Because it is a new song, even those with the top level of classical music like Karpache and Hashek dare not be distracted at all, and Qin Fangge's performance also gives them no chance to be distracted. Vertex updates are the fastest

He doesn't play the violin very fast, but the content is not at all very much, and it is not an exaggeration to say that it is broad and profound.

Here, Hašek Ota and they see difficult chords appearing in violin playing, seemingly using counterpoint techniques that are almost impossible to play. Chakong is a kind of polyphonic music, that is, there are multiple voices played at the same time, no, the violin in Qin Fang's singers produces two voices at the same time, or even three or four voices. The main key music alternates with polyphonic music, showing a wonderful combination of multiple melodies.

For listeners with poor musical literacy and who don't often see and train their ears, it is not easy to hear clearly where the main theme is. This is the case with this piece, where the main melody sometimes appears in the high voices, sometimes in the middle voices, sometimes in the low voices, and sometimes several voices at the same time or interspersed.

Not only is it very demanding for the audience, but even more so for the performer, without deep insight, it is impossible to play this chakong dance without deep insight, you have to separate the melody from the accompaniment part, and pay attention to the coordination of the chords.

The principal violinist of the Czech Philharmonic Orchestra, Hašek, even asked himself, if it were him, would he be able to play as well as Qin Fangge under the invisible pressure of such an "unaccompanied pitar"? He has been practicing violin since he was a child, and he knows best that such an unaccompanied violin piece, the rigorous musical structure and difficult techniques are only the foundation, and for the performer, the form of a cappella is also a test of endurance, concentration, and physical strength.

However, these are not the most difficult, the most difficult to achieve, is that when playing, the balance of emotions, there is no shallow, no uncertain emotion, no sudden drop of anger, grandiose, deep emotions like the sea, and all the people and all the races on the earth can be connected.

Such a song is like a growing world.

This also reminds them of another of his piano works, "Aria with Many Variations", which has many similarities, Baroque, rational art, more than thirty variations. It seems that depth, loneliness, contemplation, struggle and even tragedy run through the whole piece.

In another time and space, the German historian and musicologist Spita gave a brilliant description of Bach's "Cha Kon Dance": "The torrent of music rushing from an imperceptible source shows that the author has the deepest knowledge of violin technique and at the same time has the absolute ability to dominate the grand imagination, which is difficult for any artist to match." Don't forget, it's all written for a violin, and how rich is the feeling of this little instrument! We go from a solemn and grand beginning, through a painfully uneasy second theme, to a series of ghostly thirty-second notes running up and down, insidiously enveloping the third theme. The trembling arpeggios, moving slowly, hung like a cloud curtain over the gloomy valley. Suddenly, a gust of wind struck, clumping it into a huge ball and throwing it towards the forest. The trees groaned and swayed, and the leaves flew everywhere. From this we enter the beautiful and magnificent D major. The evening sun shines on the valley, the golden brilliance ripples in the atmosphere, the stream turns into flowing gold, reflecting the dome, and the majestic and dazzling glow soars into the sky. The spirit of this master inspires us to express the incredible with our instruments. Towards the end of the large passage in D major, the music becomes like an organ, and sometimes we hear many violins singing together. ”

Such a heavyweight work of art, whose artistic value has reached the pinnacle of creation, is also the touchstone of countless violin masters, and at the same time, it is also a nightmare for countless violin players. It may not be difficult to play it completely, but the effect that comes out, even for masters, is very different.

Of course, the so-called challengers who are not ordinary are not enough, and the recorded records really cost people's lives.

Qin Fangge's soul is essentially an old monster, and he dares to come up with such a work only because he has a deep understanding. Of course, if it weren't for the otherworldly body he has now, he would still not dare to hold it up like this, at most he would have created the work, but he would never dare to perform. If that's the case, the shock effect is too much worse, isn't it? You have to set up a full set of plays, and you have to pretend to be forced to the end.

However, Qin Fangge really didn't have the idea of purely pretending to be in the limelight, he was just immersed in music, he was multitasking, and he didn't dare to be careless when playing such a world-class difficult music work, and he didn't slack off or relax at all.

Playing such polyphonic music on the violin, the multi-part processing is even more difficult than the piano, which is mainly due to the characteristics of the violin itself.

