After Qin Fangge finished playing the opera fantasia for about a quarter of an hour, the whole concert had been going on for more than an hour.

Of course, more piano peers scolded him for being perverted in their hearts, and they all played for more than an hour, still calm and relaxed. The ultra-difficult performance did not show him any discount at all, and the speed at which his fingers flew on the keys was even more invisible, and the closest people could only see the afterimage.

This is not always the case, but as far as these pianists are concerned, if they can hold out for twenty or thirty seconds, it is a great achievement, and they have to push the limits of what they can do. Even if you press the keys indiscriminately, you need to have a fast hand speed!

As for Qin Fangge's demon, casually for more than a minute, it is simply hanging!

In terms of the experience of the famous young female pianist Lilia, she really had never seen anyone with a hand speed that surpassed Qin Fangge. She herself was famous for her dazzling piano works before, and she also laughed at herself as a female Chinese paper, and her talent in fingers was rarely rivaled among the younger generation.

Qin Fangge completely subverted the concept of hand speed, although fast hand speed does not mean that you can play well, some people have a small span of fingers on both hands, and they can still become excellent pianists. However, the talent in the fingers is very good, but the benefits are very numerous, especially when playing difficult piano works, it will not be so difficult.

Lilia had also watched the video of Qin Fangge playing the flying bee before, and she tried to practice it herself, but found that she really couldn't keep up with his speed and rhythm.

If the video can be faked, then witnessing his live performance tonight, Lilia is completely convinced. Then desperately convince himself that Qin Fangge is a special case, and he should not belong to this world, as soon as this "Hand of God" comes out, who will dare to compete with him!

After an opera fantasia. Qin Fangge paused for a little more than ten seconds and began to play the next song.

The pause, of course, is to remind the audience that the previous piece of music has ended, and the next one will start immediately. In particular, many of them are new tunes that everyone is not familiar with, and if he doesn't do this, many people will not be able to make a fuss. Which song is which one.

And taking advantage of such a gap, Lilia, who was sitting in the front row, also looked at the program list in her hand. Judging from the name, it is a piano piece with a strong Chinese style, and even the name of the repertoire is Chinese characters.

Before that, Lilia didn't know much about China as a country, especially the culture. She majored in piano, and there are only a handful of Chinese composers, but among the younger generation, many of the pianists who compete with her are from China. But she looked around. I don't know if it's because of suspicion or time arrangement, none of these famous Chinese young pianists came to the scene.

Lilia felt that this was a bit incredible, in her mind, Zhou Jia and Su Yunfei should come to listen to Qin Fangge's performance, which would be of great benefit to their piano performance career. Like herself. It was a few performances that were temporarily postponed and rushed from Europe.

However, there are still many Chinese piano peers today, such as Qin Fangge's fellow brother Fu Tianxia. When he was in Europe, he tried his best to recommend and introduce Qin Fangge to everyone, and he didn't have any jealousy. I heard that two months ago, Fu Tianxia also made a special trip to play songs for Qin. When he returned to China to hold a concert, he also made his piano concerto appear on the big stage of the concert hall here.

After listening to Qin Fangge's piano performance, Lilia felt a little regretful that the Chinese symphony orchestra probably couldn't keep up with Qin Fangge's rhythm. Even the world's top symphony orchestras are not necessarily satisfying. Thinking about it, Qin Fangge is also a relatively strong person, and it is not easy to cooperate with the symphony orchestra. None of those conductors are good at it.

Therefore, in his first concert, there was no symphony orchestra.

Lilia even wondered if he would be the conductor of the symphony if he was to compose a symphony in the future.

This is not uncommon, and many musicians and composers have taken the stage as symphony orchestra conductors in order to ensure perfect performances.

Soon, Lilia's divergent mind was retracted, and Qin Fangge's song "Shepherd Boy Piccolo" is also a typical Chinese style. Unlike Western classical music, the traditional Chinese pentatonic music used can be immediately distinguishable when you listen to it.

Although Lilia doesn't play much Chinese-style piano music and doesn't listen to it much, she has heard it somewhat. In competitions and concerts, there will be pianists like Fu Tianxia and Zhou Jia from China, performing similar works. But the quantity is far less than that of Western-style piano music. Even in Qin Fangge's concert, the same is true.

For Lilia, such a piano piece with a long meaning and a strong pastoral style is like opening a window to understand Chinese culture and traditions. As for more connotation, artistry and ideology, it will have to wait until she has a deeper understanding of China, an ancient and mysterious country.

But there is no doubt that Qin Fangge's creation and performance level are top-notch.

Lilia felt that this piece was very likely to become popular after this concert. Short, catchy, melodic and fast-paced, it sounds particularly flavorful. She likes it herself, and believes that many people who love music have the same idea as her.

At the end of the piece, Lilia makes a brief eye contact with her friend Eugena, and everyone is silent without speaking, as well as for them, as is the respect for the performers on the stage. When they are on stage, they also want to be respected and understood by the audience.

Eugena is a female pianist from Russia, and the two are sisters of the same school, both of whom worshipped the famous Russian pianist, composer and educator Sasnovsky. In modern times, the Russian music scene is also full of talents, and many Chinese music students also go to Russian conservatories to study, and the relationship with Chinese musicians is relatively close. Among them, there are many genres. The Russian academic school is one of the most famous, but Qin Fangge himself is self-taught, and from his resume, he does not see that he has the experience of studying abroad.

Eugena and Lilia's teacher, Sasnovsky, both commented on Qin Fangge, saying, "Qin is completely God's representative in the world!"

All right!

