Hu Tao is on fire, "The Witch of the Moonless" has also been introduced by other countries in the world, and at the same time, many film and television companies have thrown olive branches to its film and television copyrights, and some of the world's top world-class actresses have publicly admitted that they are lily, and by the way, they revealed the image of being willing to shoot "The Witch of the Moonless".

As long as they are willing to let them shoot, they can free up all the time for "The Witch of the Moonless". The salary is even more trivial, and the friendship price of 1 yuan is not a problem.

They are not short of money, they just like "The Witch of the Moonless", and it is their loyal expectation to make this movie.

It can be seen from this how popular the revised "The Witch of the Moonless Moon" is.

However, none of this has anything to do with Hu Tao, because of the overlord clause of the Great Demon King, and the other copyrights of "The Witch of the Moonless" are all Tianman, and the only income Hu Tao can get is the little income from the comics and animation itself.

Of course, this little income is enough for Hu Tao to recover the capital of his investment, and maybe make a small profit.

However, after seeing the terrifying profits in the follow-up of "The Witch of the Moonless", even the joy of making money will instantly become boring - He Chen did this on purpose, letting her know that she can actually make so much money, but none of this money is yours.

Generally speaking, exploitation and oppression must be carried out secretly, even if you have fine clothes and food behind your back, you have to keep crying poor on the surface. But when it came to Hu Tao, He Chen went the opposite way, this feeling of superiority was too wonderful.

But Walnut is depressed. It's not from here. She is not short of money. Or maybe she doesn't care about money. For her now. The only person she cared about was one person.

If "The Witch Without a Moon" is going to be filmed, she must play it with that person - even if it is just for a movie, it can satisfy her ambitions a little.

And the source of her depression is related to "The Witch of the Goddess Without the Moon", and it is also related to that person - because of her naked, naked, naked confession of "The Witch of the Goddess without the Moon", which scared Yi Jingjiao, and Yi Jingjiao began to avoid her. I don't call her with me at work, even if she is cheeky to eat. I can't see Yi Jingjiao anymore.

is also because of this, even if "The Witch of the Moonless" has achieved such exciting results, she is not in the mood to show off her power in front of He Chen.

The comic is over, and her heart is empty.

She told the depression in her heart to the only "teacher Cangshuhong" who could confide in, and she was confused and longed for a little comfort.

However, at a time when the whole world sees her as the spiritual leader of Lily, she is lost. Because Cang Shuhong also asked her to "don't bring the feelings in the story into reality, and treat feelings rationally", she felt very uncomfortable. Because of the relationship between co-creation, she has always thought that Teacher Cangshuhong is a person who can understand herself......

In fact. It was Yi Jingjiao herself who chatted with her, and Yi Jingjiao didn't know how to face Hu Tao, so she could only rely on this euphemistic way to explain. However, it doesn't seem to have much effect.

Hu Tao felt that Cang Shuhong was very strange, and on the one hand, she said that she should give up this unrecognized relationship, but on the other hand, she was actively discussing with her the comic plot about this aspect of the emotional description.

"You don't have schizophrenia, do you?" Hu Tao was already very familiar with Cang Shuhong, so he didn't shy away from asking such a question. Saying one thing on his lips, and making another in his hand, it is no wonder that Hu Tao will associate this aspect.

"A story is a story, an individual is an individual, and as a creator, you can be involved in the story, but always keep a clear head. Although such feelings are still controversial today, there is nothing wrong with the works on such emotional themes. Or to put it another way, it is precisely because of the controversy that it will trigger people's reflection and create some classics. Not to mention some female and male authors, and male and female authors, such as the porter teacher, he has also painted a lot of romance works, among which "I Want to Sue You" describes the girl's mind more delicately, but he is not a woman. "When talking about comics, behind Cang Shuhong is He Chen.

"He's a pervert......" Hu Tao said without hesitation.

He Chen's eyelids jumped, he took a sip of coffee, thought about Hu Tao being teased by him, looked for a sense of psychological superiority, calmed down, and then typed to Hu Tao.

"Let's talk about manga without talking about that......"

"The Shrine Maiden of the Moonless Moon" is over, but this is just the beginning.

The depressed mood needs to be vented, and the empty heart also needs to be filled with the content of the heart. Some people vent by shopping, some people vent by playing games, and some people vent by writing some scar literature, since Hu Tao can comics, so He Chen will build yì, then draw another comic!

It was at the trough of Hu Tao's mood, so he listened to He Chen's words and began to create a new comic. She may also think that if she can create a more exciting and more attractive lily comic that attracts Yi Jingjiao, and bend Yi Jingjiao, won't she be able to achieve her ambitions?