Even so, the various parts he played have distinct timbres, the processing between the voices, and the logical relationship between them are just right, rich in layers, and full of three-dimensional feeling.

After more than ten minutes of playing in one go, the notes in the rehearsal room kept drifting, Qin Fang sang and closed his bow, and the scene was silent. But Karpache Hasek, they all felt that there seemed to be an aftermath lingering in their ears.

Among the sensitive and delicate performers of the Philharmonic Orchestra, there are many men, who are moved to tears by this simple and plain music without too much emotional embellishment. They all understand music, this is the orthodox baroque style of music, it seems to have divinity, although there is no emotion, but the joys, sorrows and sorrows of the world are in it, but they also feel more and more that there is an inexplicable sadness lingering in the heart, lingering for a long time, making people want to cry involuntarily.

When the applause rang out again, many people had tears on their faces, including Xi Wanqing, Xue Min, and He Ruyun, although they didn't have such a high level of musical literacy, and they could even listen to it without emotion, but the more this was the case, the more thorough the music became, like a clear spring watering on the dry land, making them want to cry inexplicably.

Karpache was familiar with Qin Fangge, and gave him a warm hug, he didn't shed tears, but his eyes were a little hazy, "The greatest work of genius, the perfect unity of humanity and divinity, makes people feel particularly hearty!"

Qin Fangge only smiled and said thank you, and in addition to Karpachi, Vucik Hašek Datian Hetai and their praises also came one after another, "The sound of heaven, the greatest violin solo I have ever heard!"

"Perfect structure, perfect play!"

"Is this really the work of God's old man? I seem to hear the perfect combination of religious and secular piety. ”

"This piece contains a rich emotional world and a powerful spiritual power......"

"Qin's violin performance has reached the pinnacle!"

The audience wanted to express a lot of emotions and feelings, not only the thoughts of Qin Fangge's work, but also the affirmation of his violin performance level.

The violinists in the orchestra who couldn't gather around to talk to Qin Fangge also whispered to each other for a while, and they all felt that Qin Fangge's solo violin piece could be called a classic, and some people sighed, "If Qin was born two or three hundred years earlier, he would definitely be as famous as Patton Fred Christophe now!"

"Isn't it good that it is good to appear now? At a time when classical music is becoming more and more declining, it is becoming more and more rare to be a true genius! At his age, with such a level of composition and performance skills, is he not a genius or what?"

The musicians present have been called geniuses since childhood, and at this time, they have come to realize more and more that genius has no limits. There are mountains outside the mountains, there are people outside the people, and there will always be more genius existences than you.

Qin Fangge also used this chakong dance to completely conquer the top and bottom of the Czech Philharmonic Orchestra, even the wind and percussion players, and the comrades in the string group were also deeply impressed. He is now surrounded by a group of people, Zhou Xiuying and Xi Wanqing can't squeeze in at all, but fortunately, they don't mean to do this, let Qin Fangge enjoy this happy trouble.

Xi Wanqing and the others were quite concerned about their image, so they hurriedly took out a tissue to wipe the tears from the corners of their eyes, and couldn't help but whisper a few words about him, such as lying to people's tears.

Zhou Xiuying is very happy to hear such a scene, although this is the first time she has heard this work, but she is not surprised by it, many of Qin Fangge's previous works have such a simple but profound and complex connotation. He said that it was a lullaby for her wife Fang Xiping, "Aria with Many Variations", which is the most typical. And he wrote so many preludes and fugues, many of which were also about humanity and divinity.

Perhaps, as some people say, these are God's music.

Qin Fangge also said half-truthfully, "These works are there, I just took them out." ”

Today, he uses the same rhetoric to answer Karpac Vucik's queries about how he managed to create such a genius work.

The more Qin Fangge said this, the more others believed that he was a genius and God's favorite, and more radically said that he was the incarnation of God. Such an idea is particularly marketable abroad, but it is okay at home, but there are many more atheists.

This is not the first time that Qin Fangge has been thought of as such, whether he is surprised by his talent for composition or moved by his heavenly tenor. No one suspected him of plagiarism or anything, because first he had to find someone who could plagiarize. If it is God's work, it all makes sense, Qin Fangge is like Fred. No one would deny the fact that he is a genius, and that a person who is so favored by God is not a genius. )