No matter what kind of sound art it is, it is inseparable from accompaniment.

Whether it is Pingju, Yue Opera, Peking Opera, or even going to KTV to sing karaoke.

The accompaniment of Peking Opera is all based on gongs and drums and Jinghu.

Jinghu's accompaniment uses various techniques such as pulling, lining, supporting, belting, mending, and padding to support the singing of the Lingren, so that the Lingren's singing is vivid, pleasant, and enjoyable.

The clever pianist sings with the horn, as the saying goes, the horn is very strict, and the horn is extremely comfortable singing.

That is to say, the melody played by the pianist is sometimes double, and the play sung by the servant is very full.

Some people who lack stage experience will sing the melody played by the pianist, which is actually the so-called thankless.

Whether it is Cheng Xiaolou who is on the stage at this time, or Liu Fengying's exclusive team of musicians, they are all very experienced people in the pear orchard.

Cheng Xiaolou will never be able to do the kind of thing that robs other people's pianists of food, and after reading the script, the pianist will definitely hold Cheng Xiaolou on the stage steadily, and the accompaniment is completely beside him.

This also illustrates the importance of a good team.

Although it was the first time to cooperate with the musicians on the scene, they all held Cheng Xiaolou very steadily, and the latter was also very comfortable to sing.

There is no need to think about the gongs and drums and the accompaniment of Peking Opera.

Cheng Xiaolou played two roles, and after singing the first paragraph of Wang Baochuan's words in the elegant and tactful Cheng School "Gossamer" singing method, he quickly switched to the role of Xue Pinggui, and continued to sing with the accompaniment: "This sister-in-law is too slow to speak, and my legs are sore when Wujiapo is standing." When I went down the slope to look at it, I saw a sister-in-law who put Lai Chuang, the front shadow looked like Wang Sanjie, and the back shadow looked like his wife Bao Chuan. should have deducted his wife forward, but mistakenly recognized the misconduct of people's wives. ”

After singing Xue Pinggui's words, Cheng Xiaolou turned on the dialogue mode of switching back and forth between Xue Pinggui and Wang Baochai.

Xue Pinggui: Sister-in-law is invited!

Wang Baochuan: The military master dares to get lost?

Xue Pinggui: It's not that you're lost, it's that you ask your name.

Wang Baochuan: If you are famous, you will know it, but if you are unknown, you will not know it.

Xue Pinggui: The daughter of Prime Minister Wang, the wife of Xue Pinggui, Wang Baochuan.

Wang Baochuan: Wang Baochuan?

Xue Pinggui: Exactly.

Wang Baochuan: Is the military master related to her?

Xue Pinggui: No relatives.

Wang Baochuan: Is there a reason?

Xue Pinggui: No.

Wang Baochuan: What did you ask her to do?

Xue Pinggui: I ate food with her husband in the same army, and asked me to bring a letter from home, so she asked.

Wang Baochuan: Master, please stand for a moment.

Xue Pinggui: Please.

Wang Baochuan: Oh, let's live! I think my husband and wife, who have been separated for 18 years, only got the letter back today, and they should have gone forward to pick it up, but they were in rags. If you don't move forward, you won't be able to get the letter! What will happen to this? I have a reason! Ah, military master!

Xue Pinggui: Ugh.

Wang Baochuan: I want to see Wang Baochuan and play a dumb riddle with you, do you know?

Xue Pinggui: I know a little bit about it.

Wang Baochuan: Far away?

Xue Pinggui: Far away in the sky, we can't see each other.

Wang Baochuan: Near?

Xue Pinggui: Oh! Could it be Sister-in-law Xue?

Wang Baochuan: Don't dare, the cold wife of Pinggui.

Xue Pinggui: Oh yes, come on! come on! Come again.

Wang Baochuan: I've just seen the ceremony.

Xue Pinggui: It's not strange that there are many people who have a way!

Wang Baochuan: It's not strange that many people have a good gift. The military master brought the letter.

Xue Pinggui: Please wait! Oh yes, stay! I want to be away from home for 18 years, and I don't know how chaste her is? I can't help but tease her, if she keeps the festival, come forward to recognize her. If she loses her temper, kill her and go to see the princess of Daizhan!

