Chapter 419 The outlook is just right

Because there is a position, there is an opposition, so there is a contradiction. Pen @ fun @ pavilion wWw. ｂｉｑUｇE。 ｉｎｆｏ

Because there is a contradiction, it must be resolved, and because it must be resolved, the means will be different.

This is normal logic, but the use of means is a different matter.

Any general who is famous in the world during the war is like an executioner in the era of peace, so when thinking about some things, subjective emotions will affect judgment, and it is impossible to add the background of the times and the consideration of the current situation.

But some rights and wrongs are still in people's hearts.

Mr. Chen Yinke, the inheritor of the Chinese cultural context, has studied countless histories and can be said to be the historian with the greatest contribution to contemporary history, but he is the only one who has been in modern history, because he is an experiencer of modern history, and his family is modern history, so he cannot jump out of this subjective perspective and write this history from an objective standpoint.

Chen Yinke's grandfather is called Chen Baozhen, once served as the governor of Hunan, the new policy measures promoted by the Guangxu Emperor during the Wuxu Reform period, after the promulgation, but few people to implement, only the Hunan governor Chen Baozhen conscientiously implemented the new policy measures of Guangxu, and finally the 100-day Restoration failed, the 24th year of Guangxu Wuxu coup broke out, the 100-day Restoration failed, and Chen Baozhen was deposed as a "bandit". Guangxu died in the twenty-sixth year.

Mr. Chen Yinke's father is Chen Sanyuan, also known as Chen Sanli, the old gentleman has not been an official in his life, but he is a great poet, one of the famous poets in the late Qing Dynasty.

In 1937, when Mr. Chen Sanli was old and sick, the Lugou Bridge broke out, Beiping fell, and the elderly students were unwell and trapped in Beiping City. Unfortunately, he died of grief at the age of 85.

For modern history, Chen Yinke is the hatred of killing his father, the hatred of destroying the country, and the shame of losing the country, in this emotion, he can't control his emotions, so he doesn't write modern history.

Wang Yao was not a person who had personally experienced the turmoil of that decade, but all the gentlemen around him were victims, even if they had never commented on that period of history, but in them, Wang Yao saw something.

China has had the spirit of martyrdom since ancient times.

Martyrdom with one's body is like following the Tao with one's body, practicing benevolence and righteousness, and even practicing form.

In the ancient Shun Emperor period, there was a virtuous minister named Wu Ze, who was talented and had the ability to rule the world, but he was dedicated to pursuing the avenue in his heart, and Emperor Shun knew that his talent wanted to teach him the throne, but he felt insulted, and he jumped into the cold abyss and died.

Shang Tang, the founder of the Shang Dynasty, also wanted to give up the throne to a capable man named Duguang in his later years, but this person just said, 'Please be smart' and threw himself into the river.

The state of Chu was decaying in his later years, and Qu Yuanbei threw himself into the river and martyred from the heart.

Lu Xiufu threw himself into the sea with the young emperor, and Wen Tianxiang went on a hunger strike and was martyred.

Whether it is martyrdom or martyrdom, this is a great insistence to live and die for ideals, and it is also a kind of alarm bell for future generations of great wisdom, because they know that they are powerless to change the status quo, and can only use their lives to ring the warning bell.

This kind of martyrdom, for the world, for the ideals and martyrdom, seems to be the inheritance in the blood of the Chinese nation, the greatness of this nation lies in the fact that there will never be a shortage of people with backbones to sound the alarm.

Mr. Wang Guowei sounded the first alarm bell for Chinese traditional culture and woke up the masters after the Republic of China, but he still couldn't stop the wheel of history from rolling over, and Mr. Lao She's throw into the river sounded the final death knell for Chinese traditional culture.

Since then, the Chinese civilization may have been completely dimmed, although it will not be broken, but it is far away to return to the mainstream.

This is a kind of sorrow that only people of the same kind can understand.

The Kunming Lake and Taiping Lake in the Summer Palace are of too heavy significance to Wang Yao.

So when Mr. Wu Zuguang said that, he was really a little out of control.

Mr. Wu Zuguang seemed to be talking to himself and said a lot of things, all about Mr. Lao She, for example, during the three years of his labor, everything in the family was sold, including a painting that Mr. Qi Baishi gave him at the beginning, Mr. Lao She helped him redeem it after seeing it, and returned it to him when he returned.

In that sensitive period, being able to do these shows the friendship between Mr. Lao She and Mr. Wu Zuguang.

Although the two were divided separately due to their positions in the later period, it did not affect this relationship.

"I'm too old to speak, what else can you let me do?" asked Mr. Wu Zuguang on the way back.

Wang Yao came back to his senses and said with a smile, "Sir, I am just worried and seriously ill all the year round, there are still many things you can do, and our opera and drama have not yet been carried forward." ”

Mr. Wu Zuguang chuckled, "I said to Cao Yu many years ago that in the new era in the future, there will be no opera, and it will be deposited for many years. ”

"Having said that, do you really understand the new era?" Wang Yao smiled, "How Western music and drama entered China back then, we may enter foreign countries." ”

Mr. Wu Zuguang's head was raised slightly, and he was a little surprised, "The country has become so strong?"

"The good thing about the new era is that there are a lot of things that don't have to go through the state. Wang Yao said.

Mr. Wu Zuguang was in a trance for a moment and muttered, "This is the new era?"

"It's not internationalism, but it has the right to internationalism. Wang Yao smiled, "The concept of the global village is being implemented in front of us, and if we don't establish the national culture first, then we will suffer a great loss in the future to re-establish it." ”

Mr. Wu Zuguang was silent.

