There are four performance styles of cross talk, handsome and weird. Many cross talk actors have to hone on the stage for many years before they slowly form their own performance style, He Xiangdong is nine years old this year, but it seems that the "bad" road is gone.

The formation of the performance style of cross talk actors has its own talent factors, as well as the result of market selection. Some actors are naturally very chic, and their performance style is down-to-earth and generous, and they have always persevered, and they have done a great job, and the audience loves them very much, such is the case with Master Hou Baolin, who is a typical representative of "handsome". Later, there were also those who changed their style, and of course the artist's performance depended on what his parents liked.

The typical representative of "selling" is Mr. Li Boxiang, which refers to the simple style and hard work, and Mr. Li often says "Today, my old Li sells hard work" when he performs on stage. In cross talk performances, some people say that they are not tired all day, and some people say that they are too tired to work in half an hour, which depends on whether they work hard or not.

Ordinary people mainly talk about it, and the strength consumed is not much, but if you say a whole paragraph of a whole paragraph, you will be tired and vomit blood, just like there are more than 30 sections of mouth work in "Eight Screens", and the general on-stage performance is only three or four paragraphs, and there is no full finish, otherwise the actors will be tired to death on stage.

Occasionally, there are programs that finish "Eight Screens" in full, but it is definitely not about the actor alone, it is often a large group of people backstage who take turns, one person says a paragraph, and no one can say it at once.

Learning to sing opera is also very tiring, especially with a particularly high key, just like "Called Xiaofan" in "Shiro Visits the Mother", Peking Opera and Bangzi both have this fold, and they both have a Ga tune, and the key is high.

"When I saw the princess stealing the arrow, I couldn't help but be happy in the palace and stood at the palace gate...... It's called Xiaofan. "The tune is to climb up one level at a time, especially to the end of the "called Xiaofan", here is a gaga tune, the voice has to go up an octave, and the artist has to sweat beads on the door after singing, especially hard.

The typical representative of "weird" should be Ma Sanli's old cross talk, and the performance style of Ma Pai cross talk is indeed very distinctive and unique. Tepid, not salty, not light, not meat or vegetarian, just like chatting with you as casual and natural, without the slightest trace of performance, often like chatting with old friends when the cross talk is finished, the realm is quite good, even in Tianjin, this cross talk nest has unparalleled influence, there is a saying of "no faction is not a horse".

The status of the Ma family in the cross talk world is also quite transcendent, needless to say, Mr. Ma Sanli, no one who listens to cross talk does not know Ma Sanli, who is also the fourth generation of cross talk, the old gentleman of the Shou generation.

Ma Sanye's father is Mr. Ma Delu, one of the eight virtues of cross talk, and his maternal grandfather is the second generation of cross talk, Enxu, who performed for the Empress Dowager Cixi and received the royal gift of jade. It can be said that the ancestral masters of the Ma family, including Mr. Ma Zhiming, the son of Ma Sanye, known as Young Ma Ye, the descendant of the Ma School cross talk, are also master-level figures, which are quite remarkable.

Mr. Ma Sanli in the "Tianjin Anthology of Literary and Historical Materials" and "History of Chinese Cross Talk" both regard Mr. Zhang Sanlu as the first generation of cross talk, and it is rumored that Mr. Poor is not afraid to call Zhang Sanlu the master. However, this statement is quite controversial, and both Mr. Su Wenmao and Mr. Tian Lihe oppose this statement.

Because Zhang Sanlu has never stayed for a period of cross talk, he can't regard an artist who performs octagonal drums as the originator of cross talk, they think that Mr. Poor is the first generation of cross talk, and the author agrees with the latter point of view, so when writing, the first generation of descendants is calculated according to whether the poor are not afraid of being the first generation.

The ancestor and the originator of the mountain are different, and the ancestor of the cross talk door is not poor or afraid, but Dongfang Shuo. In the old society, the status of entertainers was very low, and a very famous and related figure would be worshiped as the ancestor in order to improve his status.