Speaking of this, Cheng Xiaolou sang another piece of Xipi flowing water, "Dongbin once played peony, and Mr. Zhuangzi played three times." Qiuhu once played Luo's daughter, and Pinggui wanted to play his wife. Take the book in the bow and fork bag!"

After that, he continued to play the roles of Xue Pinggui and Wang Bao to continue the dialogue.

Wang Baochuan: What about letters?

Xue Pinggui sang: "I lost my sister-in-law's letter. ”

Wang Baochuan: Where do you put the letters?

Xue Pinggui: Inside the bow fork bag.

Wang Baochuan: It doesn't matter if you dare?

Xue Pinggui: What matters.

Wang Baochuan: Why is it lost?

Xue Pinggui: I think it's because I was lost in the middle of the goose.

Wang Baochuan: What do you do to fight geese?

Xue Pinggui: Hunting geese to satisfy hunger.

Wang Baochuan: I think it's the goose, can't you eat your heart and liver?

Xue Pinggui: Sister-in-law, how much is a letter worth?

Wang Baochuan: There is a saying: Isn't it painful to seek for others but not be faithful, to make friends but not to believe, and to lose other people's letters?

Xue Pinggui: Oh! I really deserve to be everyone's daughter, and I don't have to cry bitterly, I still remember a few words about the words on the letter.

Wang Baochuan: Oh, yes! I think it was my husband who brought the money to settle down and was spent by you. I can't get the letter out, but is it?

Xue Pinggui: No, my big brother Xue, I was there to repair the book, I took some luggage on the side, peeked a few words, so remember!

Wang Baochuan: In this way, you are disappointed!

Xue Pinggui: Oh, if I have a heart, I won't lose your letters!

Wang Baochuan: Stand farther away!

Xue Pinggui sang a few times: "August 15 is bright." ”

Wang Baochuan: Stay, in the barracks, there is not even a light on?

After Xue Pinggui came to the sentence "It's all up to Haoyue in the sky", he sang again: "Brother Xue is repairing books under the moon." ”

Although this large dialogue is Cheng Xiaolou playing two roles on the stage alone, he quickly switches roles between Xue Pinggui and Wang Baochai.

But every time he transformed, whether it was his words and deeds, his eyebrows and eyes, or his voice and tone, there was no mistake in the slightest, and he completely grasped the emotions and inner activities of Xue Pinggui and Wang Baochai.

Liu Fengying, who was in the audience, suddenly sneered when she looked at it, and was immediately amused by the chat between Wang Baochai and Xue Pinggui when they met for the first time after being separated for eighteen years.

Even Liu Fengying and the others, who watched this play for the first time, heard that Xue Pinggui was obviously deliberately teasing his wife, and they were worried about finding out the bottom of it.

Oh, man!

"A horse left the Xiliang Realm" is the best description of Xue Pinggui's return to his heart like an arrow, and it can be regarded as his ability to hold Wang Baochai.

After all, it takes courage to choose to return after eighteen years, so there is a feeling of "Xue Pinggui is embarrassed to return alone". For Wang Baochuan, it was not very emotional to hear that her husband had asked someone to bring a letter to the family, because she had experienced too many hopes and disappointments in the past 18 years.

Although she has been poor for 18 years, she can't lose her dignity and the identity of a pioneer lady, especially in front of her husband's colleagues, so Wang Baochuan's appearance is a steady "Xipi Adagio" singing.

According to the thinking logic of ordinary people, the meeting of a husband and wife who have not seen each other for 18 years should be full of threads and hearts, and it is reasonable to hug their heads and cry.

As the saying goes, if you are newlywed, and reunite after 18 years of separation, there must be whispers that you can't finish for three days and three nights...... It is also human nature to fight for 300 rounds of ear and sideburns.

But Xue Pinggui and Wang Baochai are not like this, but they use a humorous way that makes people laugh about it, to dilute the pain of missing for 18 years of separation.

The reason why the creator of this play used comedy to deal with this scene was that on the one hand, he wanted to liberate the audience from the pathos of the wild goose, and the interactive program brought in and out was the most clever technique in Chinese opera.

From another point of view, the laughter of running slopes has paved the way for the recognition of entering the kiln, and at the same time, it is very ingenious to deal with the dramatic situation that cannot be recognized in a comedic way.

This dialogue is also a very big two points in the whole play.