Zhang Shubai quickly took a copy of the disc, this is not a confidential information, it can also be bought in the disc store, they just took a copy and sent it to the cultural department for approval.

He Xiangdong took the disc and played it on the DVD of the Zhang family, and the Zhang family was also watching it together.

After He Xiangdong watched a little, he understood that this so-called Shanghai-style Qingkou is an art form that combines Shanghai burlesque and foreign talk shows.

After He Xiangdong read it once, he didn't have much interest, the limitations of this art are too great, and the most obvious point is the frequent Shanghainese dialect in it.

The dialects are also divided into north and south, and the northern dialect is relatively similar to Mandarin, which most Chinese can understand. As for the southern dialect, it is really only understood by the locals.

Crosstalk is a language art, and Shanghai style Qingkou is also a language art, and language is a very regional thing.

Just like crosstalk can only be said to Chinese, foreigners can't understand it at all, and crosstalk has always been an art in the north in the old society, the biggest reason is that southerners speak more dialects, language barriers, they can't appreciate crosstalk.

Even the original heartthrob Mr. Li Detin came to Shanghai to perform, let alone others.

It was also after the national promotion of Mandarin that cross talk gradually became a national art, but for now, it is still northerners who love to listen to cross talk.

But He Xiangdong is an exception, his cross talk is killed by the north and the south, and he can even become popular in Taiwan, what else can he not do.

This is a strange man.

After watching the disc, He Xiangdong didn't react much, just watched it fresh. To be sure, there is something new and unique about this art, but it may also be because it is newly built, and there are still too many imperfections in it.

Especially as a language art, his use of language skills is far inferior to cross talk, but this is normal, after all, cross talk has been developed for more than 100 years, and the skills in it have been created and summarized by countless predecessors, so naturally it is not comparable to this new art.

After He Xiangdong watched the disc, he refocused on his commercial performance, and as for the Shanghai Qingkou performance in December, he didn't have much interest in watching it.

Now China's comedy rivers and lakes, the two most popular schools at present, one is the Zhao family class of the sketch king Uncle Zhao, and the other is He Xiangdong's Xiangwen Society.

Zhao Jiaban is a real fire in the three northeastern provinces, it can be said that the comedy rivers and lakes in the three northeastern provinces are basically monopolized by Zhao Jiaban, and the others are just a piece of the scraps.

But because Zhao's family class is too regional, it has been difficult to get out of the Northeast, of course, Uncle Zhao's own strength is very powerful, and he is also an artist who kills all over the country.

It's just that he is also old, and the next thing is to see who of his apprentices can do the national killing and provoke the Zhao family.

After the reform of several generations of predecessors, the art of cross talk is not so regional, and it can be said that as long as people can understand Chinese, they will definitely be able to appreciate the art of cross talk.

The art of cross talk itself has the universality of being promoted to the whole country.

But the art of cross talk is easy to learn and difficult to master, and it is easy to enter the industry, but if you want to achieve something, it is really too difficult and difficult, and it is difficult to reach the sky.

There are many cross talk actors who are still active on the stage, but only He Xiangdong can really kill the whole country.

Don't look at the fact that Xiangwen Society is very popular now, but this is all supported by He Xiangdong alone, there is no other person who can pick a class in Xiangwen Society, and there is no other person who can be popular all over the country.

This has always been He Xiangdong's biggest worry, if any club wants to develop healthily for a long time, it is definitely not enough to rely on the support of an artist, one person is not popular, everyone has to be popular, and there must be two or three leaders.

The current Xiangwen Society is still far behind, but He Xiangdong is still young after all, he is only in his early thirties, even if he retires at the age of sixty, then he still has almost thirty years to train a successor, and the time is enough.

For a person of Uncle Zhao's age, he really wants to cultivate artists who can pick classes as soon as possible, and time waits for no one. While he is still active on the stage, he can help one more, and when he quits the stage, it will be difficult for him to help him.

In the current Xiangwen Society, He Xiangdong is currently the most optimistic about three people, one is his eldest apprentice, Chen Jun, Chen Jun has followed him for the longest time, and has been honing in the small theater for the longest time, and this kid is very talented, He Xiangdong feels that he is the one who is most likely to be popular all over the country.

The second person is Tao Fangbai, Tao Fangbai's talent is also very good, and he is a graduate of Peking University, with a very high level of education, his stamina will be very strong, study hard for a few years, and sharpen it for a few years, maybe there will be a big horn.

The third person is Li Geng, Li Geng's basic skills are very solid, he is the most solid among his apprentices, thousands of high-rise buildings rise from the ground, only when the foundation is solid, the floor can be built high, He Xiangdong is optimistic about Li Geng's future.

As for his other apprentices, He Xiangdong screened them and found that they were not as good as these three people, although he valued the second child very much, but that was because the second child had a very stable personality and was very stable in doing things.

When it comes to cross talk, although the second child's cross talk is also very good, he is a little too upright, and he is a compliment, and it is difficult to be popular.

As for the four and five, these are all children, and they are too young. Chen Bo is also good, he is okay in all aspects, he is relatively balanced, there are no weaknesses, but there is no particularly conspicuous place, so it can only be observed.

Gao Ganglong is now enlightened, He Xiangdong believes that as long as he cultivates it well, this kid can be a very good cross talk actor, but if he wants to be popular all over the country, He Xiangdong doesn't think he has this possibility.

As for Xiaolong Xiaohu, these two children are also talking about cross talk in the small theater now, and their talent is good, but it's just good, and they are too far from the big red.

There is also the cadet class, the two best people in the cadet class have been selected by He Xiangdong, and the others will be the mainstays of the Xiangwen Society, but they can't become the leader.

He Xiangdong said that cross talk is very good, his understanding of cross talk art is also profound, and his grasp of the audience's psychology is also wonderful, but when it comes to looking at people, he is a little worse.

In the future Xiangwen Society, there are really three leaders among He Xiangdong's apprentices, and they are the three cross talk artists who are really popular all over the country, but these three people are not the three people he is most optimistic about now.

He Xiangdong was all blind, without exception.

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