Meng Fanzhu bowed again to the warm applause and smiles of the guests, and Xu Qiang bowed to the guests again, and then walked to Li Zaiwen's side.

"Master, I didn't embarrass you, did I?" Meng Fanzhu said with a smile.

Seeing that Hou Yaowen, Zhao Wenqi, and Wang Wengui are envious on the side, I can't wait for Meng Fanzhu and Xu Qiang to be their disciples. These artists muttered in their hearts, if they also go to the university for a stroll, maybe they can kidnap two good seedlings?

"Yes, you two are very good, sit down and have a bite to eat, and then go with the teacher to toast. Li Zaiwen was very satisfied, patted Meng Fanzhu and Xu Qiang's shoulders and said with relief.

Such a good disciple, just in time for today's occasion, how can he do it without showing off!

He did see the hope of the revitalization of cross talk in these two children, but until now, Lee Jae-moon is only planning how to lay a solid foundation for the two closed disciples, and then select them to enter the competition, the literary evening and other conventional forms.

Only Meng Fanzhu understands that if cross talk wants to be truly prosperous, it must return to the small theater. At present, there is no business model of cross talk small theater in the real world, so this is a blank and a business opportunity.

Since Xu Qiang loves cross talk so much, it is necessary to gather some like-minded people to do this business together, and then let him take full responsibility for this matter.

I silently counted a few of my senior brothers in my heart, and Chen Wei's current reputation is smaller, and his personality is also gentle, so he may join. The other three don't bother to perform in a small theater at all, what a loss!

What a shame for the face of a famous cross talk actor!

To this day, Meng Fanzhu didn't understand how the folk art born in the market would be humiliated to perform in a small theater!

Isn't cross talk the art of serving the people and sending laughter? The old-timers can perform by drawing a circle with white marble powder on the overpass, but now it has become an art form that is completely out of touch with the common people?

I don't know what's going on, but there's no conflict between the two.

In his dream, Lao Guo didn't come to the small theater, the Spring Festival Gala, the host, and the movie, and I didn't see any problems.

followed Li Zaiwen to toast the seniors in the music industry from table to table, and when he was at the table of the Peking Opera seniors, he was grabbed by a few seniors who had sung all their lives with a fancy face and were old. Because they have to maintain their throats, they have never drunk alcohol in their lives, so they are not allowed to drink alcohol from juniors.

Meng Fanzhu and Xu Qiang exchanged mineral water and toasted with a few old-timers, and Ma Yutao, the successor of the Ma faction, patted Meng Fanzhu and Xu Qiang on the shoulders and praised them vigorously, and their love was overflowing.

Xu Qiang naturally hit the snake with a stick: "Master Ma, I don't know if you can guide us brothers when you are free, there is too much pop music in cross talk jokes now, but there are few elements of opera, we think this is not good, but because of the limited level, there is nothing we can do, so I want to ask the master to give him advice in his free time." ”

"Okay, okay, you can teach, I will have a ticket club at the Temple of Heaven every Saturday morning at 6 o'clock, if you two can get up, come and get together. Ma Yutao's favorite thing is for young people to ask him about Peking Opera.

It's not just him, all the old artists are actually worried about the inheritance of traditional art, and the genres and art in many places have disappeared, which is really distressing!

Modern society has entered a fast-paced life, no matter what is fast, fast, fast!

There are fast food for eating, express hotels for lodging, express trains and planes for travel, and the traditional art of slow and leisurely is no longer in line with the tastes of young people. Now there are a group of old artists holding it up, but what about ten or twenty years from now?

Coupled with the rapid development of the Internet, all the literature and art of film, audio, and television can be seen on the Internet, and foreign cultures continue to invade the country, affecting a growing generation of children.

For the concerts of Hong Kong and Taiwan singers, a ticket can sell thousands, and these children will do everything possible to get tickets, and then flock to the airport, even running to the airport a day in advance, waiting for a night, just to be able to see their idols.

What the hell is wrong with these kids?

The old artists couldn't understand that their own precious traditional art, which foreigners couldn't sought, was abandoned, and instead pursued those quick-established and unsubstantiated pop culture.

So when Xu Qiang put forward the idea, the old artists present were very happy, traditional culture is not without young people like it, there are not only two of them, they are still top students of Peking University, and they are the best among young people in China.

"Seniors, I don't know whether to say something or not. "Meng Fanzhu didn't expect to be able to see the heirs of the Yu, Tan, Ma, and Yang factions at the same table today, surprised!

These are all old artists at the national treasure level, and if it weren't for Master Li's face, they wouldn't have participated in this kind of gathering when they were idle.

Therefore, if the development concept of Peking Opera and traditional arts in some dreams can be said earlier, it may give some reference to these predecessors who are really worried about traditional arts.

"Xiao Meng, just say what you have, don't have any burden in front of us old guys. Tan Qingqi, the successor of the Tan faction, said, this is a clear old man, about the age of a sixtieth year, with a pair of rimless round-edged eyes, very elegant.

"Duoduo, just say anything, these are also your uncles and uncles, I also studied under the four old gentlemen who died in my early years. Li Zaiwen encouraged his old disciple, and he felt very strongly, as if his talented disciple would put forward some content that he and others had not thought of, but were extremely important.

"For the revitalization of traditional arts, the boy has four suggestions for the master and several uncles to refer to. Then Li Zaiwen nodded and continued: "The first is to listen to the heavens, that is, to support the policy with the state. This includes government support policies and support funds, but the most important point is to immediately start the work of applying for the World Heritage Site with Peking Opera as the leader, followed by drums and cross talk. In fact, Kunqu opera and guqin have come to the fore in this regard, and they have been successful in 01 and last year respectively. ”

Meng Fanzhu paused, asked a few old gentlemen to sort out their thoughts first, and then continued: "The second is to be down-to-earth, that is, to create programs that the people like to see and carry out small theater performances, this Xiaoqiang already has a plan." Xu Qiang has discussed with himself more than once about opening a small theater in his store next to the Huguang Guild Hall, and the current plan has been very mature, just waiting for the next step.

To tell the truth, Meng Fanzhu really didn't hide his secrets, and he told the successful strategies of the protectors of traditional culture in his dream life like pouring beans from a bamboo tube.

At first, the veteran artists, including Lee Jae-moon, listened to Meng Fanzhu with an encouraging attitude, after all, giving young people a chance to express their ideas is also a way to cultivate their self-confidence. 、

But listening to their expressions, they became more and more serious, and then Ma Yutao even took out his notebook and began to record. You know, this is a book he specially used to record some inspiration for his usual study of Peking Opera.

The above are all perceptions related to singing, footwork, and figure, and there is no other information. Now he is remembering Meng Fanzhu's words, which shows how much impact these suggestions have on him.

"The third is internal hard work, which is the foundation of our artistic development, but due to the impact of the market and modern social ideology, many artists have ignored the importance of basic skills, and they need their predecessors to correct this wrong attitude. The last point, which I have come up with as the fastest to get results, is the image of the outer tree. The modern Internet has developed in full swing, but there is very little content in the Peking Opera category......."

There are more and more people around, but it is strangely quiet.

(This chapter has ended, please read the next chapter)