"While the gentleman is still here, while I am still here. Wang Yao said softly.

"How many books can you memorize the Four Books and Five Classics?" Mr. Wu Zuguang suddenly asked.

"Don't dare to brag, sir, just ask. Wang Yao raised the corners of his mouth slightly.

Mr. Wu Zuguang looked up slightly at the gradually setting sunset, and he didn't know why, but he looked a little vibrant.

In the evening, it was a meal at a restaurant set by Mr. Ma, Wang Shixiang, Qi Gong, and Wu Zuguang gathered together, which can be described as the gathering of the three major mountains in the Chinese literary and artistic circles, Mr. Ma and Zhao Laogen are all accompanied, and even Mr. Yu Mei is a junior accompaniment.

The three old gentlemen are particularly happy today, at their age, the reunion of old friends is the greatest joy, this meal has been eaten for more than four hours, and several gentlemen have talked a lot about Wang Yao, and it seems that they are investigating.

Although Wang Yao also felt that some questions were a little tricky, he was fortunate to be answered.

There was also a guest during the banquet, that is, Chen Xiaoxu, the actor of Lin Daiyu in "Dream of Red Mansions" that Wang Yao said he was going to visit, and Zheng Xixi's company in Beijing has reached a strategic cooperation with her.

And she and Mr. Wu Zuguang are old acquaintances, Mr. Wu Zuguang guided her when filming "Dream of Red Mansions", which can be regarded as a teacher's affection, this time Wang Yao invited him out of the mountain, she will naturally pay attention to it.

Chen Xiaoxu's advertising company, Shibang Culture Company, can now be regarded as one of the largest advertising companies in China, and its turnover this year has reached a new high, with a total turnover of more than 200 million.

The turnover of 200 million yuan is a huge achievement for the current Longguo advertising enterprises, which shows how talented and skilled this soft and weak 'Lin Daiyu' is in the business world.

An already formed company occupies the absolute initiative in an industry, and what Wang Yao wants to do this time is not to re-create a company, but to integrate some companies into a joint large enterprise.

After this meal, Shibang Culture, Laogen Media, Zheng Xixi's Guangfu Group, and Mr. Ma's Guanfu Company reached a joint strategic alliance to carry out the next development activities in media, food, tourism, charity, opera, culture and other aspects with Guangfu Group as the center.

In addition to domestic, the focus is on other Asian countries, such as Dongying and Goryeo, as well as overseas Western countries.

Although Chen Xiaoxu and others are a little worried about this development direction, Wang Yao's reputation as a Hollywood director of 600 million yuan also makes them have some confidence.

Cooperation with foreign countries, the biggest problem is the lack of understanding of foreign culture, as well as communication problems, this is a huge problem, a company produces products, the core competitiveness lies in the control of consumer psychology.

Especially in the cultural industry, it is like singing the two people in the Northeast with Mingzhu dialect, there will be a sense of disobedience, which does not mean that Mingzhu is not good, nor does it mean that there is a problem with the transfer of the two, but the way and location of the combination are not right.

It is also very marketable to sing two people in Mingzhu in Mingzhu dialect.

Wang Yao had made a plan before, and after visiting Mr. Wu Zuguang this time, he added some more, such as he wanted to shoot the love between Mr. Wu Zuguang and Xin Fengxia into a TV series, and then shoot a love story of masters during the Republic of China.

For example, Zhang Zhaohe and Shen Congwen, Zhang Boju and Pan Su, Hu Shi and Jiang Dongxiu, etc.

Taking advantage of the fact that these masters of the Republic of China have not been completely forgotten by the world, they imitated the model of Xu Zhimo's unexpected popularity, and brought them into the public's sight again, and at the same time publicized the issue of education with the theme of "love and marriage".

The most important thing is that these masters of the Republic of China have an inseparable relationship with opera, and Wang Yao is ready to carefully change some famous songs and put them in the TV series, which should attract the attention of many young people.

After all, the current 'modern martial arts training' activity has also stimulated the opera fever again, and the investigators sent by Wu Tianlai are very satisfied with the results of this report.

The concept of opera has been strengthened by the post-80s generation, and it is no longer the memory of the red and white ceremonies of childhood, and the post-80s theater audience has increased significantly.

The post-70s generation is also interested in opera again, but these people have fewer opportunities to go to the opera because of work, and their spending power is not as good as that of the post-80s.

The audience base of the post-60s generation is huge, and they have forgotten this pastime because of the loneliness of opera, but they are not the main consumer of theater, but it seems that the opera troupe is active again in second- and third-tier cities.

The post-50s generation is undoubtedly one of the main consumer groups of theater, accounting for almost 70% of the share with the post-80s generation.

The rest are the post-90s who are still in elementary school, and 90% of them know 'Wu Xun Chuan', because "Wu Xun Chuan" is now a must-see program for primary and secondary school students, but less than 20 percent of them love opera, and most of them are still infatuated with idol groups that have recently come from Goryeo, as well as some idol stars in Xiangjiang before.

Judging from big data, the opera market is still incomparable with the mainstream music, film and television market, but it has vitality, at least Tianlai Group has opened 50 more theaters this year, and some grass stage teams have been revived, but basically all the abilities have been acquired.

In short, the speed of development is smoother than Wang Yao imagined.

Wang Yao knows that it must be difficult to use the traditional art of opera to fight against the fresh modern art of the West, but as long as this market does not die, then it is his greatest gratification.

Because only if the market survives, this skill can be regarded as truly inherited.

The opera that is only seen at leading cadres and National Day ceremonies cannot be called inheritance and development.

Only when the opera really returns to the folk public can it be truly developed and inherited.