For example, if the style of the Tang Dynasty painter Wu Daozi is similar, it is priced according to the superb grade of Tang Dynasty paintings, and if it is similar to the painting style of the contemporary painter Wu Guanzhong, it is priced at the highest price in the history of his personal paintings.

However, Qiu Ying, one of the four great painters of the Ming Dynasty, was proficient in the painting styles and techniques of the past dynasties, not only in terms of work and color, but also good at ink and white drawing, and could use different brushstrokes to express different painting art styles, especially in antique.

In his painting style, there are not only Wu Daozi's "Wu Belt Character", but also the "Cao Family-like" Buddha painting style of Wu Cao Buxing of the Three Kingdoms.

Compared with the Ming Dynasty, the Tang Dynasty and the Yuan Dynasty separated each other, and the concept of space was very different.

If the artistic style of painting characters on a certain picture stone is both like Wu Daozi and like the hater of the British, whose painting price will be priced?

The painting styles of many great painters in history have some shadows of the painting styles of their predecessors or the continuation of the school, and even the works of students who are studying at the Academy of Fine Arts can also reflect the context of the painting styles of their predecessors.

That is to say, the artistic style on the picture stone, there are not only one or two humanistic paintings that can be found, and the owner of the picture stone has the right to choose the one with the highest price.

For example, the owner of the stone marked the price of Wu Daozi's painting, but the buyer counteroffered according to Qiu Ying's painting. It cannot be said that the seller is asking for a price, nor can it be said that the buyer is unreasonable.

Since they are all people of art, why do they care about "Wu price" or "hatred price"!

Although the artist's works have a standard price for square feet, it is only a reference price. For example, the lowest price of Lu Yanshao's paintings is 100,000 yuan per square foot, and the highest price is 1.6 million yuan per square foot.

There are many reasons for the price difference: there are not only the differences between the maturity period of different ages in the painting career, but also the difference between the transition period of painting style and the transition maturity period.

In addition, the paintings of a certain dynasty are only a concept of time, and are not the main criterion for measuring the price of the works of all painters in this period. In addition, the works of painters of the later dynasties are more expensive than those of the previous dynasties, and they abound.

For example, the standard price of bamboo by Zheng Banqiao, a painter of the Qing Dynasty, is 200,000 yuan, and the standard price of works by Wu Changshuo, a painter of the same dynasty, is 200,000 yuan per square foot.

The standard price of a square foot of these two painters does not mean that all the works of Qing Dynasty painters are 200,000 yuan per square foot, nor does it mean that all of their works are 200,000 yuan per square foot.

However, the standard price per square foot of the works of Wu Guanzhong, a painter and painting master who is still alive, is 400,000 yuan, far exceeding that of the Qing Dynasty.

In addition, the standard price of a square foot is 600,000 yuan for the works of Chen Hongshou, a master painter of the Ming Dynasty, and the standard price of a square foot for the works of Lang Shining, a painter of the Qing Dynasty, has reached 2.6 million yuan in the international market.

It can be seen that the price of humanistic paintings is composed of various factors, all of which may affect the pricing of picture stones.

This requires the owner of the picture stone, when choosing humanistic paintings, do not always stare at the "old paintings", do not think that the price of the "old paintings" is higher than the new paintings, and select the humanistic paintings with the picture effect on the stone.

9. Eliminate the surcharge

Humanistic paintings, especially old works, generally have inscriptions from emperors and generals of previous dynasties, famous calligraphers and painters, and collectors.

These inscriptions are also valuable, called surcharges.

Some old works have been framed several times, leaving inscriptions on the picture, carrying heavy cultural and historical materials and inheritance contexts.

These cultural and historical materials are also valuable, so they also fall within the range of additional prices.

Although the additional price on the picture is related to the painting, it must be excluded if the price of the stone is marked with the price of the painting.

Otherwise, it is equivalent to referring the additional price on the humanistic painting works to the picture stone with the painting, which is equivalent to the water in the price of the picture effect on the picture stone.

The inscription of some old paintings, if it is a first-class calligrapher of a certain dynasty, the inscription can be a post, and its price can be compared with the price of this painting, or even exceed the price of this painting, this work can not be selected as a pricing reference work.

For example, the Song Dynasty painter, calligrapher Mi Fu made the "Yan Shan Ming" calligraphy works, there are "Yan Shan" object paintings.

This painting is a picture of the inscription, and cannot be selected as a reference work for the pricing of the picture stone.

Generally speaking, if there is an inscription on an "old painting" by someone else, the value of its literary and historical materials shall not exceed 3% of the total price; if it is only the name of the year or month or a simple compliment, including the seal, the price shall not exceed 2% of the total price; and the price of each seal shall not exceed 1% of the total price only for those who appreciate and collect the seal.

The cumulative additional price of inscriptions, seals and other additional prices on humanistic paintings shall not exceed 40% of the total price, otherwise, they shall not be selected as reference works for the pricing of picture stones.

Many painters, who are also calligraphers, generally have simple propositions and inscriptions on their paintings, which do not belong to the range of additional prices, and do not need to be excluded by a separate price.

10. Unique picture pricing method

In the family of picture stones, there are double-sided embroidery pictures similar to those on porcelain and embroidery, as well as strange pictures and art fusion pictures.

(1) Wall painting

The wall painting is borrowed from the wall painting process in the porcelain craft.

The porcelain painting process over the wall began in the Ming and Qing dynasties.

For example, the wall dragon on the blue and white dragon pattern plate, the dragon head is in the plate, and the dragon tail is outside the plate.

The wall painting on the stone of the picture refers to the artistic effect of the picture on the two planes adjacent to each other on a stone body, the lines and planes that constitute the phase of the object are continuous, and the overall structure of the phase of the object is continuous.

The spherical stone body has no actual plane to speak of, so there is no question of whether there is wall art or not.

The cake-shaped stone body has two planes and several sides, and the phase of the picture transitions to another plane or side on any plane, or even circles around the stone, all of which belong to the artistic effect of passing through the wall.

As far as the individual painting positions are concerned, no matter how many "walls" they have passed, the artistic effect is the worst.

However, because of its "crossing the wall", it has become an indispensable form of artistic expression in the category of painting art, and has high artistic value and ornamental value.

Therefore, as long as the painting is located in the middle or middle of the standing stone, it can still be recognized as the best painting position, and the price can be increased.

If you give it a price, you can price it according to the normal picture effect.

(2) Double-sided painting

The name of the double-sided painting picture stone is borrowed from the double-sided embroidery in the art of embroidery.

There are not many picture stones with double-sided artistic effects.

Strictly speaking, a double-sided painting should have exactly the same picture effect on the front and back, similar to the double-sided embroidery art in "Suzhou embroidery".

For example, in the case of a portrait of a person's head, the effect must be identical on both sides.

If one side is a left-sided portrait and the other is a right-sided portrait, it is not a double-sided painting and cannot be valued as a double-sided painting.

The stone shapes painted on both sides are not too thick slices, no more than 10 cm thick, and the size of the stone body is no more than 20 cm, and most of them are siliceous quartzite with dense texture.

As far as the price of its picture effect is concerned, it is not a simple 1+1=2 pricing method, but because it is more unique and precious, and it is a unique art variety of painting art, therefore, its pricing method is: the price of the picture effect is ×3, if the painting position is good, you can also double the price according to the painting position.