Piao Piao: Hahahaha, you guy, I'm still wondering, which unlucky guy stepped on a banana peel and fell to the ground? Why don't you die?

Feud: Thank you, thank you.

Piao Piao: You're stupid!

Heavenly Feud: It's over, it's over.

Piao Piao: You dead runner.

Tianqiu: Ah, actually, I'm an actor.

(The ladies laugh.) ）

Heavenly Enemy: Over there, please.

Piao Piao: What kind of bullshit pacifier are you sucking there, you fuck off!

Tianqiu: Actually, I'm an actor.

CONNIE: YES, WHAT KIND OF SHIT PACIFIER DO YOU SUCK?

Celestial Enemy: Oh, I just wanted to explain it to you from the point of view.

CONNIE: YES, YOU SAY YES.

Tian Qiu: Okay, to be specific, first of all, the layman has to cooperate with the shape of the previous student girl, and the dialogue aspect has to grasp the key. For example, I love you, I hate you or something. If you can add a little tears, it will strengthen the appeal of first love. That's it. Oh, see? These tears are rolling in their eyes.

Piao Piao: You have a shit tear, you're turning and turning, you're a dead runner.

(TURNING BACK TO CONNIE) HEY, WE'RE REALLY HERE TO LISTEN TO THIS NONSENSE?

Tianqiu: Miss, if you have to call me a trickster, can you not add the word "death" in front?

……

……

(Nightclub)

(Piao Piao saw the mustard on the ground and swallowed it in one gulp, immediately with tears on her face.) ）

Piao Piao: I am sincere, I really love you.

YOUNG MASTER LONG: MARY, I WILL PROMISE YOU WHATEVER YOU WANT, AND I CAN GIVE YOU ALL THE MONEY ON THE TABLE, Y. (Says drunk and falls to the ground)

(Piao Piao scatters the money on the table into the sky, and the ladies shout!)

……

——

Neighborhood Welfare Society

(Tian Qiu sleeps on the table, Piao Piao knocks on the table.) Tianqiu stood up, one eye socket black. ）

Celestial Enemy: What for?

Piao Piao: Are you alright? Oh, I'm a little heavy, I'm sorry.

Heaven's Enemy: If it weren't for a table standing in my way yesterday, I wouldn't have been able to kick and I wouldn't have lost to you.

Heavenly Enemy: Hey, let's go.

(Piao Piao drops a dozen dollars on the table.) Tianqiu used a ping-pong racket to hold down the money).

Tianqiu: For some enthusiastic and like-minded friends, you can also study it, you wait for me.

(Tianqiu saw Piao Piao playing hula hoop with a child outside the window, with a cigarette in his mouth)

It seems that she suddenly feels that she is actually a good girl.

……

——

(After lingering, Tianqiu thought that the money and goods were asleep, fluttering clothes and leaving, and took the books with him when he left)

(Tianqiu hid behind the wall and didn't dare to make a sound, but turned his head and saw himself in the mirror)

seemed to understand something, and finally had the courage to chase it out:

(What?) gone? (yes.) Where are you going? (Go home.) )

And then what? (Go to work.) Is it okay not to go to work?

(The wind blows the thin legs of the Heavenly Enemy, wearing obviously ill-fitting pants, like flags)

Finally, he shouted with insufficient confidence: I will raise you!

It's a pity it's just a joke........."

……

……

"Today I saw a couple of resentful couples downstairs, who seemed to be entangled in emotional matters, the woman grabbed and bit like a shrew, swallowing mountains and rivers to the peak, and the man was so handsome that he kicked over, and he was so heroic and chic that he couldn't add more.

Sigh: Why bother?

I don't have a real sense of love, but it doesn't mean that I don't have my own view of love.

I was told that there are some things that cannot be left behind, and the structure is divided into id, ego and superego.

The ego is governed by the "pleasure principle" and is chaotic, sadistic, aggressive, and self-focused

I have been told that there are some things that cannot be left behind, and that the structure is divided into id, ego and superego.

The ego is governed by the "pleasure principle" and is chaotic, sadistic, aggressive, and self-focused

。。。。。。。。。。

The pursuit of happiness without scruples, unscrupulous.

