Under the fake night, as the camera under the lens turns, the men and women in the sedan are acting out the most large-scale scene in the movie "American Painting".

Basinger, who had dyed his hair white and played Derby, asked Terry in front of him in the car, "Why are you killing small animals?" ”

Terry replied, "Ah, yes, yes, I think, when I hunt a bear, it's either dead or I'm alive...... You know, I think you're really beautiful. ”

After speaking, he suddenly grabbed Basinger, stretched out his arms to put his arms around the woman, and was about to kiss Basinger, who was drinking bottles of delicious granules, which Besinger did not wary, and stretched out his hand to push Terry to break free, while saying with a smile: "Wait."

Later, as the plot progressed, Basinger put the glass bottle and jar with the obvious Coca-Cola logo in her hand in front of the car, and inadvertently, a few traces of black Coca-Cola dripped on her body, which was reflected in the deep furrow of her chest.

The camera renders this scene for several seconds, and even gives a big close-up of the label of the Coca-Cola bottle, the black Coke can and the pair of proud fullness simply complement each other.

Then, according to the plot of the movie, Basinger loosened and untied the strap of the tight pullover, and her seductive posture at this time, coupled with her already plump fullness, with a hint of wetness of Coca-Cola, suddenly made the film a little more erotic temptation.

In the end, Basinger took the initiative to hug Terry and let the other party kiss her, and the two began to ripple in the car......

……

"Stop! Okay, that's good! Prepare for the next scene!"

With the shout of director Lucas, the first half of this scene was completed, although the scene of the script was forcibly changed by the producer Walter, but because it did not affect his script, he just asked for the rendering of this scene, especially to give Coca-Cola more shots, because there was no impact, so Lucas agreed.

Of course, for Walter's arrangement, Lucas also knows why, don't you see Walter, the producer in a suit and leather shoes, talking and laughing with a middle-aged white Hispanic on the set?

As for the identity of this middle-aged Hispanic white man, Lucas also knows that his name is Roberto Goizueta - Robert Goizueta, and the other party also has an identity, that is, the director of public relations and sales of Coca-Cola, so that he can shoot Coca-Cola in front of the other party, if Lucas is not clear about the other party's thoughts, then he can no longer be a director.

"Robert, how's it, George's directing ability is very good, right?" In the distance, Walter, who had just watched the filming on the set, smiled at Robert next to him and said, with a bit of respect in his words, after all, this is already the owner of his own movie.

"Very good, Walter, and now I agree with you, Coca-Cola is going to be even more popular because of this movie. Robert Goizueta nodded in agreement, then paused, showed a smile that all men understand, and said to Walter: "George's directing ability is also very good, but what I value most is that Miss Basinger, her performance will definitely make Coca-Cola fans in the United States boil......"

Looking at the look of Robert in front of him, of course Walter understood what he meant, even if he just saw Basinger's seductive performance, and thought of the woman's graceful and delicate in bed, the chicken below was almost hard directly, and showed respect to her, if it wasn't for the lack of dew point, and the scene shifted quickly, even the kissing between the two sides did not have a direct shot, he suspected that he had watched the foreplay performance of the neon in later generations with a thick scene.

"In that case, Robert, do you think this movie placement is worth $200,000?"

Seeing this, Walter asked with a confident smile on the corner of his mouth, he believed that the future boss of Coca-Cola in front of him would not fail to understand the value of those shots, after all, the scene just now, even if "American Painting" hit the street at the box office, but this shot will remain forever, after all, there are beautiful women, there are goods, and it can make men look hard, this is the best advertising effect, he doesn't believe that Robert can't see the commercial value of this.

"No problem, I can sign the agreement now, the $200,000, I feel like it's worth it. Robert didn't hesitate too much, and agreed, but asked rhetorically: "Mr. Water, it's a pity that you are a producer and make movies, and your publicity and promotion ability is exactly what we ......Coca-Cola need."

"Forget it, Robert, I don't have any other ideas for the time being. Walter refused, and then saw that Lucas was going to shoot the next scene, and hurriedly said: "George is going to shoot again, I think we have to go." ”

Seeing this, Robert knew that the poaching had failed, so he could only nod and say, "Okay." After the scene just now, he also knew that he needed to mute the film, and seeing that Walter really had no interest in Coca-Cola, he could only nod his head in agreement.

Turning his head to see the next scene about to play, Jodie Foster as Carol Morris, Walter and Robert left together, Foster played the thirteen-year-old girl in the movie, wearing blue jeans, canvas sneakers, and a T-shirt painted "Dewey Weber's surfboard" on it, hanging down to her knees.

Although the age played is two years older than her real, but the youthful temperament of a girl shown by Foster is indeed very touching, no wonder she is a character who can be nominated for the Oscar for Best Supporting Actress at the age of fourteen, and she does have this strength, but I don't know if it is a lace edge or something else in bed?

Walter and Robert came out of the set, and the scene in the mainland that had no rules in the later generations and did not even comply with the silence of filming movies and TV series had been banned by Hollywood in the early decades, and even he, the producer, must abide by this guideline, and Walter could only complain that the domestic system is really imperfect, and may never be perfect.

As for the Waltra Coca-Cola product placement movie advertisement, it was his own opinion, when he saw Coca-Cola in the script, he thought of this scene, after all, in the blockbuster era of those advertising placements in later generations, even domestic flow dramas can't wait to have advertisements in the whole drama.

Affected by this, Walter naturally did not give up this way of recovering costs in advance, and directly contacted people from Coca-Cola through some connections with Disney, and then there was the scene just now, but what he didn't expect was that it was Robert Goizueta, the future head of Coca-Cola, who negotiated advertising cooperation with him.

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