"The Great Demon King turned out to be a sweet party!"

"Heresy! Aren't rice dumplings and rice balls salty to eat?"

"No, the big devil should be a salty party, didn't you see the story about sweet zongzi (rice balls) stepping on the ground? The real sweet party wouldn't do such a thing! Not even in the story!"

"There is a salty party here, call the headquarters of the sweet party and ask for support!"

"Damn! There are still people who can eat something as disgusting as salty zongzi (rice balls)! Zongzi must be sweet, return salty and keep safe!"

The sweet and salty controversy once again caused an uproar on the Internet, I don't know if it is too boring in reality, and people all over the world have joined this boring discussion. As if they were in a holy war, they all waved their flags and shouted for their favorite parties.

There are even scholars who have egg pain, from the field of biology, food, nutrition, and even philosophy, to analyze the necessity of sweet (salty).

The biggest party struggle in the world is probably only sweet and salty.

And this party struggle that has affected the whole world all stems from the third episode of "one-piece".

"One-Piece" is similar to "Dragon Ball", the real popularity of "Dragon Ball" began with the "No. 1 Martial Arts Club in the World", and "One-Piece" also broke out in full force from the middle of the story, which established its unshakable status.

Therefore, when He Chen was first serialized, "One-Piece" was still unfazed - after all, there were only a few words, no matter how god's work, this foreshadowing was not opened, how could it be seen that the classics were not classics?

Moreover, the number of classic works written by He Chen is too much, so among these many works. The story serialized by He Chen must be interesting. It's a matter of course for the fans. Coupled with the "alternative" style of "one-piece". So in the early days, it wasn't much.

Speaking of which, the painting style of "one-piece" is not pleasing, among the three major migrant workers, if you look at the impression of seeing the cover at the first glance, He Chen will definitely choose "Naruto" and "Death" instead of "One Piece". So, I waited until the time when One Piece was serialized to the top battle. He Chen, who had no books to read, went to watch "One-Piece...... Then, out of control.

Only those who have watched "One-Piece" can feel that only this style is the most suitable for "One-Piece", because it tells the story of pirates!

It's the story of that uninhibited, unscrupulous group of people!

He Chen once remembered that some netizens said that if "one-piece" could change the style of painting, maybe it would be even more popular. But then He Chen thought about it, if he was limited by the so-called "style". That also loses the free flavor of "One Piece", which tells the story of pirates. It's not a gentleman's story, only that flamboyant, free and easy, and eclectic style can perfectly interpret "One Piece"!

So He Chen still uses Oda's original style, no, it should be said that Oda formed the style of "One Piece" after Oda became more and more sophisticated in the later period. Of course, limited to character building.

In He Chen's eyes, although the sales of "one-piece" are unrivaled in the island comic industry and have a huge fan base all over the world, it is not the most perfect royal comic.

As long as this genre is mentioned, people will definitely think of Dragon Ball, followed by One Piece. The former is the king of the old era, and the latter is the king of the new era. Both stand at the pinnacle of the genre.

If Dragon Ball is the ultimate in combat, then One-Piece is the ultimate in story.

Even if He Chen is a loyal fan of "Dragon Ball", he has to say how pitiful the story of "Dragon Ball" is...... Or should it be said that he was cheated by that group of brainless editors for a generation of gods. The only thing that uses the upgraded copy so frantically and shoddy is "Dragon Ball".

However, I have to admire Master Akira Toriyama's attainments in comics. Even if you know what the story is behind, even if the enemy comes out inexplicably, illogically, and disobediently, even if you know that the protagonist will definitely defeat the enemy, those battle scenes can still make people's blood boil.

In all the comics, He Chen only felt it in "Dragon Ball".

To use one word in martial arts novels, that is "momentum".

Although "one-piece" is also enthusiastic, it also has a momentum that can make readers feel similar enthusiasm, but its momentum does not rely on the picture, but uses its wonderful stories to pave the way layer by layer, and finally explodes.

At the beginning, I thought that the story of "one-piece" was like this. But I'm not afraid of not knowing the goods, I'm afraid of comparing goods. Especially when I thought of the other two stories that He Chen liked the most at the beginning, but collapsed in the end...... Don't say it, it's all tears.

After reading a lot of long stories, and then looking back at "One-Piece", you will find that it is very rare to be able to tell the story so wonderfully in this super long story, and the overall story structure is basically intact and has not collapsed. And after this lengthy foreshadowing, all the bright and dark lines are drawn out at the end, like a big net spread out in the deep sea, slowly shrinking, slowly shrinking, and the climax of the last net is exhausted!

