After Xu Youmeng hung up the phone, Li Xusheng rubbed his head and began to think about what to write?

Then I thought of chivalry, okay.

"Well, since it's already chosen, wouldn't it be a big flaw if there were no other types......"

After all, this is different from what he wrote before.

Just like Gu Daxia and Master Jin, the writing styles of the two are different.

But judging from the book of Chivalry, the response is still good.

At least there was no word of saying or writing anything.

Otherwise, Li Xusheng really needs to think about it, should he write a gold series!

"But before that, it's time to appease everyone!"

Seeing that the comments on his star network were lively, Li Xusheng smiled, and then quickly edited a paragraph and updated it.

The content can't be what it is, and then explain the equipment to open a new book.

……

……

At the same time as Li Xusheng updated the content, countless fans who were swiping comments saw that there was an update, they were first incredulous, and then they exploded all of a sudden!

"Oh my God...... →_→Did Director Li appear?"

"Wow, caught a wild animal @ Li Xusheng*^_^*"

"Sprinkle flowers, there is finally news of Director Li!"

"Ahh

"The unicorn arm that has been single for 20 years with the old man has not even grabbed the first →_→......?

"Cat, you are big, labor and management are the first to see Director Li's updated content, so what, as soon as I commented, I have reached the 99999 floor!"

"Upstairs, why are you so ...... showy?"

"Wow, I am relieved to see that Director Li still has so many fans to support!"

“+1……”

……

……

And at this time, Li Xusheng already knows what to write!

Yue Nu Sword, a short and concise short martial arts.

Some people even think that the martial arts of the heroine A Qing in it have reached the level of fantasy......

Of course, Li Xusheng disagrees with this.

Martial arts is martial arts.

Dancing to figure out the shadow, flying snow even in the sky, the laughing book god has not yet been born, in that distant Warring States.

A delicate woman named Ah Qing, with single eyelids, willow eyebrows, and a big thin face, she has been playing with white apes in the mountains and forests since she was a child, carefree, innocent, but also lonely and lonely.

She jumped from one end of the bamboo leaf to the other, smiling refreshingly and cleanly, she had no parents, no friends, who gave birth to her, I don't know, what is the meaning of life, I don't know.

Unconsciously, the leaves hide flowers once, step on the snow a few times in the dream, sixteen long years must pass by, the phoenix dances for nine days to seek its phoenix, the south and the north of the world double flyer, the little wings several times the cold and summer, between the years of play, the heaven and the earth are heroic and righteous, the snowflakes moisten the things and silently, A Qing comprehended the peerless martial arts, this kind of martial arts is as clear as water, from nature, but with one enemy and ten thousand, no one can stop.

- She didn't even use a sword, she only used a bamboo stick, she pulled out the mountains, attacked the city and the pool, the sword qi was 30,000 miles long, and the sword light was cold on 19 continents.

It's really a bit of a fantasy shadow╭(╯ε╰)╮

- She is more magical than lonely and undefeated in the East, she is simply not a martial arts character, she is more like a goddess of King Xiang who has been left in the mortal world, destined to suffer from love but not love, and is destined to indirectly save a country and destroy a country.

- The Yue army can't win against the Wu army, and the swordsmen of the Yue country can't compare to the swordsmen of the Wu country.

However, however, the soldiers of the Yue Kingdom just peeked at the shadow of Ah Qing when he danced the sword, yes, it was a shadow, not a complete sword dance, the soldiers of the Yue Kingdom were shocked, there was such a sword technique in the world, it was natural, not separated from the water, a sword and a rivers and lakes, a sword and a floating life.

It can be described as unparalleled in the world......

The Vietnamese army remembered the shadow of swordsmanship, so they were invincible, Gou Jian restored the country, Xi Shi went home, and Fan Li became famous.

The girl A-Qing saw a man named Fan Li, Fan Li is a hard-working minister of the Yue country, and his lover is the beautiful woman who is alluring to the country and the city, and the beauty of the words is poor, Xi Shi.

