The controversy over the two ceremonies and the blind eyes of Shiki has finally settled after "Pain Residue".

"As long as it's a living thing, even a god will kill you!"

This kind of "living" is not necessarily a living thing, if you want to understand it, it should be a kind of "storage zài", as long as you can understand the "existence zài", even if it is a conceptual abstract storage zài, it can be killed!

In "Pain Residue", the two rituals can "kill" even the invisible "distortion" of Asakami Fujino, and judging from Shiki's appearance in "Tsukihime", he cannot kill this "abstract" thing.

"That's too buggy, isn't it?"

After seeing the real Eye of Straight Death in the Two Rituals, fans were shocked.

"If it's the Demon Eye of Direct Death of the two rituals, wouldn't the two rituals be able to destroy all of Fate by one person?"

"Theoretically, that's true...... However, after all, the two rituals are just a physical mortal, even if she has a demon eye of this level, her physical reaction has to keep up. Even if she has the strength to kill the Heroic Spirit with one blow, but the premise is that she must first be able to touch the Heroic Spirit, the Heroic Spirit has much more combat experience than her, and the speed is almost impossible to catch with the naked eye, so she can't deal with the Heroic Spirit. But if you fight those R's, maybe you still have the strength to fight. After all, R is a magician, and the purpose of the Holy Grail War is to trace the root, and the two rituals have already touched the root - although they don't know magic, the level of this magic eye is much higher than others. ”

The flesh is the greatest limitation on the strength of the two rituals.

"Tono Shiki also has the assassination book of the Seven Nights family, although their family is human, but they have a body that surpasses that of humans, and can make all kinds of unbelievable actions, which is the root of the Seven Nights Assassination Technique. Although Zhigui did not learn all because of the extinction of the clan. But even if this is the case, it should be no problem to deal with the two rituals that are still human except for the Demon Eye. ”

"Although the two ceremonies are more powerful than Shigui's magic eye. But when it comes to fighting, Shiki is a little more powerful. ”

One thought for a long time. Suddenly, he suddenly realized: "Speaking of which, this magic eye of direct death is nothing more than a brain-fighting hole? At first glance, Zhigui, who is an engineering dog, has a deeper understanding of things that can be seen, so he is more proficient in the use of the magic eye in this kind of thing - he can see the dead spot." The literary girl has a bigger brain hole and is very good at brain supplementation, so she can understand all kinds of abstract concepts......"

"Whoever told you that engineering people don't have brains! Look at the strange inventions of the world. Which one has nothing to do with science and engineering? Science is the biggest brain hole!"

The dispute between the magic eye of Zhigui and the two ceremonies quickly developed into a dispute between the brains, and then developed into a dispute between literature and science.

"Although the two rituals are already very buggy, I think the last Asakami Fujino's awakened magic eye is even more buggy. ”

Speaking of the Demon Eye, naturally I have to mention the other person who fought with the two rituals this time, Asagami Fujino.

In "Overlooking the Landscape", one hand of the two rituals is a prosthetic leg made of Aozaki orange, but when did the two rituals lose their hands and because of what. Fans have always been curious - after all, she has such a powerful magic eye.

And in "Pain Residue", it is finally unraveled - Asagami Fujino.

Asakami Fujino's magic eye itself has the ability to distort the place where the eye sees, which is a conceptual distortion that does not care about the hardness or softness of matter. As long as Asagami Fujino thinks it can be twisted, then it can be twisted.

And in the battle with Asakami Fujino, the two ceremonies showed themselves beyond Shiki's magic eye - even "twisted" can be killed, but they also lost a hand.

Originally, Asakami Fujino's magic eye ability was very limited - it had to be where the eye could see. But in the battle with the two rituals, she finally awakened another ability - perspective, in other words, that is, clairvoyance, her vision will not be limited to her eyes. As long as she wants to see, it won't be blocked by anything.

Head-to-head words. This kind of Cheng dù's Asagami Fujino and the two ceremonies may be on a par.

However, the eyes of the two ceremonies will not be open forever. And Asakami Fujino's attack can be said to be silent and unguardable, and if you look at it from the perspective of assassination, I am afraid that there is no more murderous assassination ability in the world.

When it comes to Asagami Fujino in "Residual Pain", it is also embarrassing, even if Asagami Fujino broke one of the hands of the two ceremonies, not many people hate Asagami Fujino...... Her tragic experience is really annoying.

He Chen can make more appropriate modifications to what happened to Jian Tong Sakura, because the mushroom's setting of her "madness" is only the sales it serves, and another method can also show her misery and her blackening, which will not affect the overall story.

