Speaking of this, Cheng Xiaolou paused and continued.

After this, there is the last set of "nine and a half knives", this set of tricks is not very difficult, and its focus is also on the big "hard back" at the end and the final "stomping on the mud" appearance skills. The difference between the big "hard back" and the short fight is that the body is draped in a big back, wearing a helmet and a thick bottom, etc., this skill is also one of the necessary skills of the martial arts face, the essentials are in the air when the "change" holds your breath and lands with your back, to complete this series of actions is to have a height, if there is no height, it will look like it will fall very embarrassed, although it is a fall, but to fall clean and beautiful, relying on the flag mouth is not messy at all.

Then the "flying feet" and "stomping the mud" appeared, and the "stomping mud" should have the feeling of nailing one leg to the plate.

After that, it is necessary to climb down on a high platform of more than 2.5 meters, and maintain its grace and integrity when turning down. can imagine the authenticity of the phrase "one minute on stage, ten years of work off stage".

After the front is over, the last "fire" is the end of the play and the climax of the play. This mainly shows the martial arts actor's flipping, falling and beating skills, through the reasonable use of these skills to exaggerate the tragic scene of Yu Hong being burned, and vividly portrays the various performances of this character after being burned.

However, through a series of tumbling techniques such as "shooting the tiger backwards and turning into a knock", "twisting the body and grabbing the back", he showed his miserable psychological state after discovering that his hair bun, beard, and even weapons and mounts were burned.

While showing skills, we should pay attention to the rhythm of the stage and the changes in the hearts of the characters, such as reacting strongly when reading "this hair on the head", the ancients had a cloud "The body is skinned, and the parents who receive it dare not destroy it, and the beginning of filial piety is also." ”

At this time, you can use the Peking Opera program technique of "twisting the body 720 degrees to grab the back" to exaggerate this strong reaction, the more difficult the technique, the more you can't be in a hurry, too urgent not only can not produce the effect, but make people feel busy and disorderly. At the same time, it also plays a role in leading the audience's emotions to rise and fall with your movements, so as to achieve the best artistic effect.

Cheng Xiaolou talked endlessly for nearly ten minutes before taking the very representative "Burning the Golden Building" as an example to answer the questions raised by the other party as comprehensively and meticulously as possible.

After analyzing "The Burning of the Golden Building", Cheng Xiaolou finally concluded: "The purity in the pure ugliness of Shengdan is a very important profession, which plays a non-negligible role in the composition of the field of Peking Opera art performance. As a net angle actor, Xiao Lou thinks that the aesthetics and habits of fans at all levels must be accurately considered and positioned.

"At the same time, we must also have a clear understanding of improving their appreciation level, with the changes of the times and the quiet changes in the aesthetic taste of theater fans, we must have a sense of urgency and mission, we must work hard to explore, constantly seek innovation and change, strive to learn and excavate more excellent repertoire, and use a high degree of artistic and technical unity to emerge high-level and high-quality repertoire to win the satisfaction of fans' aesthetic appreciation."

In the end, Cheng Xiaolou naturally brought his private goods in.

Say a thousand things and ten thousand, the times are different, and the fans are also different.

In that era when everything was inferior and only reading was high, the thoughts of theater fans were very simple, the level of education was low, and there were only a handful of people who could write their own names.

At that time, compared with today's era when people who were embarrassed to tell people that they had gone to school even if they didn't graduate from undergraduate, the composition of theater fans had actually undergone earth-shaking changes.

It is obviously out of place to treat contemporary theater fans and continue to use the old old thinking.

This is not only reflected in the face industry, but also in the three lines of life, dan, and ugliness.

Boss Cheng is worthy of being known as a pioneer of Peking Opera innovation, and just that sentence just now made Feng Ying hear the morning bell at dusk, which made the little woman deafened. ”

When everyone was still immersed in Cheng Xiaolou's justified and professional remarks just now, and at the same time included his analysis of his understanding and views on the innovation of Peking Opera, a pleasant female voice like a yellow oriole suddenly came from the door, and immediately woke everyone up from a state of intoxication.

Cheng Xiaolou looked back reflexively, and saw the woman in the crowd at first glance.

At just one glance, he subconsciously remembered the poem "There is a beautiful woman in the north, peerless and independent".

Except for this verse, Cheng Xiaolou couldn't think of any other words to describe her beauty and temperament.

It's as if this poem was tailor-made for the people in front of you.

"Boss Liu. ”

"Young master, you are here. ”

"I haven't seen you for many days, Boss Liu, you are still so beautiful. ”

The words of the people behind him suddenly made Cheng Xiaolou come back to his senses from his sluggishness.

For some reason, he was a little afraid to look at her eyes, and his heartbeat was much faster.

At this moment, he naturally guessed that the person who was surrounded by a line of famous people like stars and moons was none other than Liu Fengying, the boss of Liu Fengying, who had the name of the first Tsing Yi.

It was the beauty in front of him who seemed to have come out of the picture scroll, and a few seemingly simple words a few days ago dragged him out of the quagmire he was entangled in, so that he had more than 10 million downloads of several works on the Voice of the Pear Garden overnight.

It is no exaggeration to say that Cheng Xiaolou can become the leading upstart in Liyuan in China in just a few days, and the number of downloads of five works has exceeded 15 million.

In front of everyone's eyes, Cheng Xiaolou's two lives of people honed their temperament couldn't help but ripple in circles.

"Boss Liu. ”

In front of the true god, he could only force himself to suppress the faster and faster heartbeat, and tried to draw a smile that he thought was the most humble and polite and bowed to say hello.

"Boss Cheng. ”

Liu Fengying's beautiful eyes always stayed on the face of the young man in front of her, and she smiled lightly and returned the salute gently.

"Thank you. ”

Cheng Xiaolou is another salute.

"You're welcome. ”

Liu Fengying returned the salute again.

"It is a great honor for Xiaolou to be on the same stage with you. Cheng Xiaolou bowed again.

"You're being too humble. Liu Fengying returned the salute with a smile.

The dozen or so actors at the scene felt a little dazed for a while, weren't they discussing how to give the audience a chic and delicate beauty, why did Liu Fengying suddenly change the style of painting as soon as she appeared.

Everyone even had a strange and ridiculous feeling, Cheng Xiaolou and Liu Fengying bowed and nodded just now, as if they were in the chapel.