For the sake of the country, he pushed his lover to King Wu, he was bitter in his heart, so bitter that he turned a deaf ear to the countless questions of the innocent girl A Qing, and perfunctory said that Yang Guo did not have a love for men and women for Xiaolongnu on this basis, saying that the women he saw casually could be light, but he didn't feel anything about Xiaolongnu.

I don't think so, I just think that he needs time to change his mental position.

Crush, always at a loss when you meet the person you like.

Crush, and always dare not think about it. Yang Guo is in this situation.

Of course, it is impossible to completely change the role of the little dragon girl from the role of the mother to the lover, the role of the little dragon girl as a mother has never disappeared in the past, present, and until the end.

But what's wrong with that?

In reality, there are more men with mother-love complexes, and there are more women with father-love complexes, as long as you grasp it, you don't think there is a problem.

As a result, the little dragon girl ran away again, leading out of the Valley of Despair. In the Heartless Valley and Gongsun Zhi competed for the little dragon girl, there is a point of view that Yang Guo still did not show the same jealousy as he did with his rival in love.

What I don't understand is, why does jealousy have to be the love of men and women?

Yang Guo was jealous of Xiao Wu, and was said to love Guo Fu.

I really think this understanding of love is shallow.

In my opinion, at best, it is a juvenile impulse, and if it is a coincidence, it can be developed, but in most cases it is not counted.

Then it was Xiaolongnu who heard Yang Guo deceive Xiaowu that he wanted to marry Guo Fu.

Xiaolongnu gave the lady sword to Guo Fu, and then left by herself.

There is a point of view here, saying that later Xiaolongnu proposed to Yang Guo to work with Gongsun Lucao's children to save Yang Guo in exchange for an antidote, but there was no possibility of tolerance for Guo Fu.

Indeed, it is true here, but when I heard Yang Guo say that she brought Miss Guo Jia, she was nervous for a while, but it turned out to be Guo Xiang.

Maybe she can also feel Yang Guo's so-called "first love" feeling for Guo Fu. Any relationship is afraid to be compared with first love, and I don't need to say this truth.

But this first love is so bad, I think only masochistic people think it's a good thing to go ahead.

In fact, most first loves are terrible, but some people think that is true love.

In this episode, Xiaolongnu said to Guo Fu, "He is lonely and kind-hearted, you have to treat him well." This sentence can be regarded as the author's summary for us, why Yang Guo and Xiaolongnu have such a deep relationship, and no matter what the relationship is.

In this world, only Xiaolongnu can understand Yang Guo's heart, and only Xiaolongnu can give him warmth, and this is exactly what Yang Guo needs.

I know some people are going to say it's not true love again, but I think it is.

In this sentence, Xiaolongnu said to Huang Rong again before jumping off the cliff, "He is lonely and willful, please take good care of him for me," Xiaolongnu completely saw through what kind of person Yang Guo was and what kind of life needs he had.

What Lu Wushuang saw was the handsome Yang Guo who frolicked with her and saved her life.

What Wan Yanping saw was the handsome young man with strong martial arts and guiding him to take revenge.

What Cheng Ying saw was, "When I see a gentleman, I don't like it."

What Gongsun Lucao saw was that he was a handsome young man who never abandoned his loved ones.

What Guo Xiang saw was the Condor Hero, a big hero.

Guo Fu was the most stupid, and finally understood what she thought, but in fact, she was still deceiving herself.

From the beginning of being lonely and helpless to the end of the Condor Hero, he was just the "child" of Xiaolongnu, the child she took in, disciplined, taught martial arts and cared for.

Maybe only a man who lacks the same love as Yang Guo can understand Yang Guo, which one do they choose for the women above.

In the end, the summary is that between Yang Guo and Xiaolongnu, the characteristics of Xiaolongnu's "fairy with unchanged appearance" are thrown away, and what they are talking about is the kindness between husband and wife. Yang Guo was afraid of living up to Xiaolongnu's kindness, and he wore a mask for 16 years to avoid Guo Xiang's feelings. It's different from the kind of aggressive and scheming strong woman who wrote about Ren Yingying later to get the person she wants, a little dragon girl who will not grow old and looks like a girl forever, has no scheming, always loves only one person, and always knows what the person she loves wants, haha,, how much hurt did the author have to write such a character to make up for the shortcomings in his heart, is it possible that it is not Yang Guo's favorite?"