And Asakami Fujino is more troublesome to deal with, and if her experience is light, people can't sympathize, it will appear that she is indiscriminate and tyrannical. Let the audience understand her murderous revenge, and also feel sympathy for it.

In the original theatrical version, the opening is portrayed too deeply, or superficially, and the novel is only a passing mention here, focusing on the theme of this article, "pain" and "punishment".

He Chen uses stream-of-consciousness and montage techniques to dilute the direct expression of the picture while deeply highlighting the main theme. In the end, what the audience saw was that there was no direct representation of such a thing on the screen, but the audience knew that this kind of thing had happened, and automatically made up for it in their brains.

The repression is even heavier, and at the same time, it also stimulates the audience to be more sympathetic to Asakami Fujino's plight. The indiscriminate killing after Fujino Asagami not only did not make anyone feel disgusted and uncomfortable, but even made people feel the pleasure of venting. However, the joy was followed by deeper sorrow and pain - why did Asakami Fujino suffer such a tragic thing?

This is the most important point of the stream-of-consciousness technique - white space.

The term blank space refers to the deliberate blank space left in the creation of calligraphy and painting art in order to make the whole work more harmonious and exquisite, leaving room for imagination.

From an artistic point of view, blank space is an art that uses "blank" as the carrier to render the artistic conception of beauty.

From an application point of view, white space refers more to a simple and leisurely concept.

White space is mainly divided into: word blank, artistic blank, philosophical blank, and applied blank.

In a very common expression, that is, "after a night", "after a cool job", "omit 5000 words at once", etc., these are superficial blank spaces, after the due atmosphere is sufficient, leaving people with plenty of brain space. Regardless of whether the author meant it or not, as long as people get their own feelings from it, then the blank space is successful.

This is "a thousand Hamlets for a thousand people".

Pain, which is a feeling of living beings, is a response to a stimulus.

And Asagami Fujino was replaced by painless because her ability was sealed, and she lost the biological instinct of "pain", which should have been stored in Zài.

Everyone else has it, and she doesn't.

She didn't know what pain was, that others would be sad because of pain, that she wouldn't - because she couldn't feel it, she couldn't understand why people were sad.

So, she lost the sense of survival.

She didn't want others to find out that she didn't feel pain, because then everyone would think of her as someone different.

What method did she use to hide that she didn't feel pain?

Just don't tell anyone else that she's hurt. Fujino, who hasn't had any true friends, has always had an easy time covering up his wounds.

For example, she sprained her ankle after a sports day in junior high school. Later, she found out on her own, and several female companions with her did not question her excuses, and just left.

After the human being, she never cared about the wound because she felt no pain. But at that time, Hei Tong appeared, a strange senior, at a glance, saw that she had actually been exposed, but no one noticed the injury, and then asked her: "Does it hurt?"

Fujino recalls when she was a child playing with the bear puppet at home alone, and she cut her hand because she didn't know it because of a real knife mixed into the toy. She didn't know what was happening, but she saw her mother's distressed eyes and was held in her arms.

My mother said comfortingly, "If the injury is healed, it won't hurt." ”

For Asakami Fujino, who grew up alone and slowly learned to cover up her wounds and arm herself into a strong, normal person, these only two warm memories told her that pain is a thing that can make her warm, and saying that she is in pain can not only make herself look like a normal person, but also be cared for by others.

Others will cry because of their injuries, and she will too, but she is not because of pain, but because she will get the love and warmth of her family after seeing others crying, she just learns to pursue the real feeling of survival.

That's why she craves pain and pursues it. For others, pain is a pain, a feeling that you don't want to experience. However, for her, pain is a kind of happiness, because it can make her feel the reality of survival, and she can feel that she is alive!

Asakami Fujino and the two ceremonies are both people on the edge of the realm, and there are great similarities in them. The difference is that Asakami Fujino has become difficult to control his own realm (from killing to killing). And by Shi's side, at least there has always been the company of Heitong. Even so, Liangyi did not kill Asami, and the reason for this was also involved in Shi's inner struggle.

"The Realm of Emptiness" -- the "emptiness" painted by Wu Tiao Fog comes from her own paralysis, she can only lie on the bed and look up at the sky outside the window, and the "emptiness" of the two rituals comes from her own dual personality, the hole left in her heart after the death of Liangyizhi.

Then Asakami Fujino's "emptiness" is her painlessness.

"Emptiness" needs to be filled, and the Wujo Fog Painting fills his emptiness with his own death, and the two rituals fill their emptiness with the courage of "life" after contacting, feeling, and thoroughly understanding "death".

And the "emptiness" of Asakami Fujino is filled with pain. (To be continued)