Ma and Sa, of course, are not the kind of casual girls.

She just had been in contact with Feng Jianxiong for a long time, and she saw Feng Jianxiong surrounded by beautiful women with her own eyes, but he only did it to himself, so she didn't worry that Feng Jianxiong would be bad.

When she came out of the bathroom, she casually flipped through her phone, and then saw a text message from Ding Lihui to her, saying that Feng Jianxiong was already waiting outside.

Ma Hesha also knows the priorities, she knows that it is nothing to let Feng Jianxiong wait for a while, but if he hangs in the corridor for a long time and is seen by idle people, the impact will not be good, so he wrapped himself in a bath towel and hurriedly let Feng Jianxiong in.

After entering the house and closing the door, Ma Hesha immediately returned to his dignity, and did not pour water for Feng Jianxiong, only letting him take care of himself. Then she picked up the clothes on the bed herself, went back to the bathroom and got dressed, before coming out again.

Therefore, even if someone sees the fragrant scene of the beauty coming out of the bath and opening the door to greet them in the corridor, I am afraid that the brain supplement of the follow-up content will be very biased, because nothing happens at all.

After getting dressed, the horse and yarn looked extremely dignified again. She didn't know what to say, she just blindly politely.

"Brother Xiong, eat fruit. I brought these grapes from home, and I originally wanted to bring them back to Jinling for everyone to eat. As a result, when I chatted with Sister Hui yesterday, I learned that fruits can't be brought on the plane, so let's eat more in the past two days. ”

As she spoke, she pushed a plate of washed milky white grapes in front of Feng Jianxiong. It seems that in order to avoid embarrassment and find some gestures, she also subconsciously helped Feng Jianxiong peel a few, "That...... Sister Hui will be back soon, do you have any trade secrets to talk about with her, I wanted to go out for a stroll at night......"

When Feng Jianxiong heard this, he was also a little defeated by this natural stay.

If this is a mature girl who really knows how to deal with people, and knows that the other party has trade secrets to talk about, then she will leave obediently without asking for instructions.

Now Ma and Saa said that they wanted to go out for a walk, and at the same time, they couldn't help but wonder if the other party was really talking about confidential matters, as if they were afraid that if she didn't run out for nothing.

How can Feng Jianxiong speak well?

Besides, a girl has finished taking a bath, or the cold winter in the northwest in January, and he is embarrassed to drive the girl out in the middle of the night?

He coughed lightly and said, "You don't need to peel it, whoever eats the grapes should just take a bite and squeeze the skin out." It's not a big deal for me to talk to Sister Hui, you can listen to it if you want to, and I'm sure you won't chew your tongue and pass the word. ”

Ma and Sha were actually quite afraid of going out alone at nine o'clock in the evening, it was cold and unsafe, and they immediately accepted this setting happily when they heard this.

The two chatted for a few minutes while eating grapes, and Ding Lihui called it a day and came back.

Ma Hesha hurriedly went over to help her get her bag, and rubbed a hot towel to wipe Ding Lihui's face.

These days of getting along, Ma and Sha are still very grateful to Ding Lihui. After all, this senior sister knows much more about the world and the media than her, and she is covered everywhere.

"Are you tired, tired?" Feng Jianxiong always had to take care of the other party's emotions, and said politely first.

"The talent has just finished work, and the soul has been finished for an hour, and it has long been relieved, so let's talk about it if there is something. Ding Lihui complained humorously.

……

“…… That's my thought – now that you can dictate the voice-over lines, there's no doubt that you'll have a chance to suggest the pace of the final cut.

After all, this is a documentary interspersed with many fragmented timelines and storylines, and none of the stories are filmed from beginning to end, and there are many clues. So the rhythmic tension of the narrative, in fact, there is a lot of writing that can be done......"

Feng Jianxiong chatted and chatted, and he put out his core demands from a high vantage point.

Ding Lihui studied choreography and directing, and one of the most important permissions of a film and television director is the editing of the final film.

Therefore, Ding Lihui's hard work in school also has a lot about editing.

What Feng Jianxiong said just now, she can understand it after digesting it a little.

Since "Tip of the Tongue" will be made into a documentary interspersed with narration, it will inevitably lead to a problem in the end - that is, the clues, starting and ending logic of the narration copywriting will subtly affect the director's editing rhythm.

Let's take an analogy, for example, in a certain episode, the soup family of a lawyer in Guangzhou City, the canteen dishes of Foxconn migrant girls in Shenzhen City, and the hometown dishes of Shonan bacon and bacon of the supervisors.

And the next sentence in the copy, "However, all this has nothing to do with Gu Tao", you can immediately take the rhythm away, and then pull the camera to the deep mountains to shoot the working meal stories of a few power grid line inspection and maintenance workers.

This is a typical "commentary with rhythm".