The ego and the superego are governed by the "principle of reality", especially the superego, which is a symbol of socialization, moralization, and idealization. In fact, in the growth stage of the self, part of the consciousness of the id has been suppressed, which is the process of the formation of the subconscious, in the process of gradually forming the superego, the consciousness and behavior of the id are all suppressed to the subconscious part, and the id and the superego have reached a compromise.

In the child's formative years, the figure of the father is a symbol of the superego, and the belief that "I too will be the father" prompts the ego to reconcile with the superego, and the id returns to the subconscious part, only to come out and cause trouble in the darkness in the absence of the father.

In the text of "The Condor", the main focus is on Yang Guo's growth process, although this process is a difficult process of finding and losing his father's figure, and at the same time, it can also be interpreted as the process of the formation of the superego governed by the "happiness principle" through constant blows and setbacks and finally being suppressed to the subconscious, governed by the "reality principle".

Looking at Yang Guo's growth, the early concept of right and wrong was weak, and he acted arbitrarily in the world. His series of actions is jaw-dropping. For example, at the beginning, he recognized Ouyang Feng as his father, and then angrily rebelled against Chongyang Palace, and then worshiped Xiaolongnu as a teacher, and even married a teacher as a wife, which can be used as a great rebellion to describe, in which the shadow of the self immediately appeared.

But in the midst of these events, there is also an opportunity for change.

Guo Jing, as his ideal father, has been ingrained in his mind since he took him in, and has always imperceptibly influenced him and changed his personality.

However, we should be clear that the ego subconsciously rebelled against this influence, and one of the arguments is that Yang Guo assassinated Guo Jing while he was defending Xiangyang City in order to avenge his father.

This assassination incident has a very psychoanalytic connotation.

The self's rebellion against the father figure is fundamentally an attempt to replace it.

But this so-called Oedipus complex was eventually "castrated".

Having succumbed to his father and being intimidated by the authority of the father figure, he will conform to the principles of reality and accept the influence of the father figure on him, thus being introduced into the role of a symbolic social man, and finally overcoming the Oedipus complex and becoming the new father figure.

In the process of overcoming the Oedipus complex of the ego, that is, in the process of Yang Guo's transformation from the role of freedom to salvation, or in the process of gradually returning to the Confucian textual standard, he experienced difficult choices.

In this process, the arrangement of the roles of the East Evil, the West Poison, and the North Beggars also has a deep psychoanalytic meaning in the author's pen. In the process of belonging to his father's image, Xishu is first and foremost his de facto father figure.

The image of the big villain in "Condor Heroes" has long been deeply rooted in the hearts of the people, so it doesn't feel very appropriate when the image of Yang Guo's first father is resurrected in the reader's reading vision, but the madness of the West Poison weakens the seriousness of this incident.

In fact, I think that the West Poison first appeared as the image of the id, and the chivalrous chest of the Northern Beggars obviously appeared as the image of the superego of justice, and the influence of these two people on Yang Guo was one good and one evil, evenly matched, and the two of them died together on the top of Huashan, or shook hands and made peace, which just proves the emergence of a situation in which the id and the superego are comparable.

But the realisation of the two before their deaths also deeply hints at the possibility of the transformation of the ego into the superego.

Maybe this analysis is a bit far-fetched, but I don't think that the appearance of these people and the author's arrangement are arbitrary, especially the top of Huashan, the two died hand in hand after their enlightenment, and the author's deep intentions.

The Eastern Evil that appeared later represents another personality model that Yang Guo may choose, and it is also a personality model that has great similarities with his personality.

It can be said that after Yang Guo cultivated with the eagle, the path he took was basically the same as that of the Eastern Evil.

On the rivers and lakes, one person and one carving, walking alone for thousands of miles, managing all the injustices in the world. But there is still one biggest difference between him and the East Evil, that is, he has an unforgettable affection for the little dragon girl.

Sixteen years later, with the discovery that the little dragon girl was still alive in the Valley of Despair, the beginning of the hopeful life of the two immortal couples had completely returned to the original position of Confucian culture.

In the thirty-ninth chapter of "The Condor", in the last page of "The Great Battle of Xiangyang", after Yang Guo and Guo Jing returned to Xiangyang City after defeating the Mongolian army, they saw the scene of the military and civilians welcoming him, and he had a very nuanced psychological description of Yang Guo that was the finishing touch: "More than 20 years ago, Uncle Guo also took my hand like this and sent me to Zhongnanshan Chongyang Palace to learn art.

