Kuang Xiyin lowered his voice, "I guess you haven't seen it." Pen, fun, pavilion www. biquge。 info I don't know how many times I've done it. This time, I heard that several bookmakers joined forces to do it. ”

Saying that, Kuang Xiyin snorted, "That is, in the past ten years, I have been active in the northwest, and people from other places have come out." ”

Sun Zhongyuan was a little excited, "I haven't eaten yet." Follow you, and you'll be foolproof. ”

Eating a meal is a relatively secret jargon in the antique shop.

There are no more than two sources of antiques, light and dark.

There are also two kinds of bright ones.

One is called ancestral. From generation to generation, inheritance, no matter what era, Lao Tzu's things are passed on to sons, and sons are passed on to grandchildren, and that is legal. Lao Tzu is gone, and his son wants to sell it, but no one can control it.

The other is called orderly circulation, which is well documented. What has been recorded in historical sources has been handed down all the time. The key here is the period from the Republic of China to the present. Because of this, before and after the founding of the People's Republic of China, the legal provisions are different.

For example, the famous Yuan blue and white Guiguzi down the mountain jar, a Dutch officer bought it from Dongjiaomin Lane in the capital during the Republic of China, and then brought it back to China and passed it on to future generations.

Later, in 2005, Christie's had an expert go and identified it as Yuan Qinghua, so he took out the jar containing the CD and auctioned it, and it was auctioned in July, and it was auctioned for 14 million pounds, which was equivalent to 230 million at that time after commission.

Suppose the current owner of this jar wants to sell it, which is also clear, and it is something that circulates in an orderly manner, and you can buy it when you have enough money, without thinking about other issues.

Ming antiques are more convenient to trade.

But the dark one, then there may be trouble.

There are generally two types of dark antiques.

One is something that has just been dug up recently, something called a pit in the row. Whether it is tomb robbery, construction site construction, or digging out vegetable fields, if the things meet the cultural relics standards, they are not allowed to be bought and sold at will.

The other is that it is purely of unknown origin, and you don't know how it came about. It's not clear anyway. Maybe it's stolen and stolen goods, maybe it's picked up by accident, or maybe it's bought out of nowhere.

However, although dark things are not allowed to be traded, the antique market is too large and complicated, and buyers cannot verify everything, so the actual transaction volume is still very large.

Among them, there is one kind that ordinary people in the real antique shop will not touch, and that is stolen goods! Such things, if they are bought and sold, they are stolen goods! Other things may be explained in a way, and even a set of inheritance certificates can be forged, but only such things are not good.

Each line has its own boundary, and it is easy not to touch. Those who cross the line are either brainless and cheap, or they are not afraid to enter the class room and take risks.

Eating feasts, eating is dark antiques, some are pitted, and some are of unknown origin. But in any case, the people who set up the banquet and eat the banquet are often the insects of the antique shop, not raw melons and eggs, and there is generally no stolen goods in them.

Even if it is a banquet, it is divided into several kinds, there are small seats, there are also large seats, and the "dishes" of the large banquet are secondary, and the key is to have heavy weapons!

This Kuang Xiyin's "Manchu and Han full banquet" is an exaggerated statement, indicating that the banquet to be eaten is a super banquet.

There is also a kind of mat, called "present mat", which is not eaten by ordinary people, and can only be eaten by old fritters or people who have deep relationships in the industry. The so-called shovelers are antique dealers who receive goods from tomb robbers or specialize in collecting raw pit goods.

Eating the feast is to follow the tomb robber straight to the tomb that has explored the road, generally the moon is dark and the wind is high, just waiting outside the tomb, the tomb robber takes out something from the tomb and trades on the spot. You can't buy fakes at a live table, but the risk is also high, and you have to carry cash when you go, so it's often not a person who eats a table, but at least several people who eat together.

Kuang Xiyin wanted to take Sun Zhongyuan to eat the Manchu and Han banquets, and the things were naturally ready, and then invited people who could afford to eat to watch things together and take what they needed. There's even a bit of an auction in it, if more than two people like the same thing, only the one with the highest price wins.

To be able to eat such a big banquet, of course, ordinary people are not qualified, and they have to be trustworthy people by the dealer. Of course, Kuang Xiyin has no problem, whether it is in the tomb robbery line or the ghost goods trading house, it is an out-and-out big name.

With his status, he can bring one or two people over at will.

The word "banquet" is considered a dialect, and it is necessary to eat a high-grade banquet dinner. But in this antique shop, it has become such a meaning. It's a little related to think about it, sometimes a banquet comes to eat and drink, but it's likely that they don't know each other, they eat their own food, and they talk about the scene, and they don't reveal their sincerity.

All kinds of things on the table, except for the guarantee that they are not stolen goods, there is no other information, if you buy it and then sell it, all the responsibility is at your own risk.

These were all heard by Sun Zhongyuan from Xu Beiwu, and naturally he had never really eaten them.

"When Xu Heizi is free, he likes to write and paint, and he is not bored in the house and tinkering with handicrafts, and he has never eaten a banquet! Kuang Xiyin said, "In the antique business, you can't just play with the bright, you have to see and know!"

When Sun Zhongyuan heard Kuang Xiyin say writing and painting, he instantly recalled his memories. At that time, he had just been adopted, and he was full of praise when he saw the beautiful flower illustrations in a book, but Xu Heizi took a blank piece of paper and came directly with a pencil, and then wrote a line of words: Don't look at those garbage things in the future!

Indeed, the comparison of the two paintings is like a cloud. And the content of that line of words is very vulgar, but the font is similar to Lan Tingxu's book, Sun Zhongyuan was shocked at the time, "It's so beautiful!"

However, Sun Zhongyuan did not learn the kung fu of "hands" from Xu Beiwu, but only learned the kung fu of "eyes". In Xu Beiwu's words, it's too difficult to get started, progress is too slow, and you may not have the talent.

Xu Beiwu is right, Sun Zhongyuan's talent is quickly manifested in eyesight, but writing, painting, painting and doing things are really errands.

"Uncle Hu, when is this big banquet?" asked Sun Zhongyuan as he retracted his thoughts.

"Tonight, in a village on the side of the highway. You know how to drive, don't you?"

"Yes. ”

"After eating, you go back to rest, at 8 o'clock in the evening, on the side of the road opposite the hotel, hand over a black Poussin, you tell the driver that Wang Xibei rented a car for you to drive. You drove the car and came here to pull me. ”

"Are you still boiling for dinner?"

"If you eat, you've eaten enough!"