……

"The Condor is a wonderful psychoanalytic text: I was somewhat stunned by my own bold assumptions when this sudden discovery flashed through my mind.

In fact, in the orthodox interpretation of martial arts, in addition to the in-depth excavation of culture, history and literary color, there is basically no such shocking hypothetical analysis of martial arts.

This is not to say that the writing of martial arts does not use psychological techniques, on the contrary, in all works, the author uses the so-called psychological analysis writing techniques in the West to describe the characters vividly, which has also become the author's superiority from traditional martial arts.

There is no shortage of clear psychoanalytic texts in the authors' portfolio, which have been thoroughly interpreted by some so-called author's research experts.

Psychoanalysis of such a popular literature or popular literature as "The Condor" seems to be a bit of a "anti-aircraft gun to fight mosquitoes".

But here's the point: in a post-industrial or postmodern society dominated by consumer culture, the boundary between so-called high culture and popular culture, although it has disappeared in public opinion, is still deeply ingrained in our discursive practice, in the minds of some people who cling to the traditional idea of "civilization and barbarism".

Despite their claims that a post-industrial society has arrived, their actions still prove that they have a deep disdain for so-called popular culture.

In their eyes, as one of the popular cultures, although Master Jin has made great achievements in business, he still cannot enter the palace of high literature.

Although a few years ago, Professor Wang of Beijing Normal University re-ranked the writers of the 20th century and listed Master Jin as the fourth master after Lu Xun, Lao She, and Shen Congwen; Professor Yan Jiayan of Peking University taught Master Jin to study; and Chen Sihe of Shanghai also included some of Master Jin's chapters in the selection of modern and contemporary literary works, but for many academic authorities, Master Jin's is still just a fast-food literature that does not wait for the elegance of the hall to make people laugh.

The reason why this prejudice still exists is related to the fact that the research of the current Jin master researchers is constantly caught in a dilemma.

I have to admit that many researchers of Master Jin have mainly studied and revealed why Master Jin has attracted so many readers for so many years as a typical model of popular literature, and according to this question, they have begun to analyze the cultural, social, and historical significance of Master Jin, as well as the use of language, narrative methods, and structural characteristics of Master Jin as a pure literary text.

I have to admit that in these research fields, a lot of achievements have been made and a group of so-called Master Jin research experts have been achieved, such as Kong, Chen and others.

However, these researchers are not aware that as a popular literary text, Master Jin's is still very different from those pure literary texts, for example, in terms of the depth of the culture it contains, although Master Jin's is very culturally significant, especially in the inheritance and development of traditional Chinese culture, drawing inferences from one another, and connecting China and the West.

The fusion of semi-literate and Westernized language patterns has given a new look to the form of language, and the pleasure and beauty of reading are about to emerge.

But after all, this kind of cultural integration is superficial and superficial, and there is no deep integration and derivation of traditional Chinese culture and Western culture, which is why this language can be accepted and loved by the public.

Because this tradition itself is the tradition of the people, not the cultural tradition of intellectuals. Therefore, even the academic study of this superficial culture can only be superficial.

After all, this popular model limits the depth of this culture, and the significance of excavating this culture can only stop at this depth.

And so on, not only the popular cultural significance, but also the sociological and historical significance in other aspects. This can explain the reason why many of the current researchers of Master Jin are caught in the academic dilemma of research.

So it's no wonder why when I read Mr. Kong's research monograph at the beginning, halfway through reading, reading had already produced "aesthetic fatigue".

Because, the words have been explained very clearly, and it is the same set when you look at it again.

So, what I mean is that if we want to get out of the predicament of Master Kim's research, we must shift our attention from studying its relationship with the society of the times.

The theory of "New Criticism" in the West holds that once the text of literature is separated from the author's hands, it becomes a self-contained text, independent of the times.

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