The storytelling of "Dragon Ball" is far inferior to "One-Piece", and the portrayal of the battle scenes in "One-Piece" is not as good as that of "Dragon Ball".

Both are considered to be the pinnacle of this field from different angles.

What if you fused these two styles?

The idea is completely doable, because the combat and the story are completely two sides and do not clash. Master Oda was limited by his own style and was unable to do it.

In other words, it's like a two-person competition, and "Dragon Ball" can show the scene of the competition to people completely, so that people will feel like they are there, and they will naturally be infected by its atmosphere and immerse themselves in it. And in "One-Piece", there are moves. There are results. But it's missing the trick -- it's not the kind of so-called skill. And then the kind of demolition move that cracks each other, that's called the Hurricane skill.

"Dismantling moves" is to maintain the coherence of the picture of the skill, and without this picture coherence, the appeal of the picture will naturally decline.

But He Chen could, so He Chen shaped the mission and story structure in Oda's style, but in the battle scenes, he added the battle table he learned in "Dragon Ball".

After optimizing the battle scenes, it is He Chen's version of "One-Piece".

The passers-by and setting of "One-Piece" are very similar to the style of "Dragon Ball". I don't know if Eiichiro Oda learned Akira Toriyama's style.

All in all, on He Chen's side, people are very familiar with the style of "Dragon Ball", so after seeing this style and seeing this theme again, fans immediately decided that after "Dragon Ball", the master finally began to create a new bloody manga.

And in the third episode of his unsightly appearance, it triggered this salty and sweet dispute.

The anime of "one-piece" is not the same as the beginning of the manga version, and the beginning of the manga version is extremely exciting. The pace is bright and the story is smooth. And the animated version has a lot of holes - compared to other animated versions that like "original", "one-piece" is good, but in terms of viewing experience, the animated version is still far from the rendering power in the comics.

At the beginning of the manga, the third episode is the plot of Luffy and Zoro meeting and Lasolon joining the gang. The first time I met Sauron, when Sauron was tied up by the navy, a little girl who had been rescued by Sauron slipped in to deliver food to Sauron, but was found fault by the "second generation of soldiers" (a waste wood who relied on his father's naval prestige and was arrogant and domineering).

A very ordinary plot, for the sake of plot conflict, the appearance of such a harlequin is very necessary and timely. However, the target of people's attention is all on the small rice ball (zongzi) in the little girl's hand.

Because He Chen didn't write what this thing was, from the comics, Chinese fans thought it was zongzi, and fans in the island country thought it was rice balls.

But that's not the point, the point is that this thing turned out to be sweet!

Moreover, he was mercilessly thrown to the ground by the "second generation of the army", and he stepped on it and said: "It's unpalatable to death! Sweet? Sugar? How can you eat it if it's not salty!"

After seeing this sentence, how can fans endure it?

The salty party waved its flag and shouted, the sweet party rose up to resist, and the sweet and salty dispute broke out again.

And the key to this war is in one person - that is He Chen, what kind of taste is the Great Demon King himself?

From the background of the story characters, the "second generation of the army" obviously belongs to the villain role, and the little girl is obviously a cute positive character, such a character belongs to the protagonist's side, such a character is a sweet party, so some people regard this as a strong proof that the big demon king is a sweet party.

However, this evidence is not convincing to everyone. Because compared to this character, although the "second generation of the army" is just a villain, but the speech in the story was made by the big demon king to "say", and this is a sentence that has nothing to do with the plot of the story.

"Chenjun, do you like sweet or salty?"

Asamiko asked He Chen with two rice balls, although she understood He Chen's taste, but after thinking about it carefully, it seemed that among the foods she made He Chen's favorites, sweet and salty seemed to be half the point.

couldn't hold back the curiosity in his heart, and in order to figure out He Chen's taste and adjust the direction of future research, he asked He Chen.

"I'm drawing a battle comic! not a food comic!"

"Well, I know. But Chenjun, do you like sweet or salty?"

"I'm drawing the legendary adventures of pirates!"

"Are the pirates sweet or salty?"

“……”

He Chen wanted to be quiet, don't ask him if Jingjing is sweet or salty. (To be continued......)

PS: It's Kavin again...... The lust of the card is immortal.