Just like the Liyuan Guild worships Tang Minghuang as the ancestor, it is rumored that Tang Minghuang was an avid opera enthusiast and often let the opera haiyu perform in a garden full of pear trees, which is the origin of the name of the Liyuan Xing. And this emperor not only listened to plays, but also wrote plays, and even sang on stage, and liked to sing harlequins the most. In the Qing Dynasty, Huang Wanqiu's "Liyuan Yuan" once said: "Every time the pear garden acts, the Ming Emperor also plays the stage to hide his true face." Only under the string performance, it is inconvenient to be called a minister, and about the system, so it is respected as the old man. Today, there is a Tang hat, which is called the old man's helmet, which is also this righteousness. ”

Of course, these are legends, and they can't be carefully verified, but it is true that Emperor Tang Minghuang loves opera, and he also composed the opera "Neon Clothes and Feather Clothes Song". Because it is rumored that Emperor Tang Ming loves to play harlequins, the status of harlequin artists in the opera troupe is particularly high in the old years.

There are boxes for performance clothes in the troupe, and one of the boxes contains the yellow python, phoenix crown, and nine dragon crowns that represent the royal status, and this box is not allowed to sit on anyone except the harlequin artist, no matter under any circumstances. And when worshipping the ancestors, only harlequin artists don't have to kneel.

Dongfang Shuo is because of the use of humorous and funny language to advise Emperor Wu of the Han Dynasty, so he was regarded as the ancestor of the cross talk artist, in the early years, there were cross talk artists to send a tent (send a pennant) to commend the will write "Man Qian's legacy" or "Man Qian is alive", Zhang Xueliang once hand-wrote the four big characters of Manqian's legacy to Mr. Zhang Shouchen.

The typical representative of "bad" is Mr. Hou Yaowen, the third son of Mr. Hou Baolin, known as Hou Sanye, who is smart and clever, and is also good at sarcasm. Of course, the more typical representative is my Guo male god, this is not explained, listen to the cross talk by yourself, everything is in plain sight.

The style of cross talk performance is handsome and weird. Fang Wenqi naturally didn't care about He Xiangdong hurting him on stage, saying that the so-called rules of cross talk are that there is no size on stage, and there are rules off stage. On stage is a performance, everyone is an actor, there is only a difference between the plot characters, and there is no difference in status. After stepping off the stage, the master is still the master, the uncle is still the uncle, the young and the young are orderly, and the rules are still heavy.

Since Master didn't mind, He Xiangdong continued: "Actually, my Master's greatest virtue is that he loves to help others. ”

"Huh. Fang Wenqi looked at him obliquely, anyway, he knew that this kid didn't hold back any good words.

He Xiangdong didn't care so much, and continued: "People come to my master if they have any difficulties, and there is no disagreement as soon as they speak, my master goes to the restaurant for lack of cooks, red cases and white cases, and he doesn't charge money when he works all day." ”

"Friend. Fang Wenqi agreed.

He Xiangdong said: "People are too busy building houses to ask my master for help, and my master has nothing to say, so he went immediately, helping to pick and build, nothing else." ”

"That is, everyone has difficulties, and they help in difficult times. ”

He Xiangdong continued: "Yes, there is also a broken urine test machine in the hospital, please ask my master to help, my master has nothing to say." ”

"Huh?" Fang Wenqi exclaimed.

Several people in the audience also held back a bad laugh, and they couldn't hold back anymore.

"The machine is broken, what are you looking for me to do?" Fang Wenqi still wondered.

He Xiangdong reminded him: "You are not a chef in a restaurant, that taste must be good." ”

"Drink?" Fang Wenqi's eyes widened.

He Xiangdong made a gesture of holding a cup with his right hand, put it in front of his mouth, and blew it gently, exhaling~

Fang Wenqi hurriedly interrupted him, and said with a look of disgust: "Okay, don't blow it." ”

He Xiangdong said: "I don't think it's like this when I drink tea, I blow the foam on it." ”

"Oh, don't mess with tea. Fang Wenqi covered his eyes.

The people down there couldn't be happier.