He was sincere to me, and there was never a difference, but I was arrogant and nonsense, apostatized, and caused a lot of trouble!

If I finally go astray, will there be a day when I will join hands with him in the city today?" This is the most powerful proof of Yang Guo's return to the Confucian cultural standard (the expression in the book is "the great man of chivalry, for the country and the people"), and it is also the ultimate transformation of the self to the superego, and it is also a symbol of Yang Guo finding the image of his father and becoming a new father.

The ending of almost every martial arts book is the same, this is the protagonist after a series of hardships and hardships, finally eradicating the evil, and bringing the beauty back.

To sum up this situation in one sentence is the "retreat mode". This mode of retreat completely exposes the falsity of the semi-sci-fi nature of martial arts.

Science fiction also has the possibility of scientific reasoning, but martial arts, as a literary form that confronts reality, is more of an ending in the "retreat" mode, which weakens the ability to confront reality to a certain extent.

Freud had a controversial essay on the relationship between writers and daydreams. In that paper, Freud argued that we can vent our excess energy in childhood, comfort ourselves, and get pleasure from it through play. However, when adults enter society, due to the huge pressure of work, or in order to maintain the dignity of adults, it is impossible to vent their stress and worries through games, so there is a form of art.

This is the writer who uses imagination to satisfy his own desires and relieve the pressure of his work, which is what he thinks is a daydream.

Regardless of whether this argument is correct or not, we will find that this way of writing in martial arts, as well as the emergence of the retreat mode of most of the martial arts, greatly support the argument put forward by Freud.

More directly, martial arts is a pipe dream.

Hua Luo, a mathematician who likes Master Jin very much, said that martial arts are fairy tales for adults. This is actually another copy of "martial arts is a pipe dream".

Carefully playing with the retreat mode of martial arts, I feel that it is more of a euphemism for boredom and escaping from the world.

But the reality is still there, so many of them may appear in the author's next book after the protagonist has gone into retirement, which constitutes another mode of storytelling: the return mode.

Combined with the "leaving-returning" storytelling mode mentioned above, it is a complete storytelling mode: leaving-returning-leaving-returning, the cycle is endless.

……

"Ask what is the world and love, and the direct teaching promises life and death?

These two major parts (the Condor and the Divine Condor), the double eagle always lingers among them.

In the end, the male eagle was killed or wounded, and the female eagle was still at the bottom of the cliff regardless of Yang Guo, and she killed her husband. It is the original allusion of the word.

For thousands of years, literati have never escaped composing poems and reciting poems for love.

Ask the lotus root, how much silk there is, and who does the lotus know is suffering?

Li Mochou is actually a very pitiful person, and it can even be said that he is more pitiful than most of the people who are very unlucky enough to die under her dust. Those people can at least have a quick death, and all Mo Chou can do is to wander the world alone. What is the point of being alive when the heart is dead?

I often wonder what would happen if Mo Chou married the man he loved.

I'm afraid that I will greet my husband with a smile every day, and I don't care how old my jade fingers will be, and happily wash rice and laundry for it, right?

As for martial arts, in addition to the internal skills of longevity and beauty, I'm afraid that the work of hurting people will never be touched again, right?

What would it look like?

The neighbors all said that Lu married a talented and beautiful wife, which was a blessing that he had cultivated for several lifetimes. Mo Chou lowered his eyebrows and talked and laughed with the neighbors, the descendants of the Tomb Sect never spoke loudly, let alone made noise.

Take 10,000 steps back, even if Lu didn't marry her, but he is a cold-blooded person, and he doesn't like her or others, that is the last straw in Mo Chou's heart.

She will always look forward to him changing his mind, until both of them are old and their hearts are gone, even if they are still lonely in the end, they will always hold on to hope.

If there was no jealousy, she would not harbor such endless hatred.

It's a pity that the most helpless thing in the world is "I like you, you don't like me, and you like her." ”

It's a pity that both of them have the idea of "I'll be happy with that one", but unfortunately it's not each other.

I will take care of them, and I will not be hurt forever.

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