard Qin Fang's song play in advance, and they were shocked at the time.

Wu Hongqin, who has very high requirements for herself, and she also pays more attention to performance skills, she doesn't dare to try it easily, let alone Xiao Yuran, with her current level to challenge such a song, Deng Hongmei will definitely scold him for being arrogant, self-defeating, and so on.

The world-renowned German pianist Andre, who was placed in the front row, witnessed with his own eyes that this young man under the age of 20 in front of him staged a wonderful piano show.

If that's all there is to it, he's okay with it. That shows that Qin Fangge has a talent for performance, especially in showing off skills, young pianists, many people do not have rich experience, and it is common for them to be famous for their show off works.

But Qin Fangge, a monster, as a pianist, seems to be just his sideline. André felt that his main business was not actually vocal opera, but composition, although he was also particularly talented in vocal music, and won the title of the world's first tenor.

He also heard many stories about Qin Fangge from his friends, and this time he saw it, and it was indeed worthy of his reputation, and it was not in vain that he turned down a few important performances and made a special trip to Yanjing.

Among the friends who came with Andre was Adrian, who had been practicing in retreat for the past few years. He also heard that Qin Fangge was going to hold a concert, so he wanted to come over and listen to it to see if he could find some inspiration and break through his own bottleneck.

He especially liked Qin Fangge's arias with many variations, and he didn't believe that it would be composed and played by a young man.

In his opinion, that kind of work can only be,

"Only the song should only exist in the sky, and it is rare to hear it in the world" The creation and performance of Qin Fangge's first few musical works really confirmed his identity as the original creator.

Even the world's top pianists like Andre and Adrian have to admit that his current piano performance level can definitely be among the world's first-class.

After listening to it, Adrian felt that the world was very unfair, and God was also very partial, why let a Chinese have such a terrifying musical talent.

He felt that Qin Fangge's performance was no worse than his own, God knows, in the blink of an eye, he had practiced the piano for forty years.

And on this majestic, epic opera fantasy, Qin Fangge showed his innate and incomparable piano playing talent.

If the first piano sonata testifies to his talent for emotional expression, the current operatic fantasia, like André and other top pianists like him, proves that his body, especially his fingers, is to be called

The "hand of God" is not too much at all. Look at it, when the performance was exciting, they sat so close that they couldn't see Qin Fangge's fingers clearly.

This is definitely not because they are dazzled or old, but because the speed of Qin Fangge's performance is too amazing.

And they also know very well that this is not Qin Fangge's deliberate show off, his performance, and the foreshadowing of the entire opera fantasy are perfectly integrated.

What's even more amazing is that while his fingers are on the keys, he sweeps one afterimage after another, and the strength and angle he uses, as well as the precision, are incomparable and impeccable.

Even though they haven't gotten the score yet, they all trust their instincts, and that's where their musical talent lies.

It's as if that's how it should be played to achieve the most perfect effect. When watching Qin Fangge's performance, pianists like Andre couldn't help but wonder if they were to play such musical works on stage themselves, whether they could achieve the same effect as Qin Fangge's previous works, they were not particularly sure.

But after watching and hearing him play this fantasia, they were even more completely dead. With their physical condition, especially their finger skills, it is almost impossible to play such a fantasia perfectly, even after months of hard practice.

The content of such an operatic fantasy is extremely large and profound, and the individual parts in it alone are enough to make people mad.

You know, it's a whole opera music in it. The effect that Qin Fangge plays with a piano is similar to that of an opera performance, symphony orchestras, choirs, opera singers, ordinary people, it is difficult to distinguish the parts of the voice, let alone perform.

This guy has simply made his skills to the limit, which not only requires finger dexterity and flexibility beyond the human limit, but also an extremely difficult challenge for the human brain, and must be done with several uses.

With the talents of André and Adrian, there could be no better way to perform such a virtuosity-like operatic fantasia.

To be continued. This book is from the product & book#net: bookht2121968indexht...