In Zhou Xing's previous life, the work performed by Gao Xiaopan was called a cross talk drama by him, but Zhou Xing didn't think so, but thought it was a sketch. Pen "Fun" Pavilion www.biquge.info

When the general public mentions comedy, they will definitely think of two classic forms - cross talk and sketches, the difference between them is, in Zhou Xing's view, the view of time and space.

In terms of the form of the program, cross talk is extremely free, where you want to say it, you can say a few words if you want to, as long as it can finally form a complete program, but the sketch is not.

As a derivative of drama training, the sketch naturally has the attributes of drama, and the concept of time and space of the sketch is strictly limited by the traditional drama "Trinity", that is, its time, place and environment must be consistent, and the sketch must be an infinite amplification of a certain fragment of life, and there can be no discontinuous changes in time and space.

Although there are still new forms of expression such as modernity, avant-garde, and deconstruction, there is still only one way to go in sketches. Therefore, there is a conflict between cross talk and sketches in terms of attributes, and if you choose one, it is difficult to choose the second one.

Although cross talk seems to have the highest degree of freedom, it actually has extremely high requirements for the level of the creator, extracting a complete theme from the infinite freedom of time and space, which is tantamount to a big wave of sand, and on such a big stage only relying on language to attract the audience, once the program creation is not successful, then the price paid must be painful.

This is also why, in Zhou Xing's previous life "Happy Comedian", Li Jing and Cao Yunjin were eliminated one after another, Gao Xiaopan except for one or two episodes of cross talk, he immediately changed to a sketch when he saw the opportunity, and Jia Ling became famous by cross talk, but in the show, she was a sketch from beginning to end, which is exactly the reason.

Zhou Xing feels that the reason why Gao Xiaopan called "Pear Garden" a cross talk drama is nothing more than a pretense to tell everyone that I have not forgotten my roots, but in fact it is still in the category of sketches.

Cross talk dramas are actually quite difficult, after all, there is a natural contradiction between cross talk and sketches, and it is difficult to reconcile.

Zhou Xing remembers that the series "That Night", "This Night", and "Another Night" of Lai Shengchuan's 'Performance Workshop' on Baodao established almost the only form of cross talk drama - splitting this stage program into several relatively independent cross talk programs according to time, from the audience's point of view, cross talk is the ontology, and drama is only its series form. So if a program is only allowed to have the capacity of a sketch, then it is difficult to turn it into a cross talk drama of this model.

In this world, Zhou Xing's comeback road is also through cross talk, but at that time it was a coincidence, and later Zhou Xing rarely said cross talk, even if he said that he was partnered with Master Guo Mingshun, he did not say it on other occasions, and he did not even partner with Guo Chao.

And this time, it is actually the first time that Zhou Xing has shown his allegro skills on the world's TV stage.

Many performances on the stage are intangible, and Zhou Xing walked a few steps to the back of the stage on the Allegro, which means entering the door.

After entering the door, the master and apprentice were like a competition, you hit yours, I beat mine, one board in one hand, the two of them played up and down with four hands, crackling and not lively, and also won applause from the audience.

Most of the audience in front of the TV have never been to the laughter factory, and it is the first time they have seen Zhou Xing know Allegro, and the feeling of Zhou Xing's versatility naturally rises in their hearts, and they can't help but admire it even more.

After the appearance of an allegro, Guo Mingshun read out an excerpt from the allegro "Linglong Tower" aloud to the rhythm of the allegro:

"In an instant, only the stars scattered, the pits flattened, the ice melted, the loosened eagle flew, the monk walked, the warp was turned over, the lights went out, the nails were nailed off, and the bow collapsed...... A tongue twister!"

And Zhou Xing didn't make a sound at all except for the first 'moment', just stuck out his tongue on the side, as if he couldn't keep up with the rhythm at all, and when Guo Mingshun finished shouting, Zhou Xing gasped and shouted:

"It's so blue in the face!"

Guo Mingshun glared at Zhou Xing: "You just sing the last sentence?"

The audience burst into laughter, but the previous admiration for Zhou Xing was subverted again, and he said in his heart, is this guy only a superficial effort to embroider pillows, or does the plot need it?

It was like this when I played with knives before, and now it's the same with allegro and tongue twisters, by the way, and the first one-legged standing, which is also staggering, how do you feel so amateurish?

Naturally, these viewers at the scene, as well as many viewers in front of the TV, had some doubts about Zhou Xing's ability.

Zhou Xing smiled wryly, and was about to speak, when suddenly the alarm in his hand rang again.

Guo Mingshun immediately frowned and said, "Hey—what is it?"

Zhou Xing's eyes rolled, and then he put on a smiling face, and said with an allegro: "Master, Master, listen to me, the apprentice is going to the toilet!"

Guo Mingshun suddenly didn't get angry, and also said with an allegro: "There is a lot of and urine on the lazy donkey, sooner or later you will be angry with me!"

Zhou Xing followed behind with an allegro: "Angry-death-you!"

Guo Mingshun immediately glared at him: "The guts have fattened you!"

As he spoke, Guo Mingshun pulled the allegro in Zhou Xing's hand, raised his leg and kicked Zhou Xing's buttocks, kicking Zhou Xing to a stumbling block!

Then, Guo Mingshun turned around and returned to the bedside, while Zhou Xing took two steps forward and smiled wryly at the audience: "Hehe, my master, today's leg is higher than yesterday!"

After speaking, Zhou Xing said to himself: "Next-"

After only saying one word, the smile on Zhou Xing's face froze there: "The next one has to be transgender......"

The audience was stunned for a moment, and immediately became curious about this transgender.

After Zhou Xing finished speaking, he trotted to the last room, and called sweetly, "Ouch, Master, are you seated?"

The third master was already sitting on the bed at this time, and the camera gave a close-up again, comparing his face, and thinking of the actor who was exposed before, the audience even guessed that this should be Zhang Junhong.

Dressed in a dark blue velvet cheongsam, outlining a slender figure, but his face was a little wrinkled, and his hair was gray, sitting there, with a good demeanor, and said lightly:

"Sit!"

"Hey!" Zhou Xing agreed, and immediately sat down on a bench next to the bed.

Zhang Junhong immediately frowned, and questioned Wu Nong's soft language: "Why don't you sit down?"

Zhou Xing was stunned for a moment, looked down, and then looked at Zhang Junhong's sitting posture, and then suddenly he was stunned.

After smiling bitterly, Zhou Xing immediately put his legs together, put his hands on his knees, and his legs slightly tilted to the oblique, like a daughter's sitting posture.

The audience was stunned, and that's not all, Zhou Xing still had a bewitching look on his face, which made the audience stunned, and the audience burst into laughter, laughing and applauding at the same time!

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The second is a little later, and the third is a little later.