He Chen used comics to snatch Yi Jingjiao away from her, and she was going to use comics to snatch Yi Jingjiao back from He Chen's side!

If it was just Hu Tao who deliberately talked back to He Chen and didn't admit defeat before, then the fire of "The Witch Without a Moon" gave Hu Tao confidence and confidence.

At least she really had the courage to call Ban He Chen - of course, this is just courage.

The new story is still a shrine maiden, and it is still an endless cycle of love and killing, but in addition, the length is longer, and more combat elements have been added, highlighting the poignant story with tragic battles.

"Soul Eater"!

This is He Chen's new work for Hu Tao. The original "Soul Eater" was a juvenile manga, not a lily, and it couldn't compare to the status of "The Witch Without a Moon".

However, it is Tsuchimiya Kagura and Isayama Huangquan who are talked about among them, a pair of shrine maidens who love and kill each other - it may also be the popularity of the anime version of "Soul Zero", but it is undeniable that the bond between Tsuchimiya Kagura and Isayama Huangquan has a very great writability.

And the male protagonist?

Compared to the huge popularity of Tsuchinomiya Kagura and Isayama Yellow Spring, it can be completely ignored.

And it is similar to the general theme of Hu Tao's version of "The Witch of the Moonless", which is very suitable for Hu Tao's play. And after the exercise of a work, He Chen believes that Hu Tao will be able to perform better in this novel.

The male protagonist of the magic revision of "Soul Eater" ...... No, it should be called a male supporting role, there are not many scenes, it should be said that it acts as an NPC who threads the needle and leads to the story, and he first leads Kagura, and then joins the "countermeasure room", and then uses the interlude perspective of Kagura's memories to bring out the story of Kagura and Huangquan in "Food Spirit Zero", so as to complete the emotional foreshadowing of Kagura and Huangquan's love-hate entanglement, and then push it to a climax in the conflict between the two of them falling in love and killing each other.

Originally, He Chen wanted to directly eliminate this male protagonist, because if he didn't have him, it wouldn't have a big impact. However, it seems to be a habit left over from "The Witch Without a Moon", or the residual hatred for He Chen in his heart, Hu Tao insisted on a difficult match, and he still used He Chen as a template to draw.

However, Hu Tao explained that He Chen already knew that he would face the tragic life of NTR in "Soul Eater".

I don't know if it's an illusion, but he seems to have heard the crazy blackened laughter that Hu Tao came from at home.

Hey, poor boy.

He Chen shook his head pityingly, he had been bullied like this in reality, so He Chen didn't say more, let her go, let her vent in the fictional world, and save a good baby from being suffocated.

Its heroine Kagura is naturally Yi Jingjiao, who portrays Yi Jingjiao as a white and flawless, angel-like figure - and this also happens to be in line with the image of the "White Witch".

And she is naturally Huang Quan - in fact, from He Chen's point of view, the characters of the two should actually be reversed to be more appropriate.

However, Hu Tao, who was hurt in his heart, ignored it.

In "The Witch Without a Moon", the singing voice is her sustenance, and in "Soul Eater", Huangquan is her projection. All the sorrows he encountered were reflected on Huang Quan's body in a more exaggerated way. All kinds of misunderstandings, all kinds of frame-ups, falling in love with and killing each other, collapsing, blackening, being saved, etc., He Chen wondered if Hu Tao had a soul that trembled M.

Compared with the poignancy in "The Witch Without a Moon", although the overall style of "Soul Eater" is also a bit depressing and gloomy, it gives people a wanton and flamboyant feeling, as if they want to break the world and break the world's qiē - perhaps Hu Tao has such thoughts in his heart.

However, based on Hu Tao's mentality, she was originally only good at describing delicate emotions, but now she can bring a hot taste of juvenile comics...... All in all, Hu Tao's final magic modification of "Soul Eater" is indeed far beyond He Chen's expectations, and it is very exciting.

Since Hu Tao has created such a wonderful lily comic, He Chen will not make her seem lonely on the road of creation.

Eiichiro Oda saw that his friends had received He Chen's attention, and started a new story one after another, thinking that he was not at the same level, and he was very depressed. Soon, though, he got a surprise. Following Ken Obata and Hirohiko Araki, Eiichiro Oda was finally able to draw his natal work - "one-piece"!

The previous translation was called "One Piece", but the system brushed it out, and after He Chen finally made up for the ending that he had been waiting for for N years, he found that Mr. Oda had dug a hole in the name.

The true meaning of "one-piece", which was once speculated by countless fans, was only revealed in the final ending.

In view of this, He Chen did not change the name and passed on the name "one-piece". (To be continued......)