Although there are a bunch of various followers behind it, as long as Jiang Hui insists on opening a golden finger for a few years for the Guanghui Group, those followers are destined to never have a chance to come out.

In the field of the Internet, there are generally no more than three products of the same kind that are widely known, of course, there may be a lot of them at the beginning, but after the competition is over, there will be only a few in the same region (if you take into account the policy factors of different countries, even the same type of product will have a very large variety). For example, portals, the situation is different in each country).

Judging from Jiang Hui's rebirth, in the Celestial Empire market, Du Niang dominates the search field, followed by 360 and Sogou, and there are other search engine companies, there is no sense of existence; the same is true in the e-commerce field, Taobao and Jingdong are far ahead, and the others can only play soy sauce; group buying websites are still alive and well in the end; and the special car field is obvious, and the competition is in the end, basically the merged Didi is left.

All the enterprises of the Korn Ferry Group are full of original spirit, and under the competition of the Internet, they have advantages that are difficult for other companies to match.

Intranet, Tudou, Meituan, and Guanghui Weibo are the most representative in this regard. This is the most important reason why these companies can become the global leaders in their fields.

"You say, will it be too early for Guanghui Film and Television to enter the international market?", Jiang Hui asked He Ling while thinking about the globalization of various enterprises in Guanghui Group.

"It's very difficult to enter Hollywood, after all, the cultural atmosphere is completely different, coupled with their hostility to the Celestial Empire, intentionally or unintentionally, it is difficult to succeed without excellent works," He Ling said.

As we all know, Hollywood is a movie paradise that many mainland actors yearn for, and many people regard it as a lifetime honor to be able to develop in Hollywood. Since the eighties and nineties of the last century, many people in the mainland, including Hong Kong and Macao, have gone to Hollywood to develop, such as Zhang Ziyi, Gong Li, Jet Li, Michelle Yeoh, etc., and Bruce Lee, Jackie Chan, Chow Yun-fat, etc., but no matter who they are, their reputation in Hollywood is far lower than that of the local market.

"It doesn't have to go straight to Hollywood. Our company is now investing in movies and TV series, and I think we can make a name for ourselves in the relatively low threshold of TV dramas," Jiang Hui said.

In the United States, there has always been a long-standing saying that "movie actors are superior to television actors." Although no "fearless" authority has come out to affirm this statement, it is undeniable that in Hollywood's Vanity Fair, A-list movie stars and A-list TV stars sound like two worlds.

Although the Celestial Empire also has a bit of this trend, it is relatively less obvious. Many of the actors have been filmed in both movies and TV series.

Considering these, it is also a good choice for Glorious Film and Television to take the TV series as an opportunity to enter the US market. On the one hand, the status of TV dramas in the United States is not so high, and the threshold encountered by Guanghui Film and Television will not be so many; on the other hand, the status of TV dramas in China is still relatively high, and if Guanghui Film and Television's TV series can be famous in the United States, it will be very helpful to improve their status in the domestic film and television circle.

Although Guanghui Film and Television relied on the two movies and TV series "In Those Years, The Girl We Chased Together" and "Struggle", it has already gained a firm foothold in the film and television circle of the Celestial Empire. However, if Glorious Film and Television wants to become the eldest sister in the film and television industry, there is still a lot of way to go.

If nothing else, just look at its famous entertainers, Guanghui Film and Television is far inferior to other companies. Although Glorious Film and Television is good at discovering and cultivating new talents, isn't this because there are no available stars in their hands?

"Do you want to make American dramas? Or do you want domestic dramas to be broadcast in the United States?" asked He Ling.

"Of course, it is to shoot American dramas, and directly bring domestic dramas to the American market, except for Chinese, it is estimated that no one will watch them," Jiang Hui said.

In May 1980, a film filmed in 1970, "The Man from the Bottom of the Atlantic" was launched in the Celestial Empire, which became a window for the Celestial Empire to peek into the United States after the opening of the country. After that, the hit, suspension and resumption of "Garrison's Expendables" were a barometer of the explosion of ideas in the Celestial Empire.

In 1982, the sitcom "Uncle Martin of Mars" made the people of the Celestial Empire experience the charm of sitcoms. Since then, a series of American dramas such as "Detective Hunter" and "Roots" have been broadcast one after another. In 1990, after "Growing Pains" was broadcast on Shanghai TV, the audience of the Celestial Empire walked into American homes and experienced the possibility of intergenerational communication for the first time. All this, the influence of American dramas on the people of the Celestial Empire is increasing day by day.

"American dramas are all broadcast and filmed, and if they are not good, they will be eliminated quickly, and it is estimated that a bunch of people will watch our jokes by then", He Ling said a little worriedly.

"Don't worry, I'll write part of the script myself, and then let Tudou find a few screenwriters to help process and fill it," Jiang Hui said.

"It's a lot more convenient to have Tudou in the United States. I've heard that Tudou has partnerships with many film and television companies," He Ling said.

"It's a must, so we don't have to worry about finding a partner. This time, we were in charge of the script, and Tudou helped to contact the filming team and TV stations in the United States, and after the filming, the TV series was broadcast on the TV station first, and Tudou postponed the broadcast by one day," Jiang Hui said.

"It sounds pretty good, but I'm a little worried that when the time comes, we will pay for it, and the Lu crew won't listen to the command," He Ling said.

"Rest assured, during the filming of TV dramas in the United States, the influence of the screenwriter is very great, and we are also investors, most of the actors in the TV series are not famous, and we are not afraid that the crew will be disobedient," Jiang Hui said.

In the production system of American dramas, the main creator (producer) usually conceives the story idea first, and then organizes a team of screenwriters to write the script. The investor has less interference with the producer, and the screenwriter has more power, which ensures the artistic quality. American dramas usually appoint a different person to direct each episode, and the fate of the characters is in the hands of the screenwriter, so the director and actors do not have much right to speak.

"Can we take this opportunity to send some people to learn how Lao Mei shoots TV series?" He Ling said.

"Yes, assistant directors, cinematographers, gaffers, makeup artists, etc., send a group of them over to study hard. There is still a lot to learn from American dramas that can have such a great influence in the world," Jiang Hui said.

"Then have you figured out what type of TV series we are going to shoot?" asked He Ling.

(End of chapter)