155 Boss Cheng said flower face

is really as Cheng Xiaolou guessed, except for Dao Ma Dan Sydney and Hua Dan Zheng Feifei, the other women are all first-line big horns in the pear orchard world.

Although her fame and status are not as good as Liu Fengying, the first Tsing Yi, they are all horns with more than 10 million fans.

However, in the face of Cheng Xiaolou, a newcomer to Liyuan, the girls were very enthusiastic.

After saying hello and talking, everyone left contact information with him.

Dao Ma Dan Sydney and Hua Dan Zheng Feifei even invited him to play in public.

In this regard, Cheng Xiaolou agreed to them one by one with a humble attitude, but he pushed back the time and did not set an exact date.

I only said that if there is a new creation in the future, I will notify them as soon as possible.

After greeting and getting to know each other, Hua Ye took Cheng Xiaolou to the men's lounge next to him and introduced him to several first-line male actors who were also invited by Liu Fengying.

These male characters are not very old, and the eldest one looks to be in his early thirties.

After getting to know each other, a bronze hammer with a flower face, who was also a professional worker, was shocked after watching his "Lock Five Dragons", and immediately asked modestly: "Boss Cheng, what do you think is the biggest feature of the flower face performance?"

Hearing someone talk about the professional knowledge of Peking Opera art, several other non-flowery corners also pricked up their ears and looked at Cheng Xiaolou.

Art is all connected, and they also want to hear whether Cheng Xiaolou, an upstart in the pear orchard who was born and is embraced by the three gates, has any special understanding of the net angle industry.

"The biggest feature of the flower face......"

In Xiao Lou's view, a flower-faced actor shapes his character image through performance, and his "work" should not be underestimated. The performance of the flower face has a very rich program, such as raising a hand and throwing a foot are decent. Horseback riding has a horseback riding program, a sedan chair has a sedan chair situation, a standing posture, walking and walking characteristics, and even the expression of joy, anger, sadness, sorrow, surprise and other emotions also have a complete image of the program. All of this is for the sake of showing the characters, all of which give the audience an aesthetic enjoyment.

Cheng Xiaolou thought seriously for a moment, and then organized his language and replied as rigorously as possible.

The corner who asked the question chewed Cheng Xiaolou's words carefully for a while, nodded with deep sympathy, and couldn't help but deepen his admiration for him a lot.

After a pause, he continued to ask with his eyes shining: "Then as a professional flower-faced actor, how can you give the audience a chic and delicate beauty?"

How to give the audience a chic and delicate sense of beauty, this is one of the intensive subjects of every Jingjiao, and every full-time worker has his own different experience and cognition.

"This is a very professional and profound question, and it is difficult to explain it in a sentence or two. ”

Cheng Xiaolou hesitated, and for a while he didn't know where to start.

As he said, this question is both professional and in-depth, and it is estimated that it will not be able to finish in an hour or two after careful analysis.

"Then you can talk about your views inductively, Boss Cheng, don't be surprised, I sincerely seek advice, not deliberately embarrassed. ”

That Jiao'er was afraid that Cheng Xiaolou would misunderstand, so he hurriedly hugged his fists and bowed down to explain.

"This ...... Well, Xiaolou is just a late learner, if there is something wrong, please correct it. ”

Seeing that the look on the other party's face was not like action, Cheng Xiaolou quickly sorted out his thoughts and began to talk eloquently.

As a flower-faced actor, how to give fans a chic and delicate sense of beauty on the stage, in Xiao Lou's view, we must first firmly grasp the inner emotional world of the characters and the accuracy of the characters' emotions.

For example, when singing Xue Qilang in "Eight Temples", it is necessary to repeatedly ponder and experience Xue Qilang's bitter, sad, and sad inner world of having a country that cannot be repaid and a home that cannot be returned, so that it can be vividly embodied.

The second is to show the spiritual connotation of the characters with rich facial expressions. These include the look, look, look, and aim of the eyes. If you want to play every role well, you must practice your eyes very "bright", from the heart to the eyes, from the eyes to the gods, and to have both gods and shapes. The facial expression of the flower face should be large, and only one "laugh" should be divided into crazy laughter, sneering, giggling, angry laughter, bitter laughter, treacherous laughter, laughter and so on.

The third is to make full use of body art to reflect the character characteristics of the characters. This includes the arms like a bow, the waist like a loose shoulder, the chest to be shy, the wrists to buckle, and the legs to rise and fall lightly, etc., as the so-called "one minute on the stage, ten years off the stage".

In order to make these more convincing, and at the same time more intuitive and have a sense of reference and substitution, Cheng Xiaolou thought about it and took another net angle play "Burning the Golden Building", which he is most familiar with in the world, as an example.

Cheng Xiaolou said that he was devoted, and several first-line celebrities around him listened to it even more devotedly, and he didn't notice at all that Dao Ma Dan Sydney and others in the lounge next door also walked in surrounded by a stunning woman who was captivating the country and the city.

I only listened to Cheng Xiaolou with the play "Burning the Golden Building" and then analyzed:

The money in "Burning the Golden Building" is starting to fight, mainly showing the big reliance, the hand knob skill, and the big elbow and the big support. Both literary and martial arts must have a sense of rhythm, and martial arts highlight explosiveness while grasping the rhythm, which can be best reflected when the fight begins.

First of all, the first set of "hook knife", it is easy to play a program, but it is required to play the meaning and feel that you must concentrate on practice, the first half of this set of "hook knife" must be flat and stable, one move and one style for the audience to see clearly, so as to pave the way for the acceleration of the back and the final big knife chopping debut.

If you come up like the wind and rain desperately playing, it is easy to get exhausted, and the small strength may not be half of the play will be physically exhausted, only the front calms down, to half a set of just over ("one nose, two noses") gongs and drums long tune door, at this time and gongs and drums at the same time to speed up, the atmosphere is completely set up, at this time this set of tricks is also nearing the end, and then, after the horns and faces turn outward at the same time, the face of the big knife (at the same time the horns of the horns with the back knife of the jumper to bow their heads) plus the "four blows of the head" chop debut.

When the flower face is turned around, the eyes should be aimed at the position of the horn and the head bowed in advance, so as to achieve the best effect of stability, accuracy and ruthlessness when chopping the head. The next "small quick robbery" rhythm is roughly the same as the above, the important thing is to grasp the closing rhythm, after the "tiger gun" suddenly stopped for a second, the gongs and drums stopped at the same time, and after a second the gongs and drums cooperated with the actors to "tear the edges", Danjiao drew the gun "up and down" and "tied the flower face" to rely on the "reverse tiger" to appear, so that this "reverse shot tiger" did not go in vain, which not only highlighted the refreshing effect, but also showed the effect of awakening the spleen.

When the rhythm is grasped, the taste of the play will come out.