In the vast majority of documentaries, and indeed in all commercial films, this is unlikely.

However, in the documentary "Tip of the Tongue", which uses copywriting as the editing clue, this kind of special case can exist - if the copywriting is done, the beginning and end will bring a rhythm, maybe when Director Chen finally edits, he will follow the copywriting to embed the content of each part in the order of this clue.

Of course, the materials that will be used in the end are still those materials, which are still 100% made by Director Chen himself, and the copywriters can't be ignored at all.

The rhythm that copywriters can bring is only the order in which these materials appear, that is, which one is put first and then which one is put in the final film, is it put to the end at one time, or is it interspersed?

Ding Lihui and Feng Jianxiong discussed carefully for a long time, and finally understood Feng Jianxiong's intentions:

Feng Jianxiong just wants to bring rhythm to this film through her.

And if Ding Lihui hadn't become the chief dubbing of this film today, and she herself had studied editing and directing, she would have had an influence on the copywriting. Then, Feng Jianxiong was originally going to personally give Director Chen money when the filming was completed and the post-production was completed, and then he persuaded Director Chen to bring the rhythm.

However, after figuring out this, Ding Lihui found a more incomprehensible problem.

"But what's the use of you trying to let me take control of the rhythm of the copy's clues? At first, I thought you were trying to add product placement to the film and add the content you wanted.

As a result, you don't have any additional requirements for the content, but you just want you to guide the sorting of the assets at the end, what's the point?"

In other words, Ding Lihui couldn't figure out what benefits Feng Jianxiong could get after he tried his best to make this happen.

Ding Lihui absolutely did not believe that Feng Jianxiong would be an artist and have artistic ethics.

This guy has never been profitable.

"I want to know? The latter words, you should have rotted in your own ears after hearing them. I told you that I took you as my own. Feng Jianxiong took off his glasses and rubbed the bridge of his sore nose before solemnly confirming.

"Hurry up, I don't know the priorities yet?" Ding Lihui was rarely refreshed, and gestured to Feng Jianxiong very arrogantly, "Could it be that you still expect me and Shasha to be your women, why do you believe us?"

Feng Jianxiong was slightly blushing by what the other party said, and he also secretly thought in his heart: Girls who study media really speak like unscrupulous editors...... When it comes to the value of discipline in the battle of tongues, I am afraid that these people do not exist.

Ma Hesha, who was listening to it very well next to him, was also shocked by Ding Lihui's bomb-like words, and his face turned red, and he didn't leave or stay.

"Ahem...... Then I'll tell you the business logic behind this. Feng Jianxiong brewed a sanctimonious demeanor, and said with a straight look,

"In fact, you should know. In recent years, there have been many food programs, even if it is a CCTV documentary that is known for its authority and objectivity, there is more than this one. And those other previous works, the ratings and social influence are not very high. Therefore, if you have the mentality of 'because most Chinese people are foodies', you think that making a food documentary can become popular, it is a big mistake. ”

As soon as Feng Jianxiong said this slowly, Ding Lihui interrupted him: "Don't talk this nonsense, you are just analyzing why you think this film will be popular and worth investing in." But you didn't say why you pay so much attention to the rhythm of editing and copywriting, don't answer the question!"

"What are you anxious about! This truth is in the same vein, you listen to me finish slowly!" Feng Jianxiong was very angry at being interjected, reprimanded with a straight face, and continued, "So, I think the key to the popularity of this film lies in two words: lead the war." Or three words: with rhythm. ”

"What do you mean?" Ding Lihui felt a little incomprehensible.

Feng Jianxiong gradually induced: "Online video has been on the rise for two years, and it is gradually eating away at the viewership share of TV media. So, have you thought about what else will be there in the future, and what will TV stations be able to maintain their advantage over the Internet? And what will be done further to break down the resistance of TV stations?

I think there is a key point in this, which is 'timeliness and topicality'. The TV series on the Internet, because all viewers can watch it in one breath at their own time, so although they are free in time, it is difficult for them to step on social hotspots-

In other words, viewers who watch fire dramas on TV sets, although they can only watch two or three episodes a day, and they sit in front of the TV when they get an order, they are watching it with most people who are interested in the film. The next day, I went to school or a company to have a conversation with others and have 'social currency'.

At this point, online viewers are at a disadvantage, they rush to watch a relatively old film one day - it doesn't have to be too old, as long as it has been out of breath for a month or two and has not just been broadcast in the current season - and then go to the school company the next day, and find that others don't talk about this at all, and no one around them watches it, how much less fun will this be?

Therefore, in order to ensure the ratings of TV dramas that premiere on TV stations in the future, it is very important to stimulate everyone's discussion and form a hot spot of social topics. In other words, it is necessary to deliberately 'lead the battle' and 'bring rhythm'. and even make use of all the factors that can provoke social scolding......"