Eugena: They know that too. These musical works created by Qin Fangge shocked the teacher. And tonight, their teachers were also present in person. But instead of sitting with them, Sasnovsky and his colleagues at the Moscow Conservatory, the pianist Sergei, sat further ahead.

The main purpose of their visit was to listen to Qin Fangge's live performance of "Aria with Many Variations", which Sergei commented on, "Unfathomable!"

They were also quite confused. With Qin Fangge's age of less than twenty, how could he write such a shocking one. It contains countless life experiences, life philosophies, and many more musical works that cannot be expressed in words. It is said that the original intention of his creation was to treat insomnia for his teacher (here is actually a fallacy, Fang Xiping is Zhou Xiuying's wife who did not really teach him).

Since it is specially written for an old gentleman in his eighties, such a work must have some connotation and content. To many people, this song is completely a lullaby. It is also known as the "Divine Comedy". Qin Fangge's record includes this work.

Sergei and Sasnovsky have had a lot of discussions about this work, and it feels like a huge treasure trove with countless treasures. And the recording, no matter what, can't be compared to the scene. So, Qin Fangge held a concert. After they received the invitation, they pushed off the original arrangement and flew directly to Yanjing.

Their invitation letter was sent directly by Deng Hongmei, who had the experience of studying abroad at the Moscow Conservatory, and the evaluation she received there was also quite good. Although he doesn't perform much when he is old, he is at the level of being an educator. But the results are remarkable. Everyone feels that the biggest factor in Qin Fangge's success is his talent, but acquired education is also an indispensable link. Speaking of this, Deng Hongmei is a little ashamed, but no one can tell her feelings. Including Ning Xiupei is the same, fortunately, Qin Fangge, this guy is relatively lazy. They still forced him to do a lot of things, so naturally he didn't have to worry about saying more things that he shouldn't say. Proud of him, this is the common consciousness of the parents and teachers around Qin Fangge.

And tonight's Qin Fangge also gave Sergei a huge surprise.

In particular, these new songs, any one taken out alone, can make the current classical music scene have a ten-magnitude earthquake. Whether it is the previous sonata with the artistic conception of moonlight, or this particularly dazzling operatic fantasia with a difficulty of almost reaching AX, it is not inferior in the slightest when classical music was dazzling and brilliant two or three hundred years ago. He also had an opera, and the general content of this opera, Sergei and they can see from this quarter-hour opera fantasia. It's going to be an excellent opera, and even if the script lines are bad, the music alone is enough to hold up a classic. Opera, in any case, is still music-oriented.

Sergei admired Qin Fangge's attainments in Western classical music, and he and his colleagues at the academy also composed a lot of classical piano music, but none of them were as good as those he came up with. But Sergey knew that they had done their best, and God did not give inspiration, and they could not help it.

Theoretically, any form of music, whether it is classical music, romantic music, or impressionist music, can be endless when combined with the seven most primitive notes. But it really takes talent and inspiration, and it can't be fake.

I never thought that Qin Fangge's attainments in Chinese-style classical music were also amazing.

Whether it is a short "Shepherd Boy Piccolo" or a subsequent one, which has the same name as the traditional Chinese music repertoire, "Three Alleys of Plum Blossoms", to the ears of Sergei and Sasnovsky, can be said to be particularly excellent musical works.

Their understanding of Chinese classical music is much deeper than that of several students, Eugena, and the "Three Alleys of Plum Blossoms" is a classic traditional Chinese music. But in this work, Qin Fangge endowed plum blossoms with more noble character and an incomparably open mind.

In the snow, Ling Han's plum blossoms blooming alone were indomitable and hot, making Sergei think more, but it was their own nation. At the beginning, they almost fell into the crisis of destroying the country and extinction, but the strong Russian people bravely stood up from the snow, which also proved that their title of fighting nation was worthy of it, and they bravely carried the enemy's tanks and artillery with their flesh and blood, and won one Patriotic War after another. And then in the war, the Russian nation not only rose from the ashes, but also became incomparably stronger, and as for the subsequent fall and now the decline, it is a sad story.

The benevolent see the benevolent, and the wise see the wise.

Only a quarter of the foreigners present, and about 1,500 of the more than 2,000 were Chinese. When Qin Fangge played very Chinese-style music on stage, everyone's hearts also rose with a sense of pride and pride as Chinese. What's more, it's music that completely describes our own country. Whether it's the shepherd boy piccolo or the plum blossom three lanes, it's the same. It's hard to imagine the scene of foreigners riding bulls and playing flutes, when the Chinese civilization was brilliant, they still drank blood!

The plum blossom is the most typical representative of traditional Chinese culture. It is true that there is also a lot of dross in traditional culture, and it is still poisoned today. But plum blossoms are definitely the most positive and symbolic image.

When Qin Fangge played the song "Three Alleys of Plum Blossoms" composed by himself, he perfectly displayed the musical image of plum blossoms proudly blooming in the harsh winter season, in the ice and snow. Even, he also gave more meaning to plum blossoms, using a more expressive and colorful piano, on the basis of inheriting the ancient song plum blossom three lanes, to show more modern meaning.

If you want to analyze it carefully, you have to start from various aspects such as modulation, harmony, texture, melody, etc. It's just that no one has such a perverted talent at the moment, and they are all still based on appreciation. Through the wonderful music played by Qin Fangge, you can feel more musical images that have never been seen before.

Xiao Yuran and Xiao Jingru had listened to Qin Fangge's performance before, but at this time, they were all the same as everyone else, with the most attentive attitude, to listen carefully to the charm.

Especially Xiao Jingru, she wants to play with the flute, and she never gets tired of listening to it, and if she listens to Qin Fang's song and play it again, she will have more unexpected gains. (To be continued.) )

This book is from /b/hl/21/21968/