Personal inspirational fantasy novel

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【Writing Principles and Skills】【Reading Effect】

(Theme idea) II================================II (Sense of Substitution)

(Character) II================================II (Sense of Expectation)

【Author】:(Plot)II================================II (Refreshing):【Reader】

(Rhythm) II================================II (Resonance of the Soul)

(Writing) ii================================ii

Today, I will summarize the posts that have been made in the form of charts, and 101 is unashamedly summarized as "101 Writing System Architecture", which is original, remember to indicate that it is from 101 Ha!

First of all, if the network is defined as a product, it is a "personal inspirational fantasy novel", this definition is placed at the top of the system architecture, which is fundamental, if you don't know the product function, it is equivalent to creating a fishing net to sell to people who want to fish, all for fishing, but people want to fish, you make a fishing net is biased. Pen % fun % Pavilion www.biquge.info

Writing will deviate from the direction, so it's very important.

Secondly, if the process of a novel from creation to reading is expressed in the way of the process of product production, then its producer is the "author" and the consumer is the "reader".

The raw materials that the author uses to produce the product of "novel" are "subject matter", "character", "plot", "rhythm" and "writing".

The reading effects pursued by readers include "substitution", "expectation", "refreshing" and "soul resonance".

Thirdly, in order to satisfy readers, as a producer of novel products, the first step is to understand the reading needs of consumers (readers), so the author should first understand the effect principles of "substitution", "expectation", "refreshing" and "soul resonance", in other words, "product standards", such as color, size, weight, practicality, etc.

Finally, we began to use the five major materials of "theme creativity", "characters", "plot", "rhythm" and "writing" for processing and manufacturing, with the aim of creating products that satisfy consumers.

And how to satisfy readers and write good-looking novels, it is necessary to start studying the above five major material fields, and make up for which one is missing, and a number of process standards can be refined in each major field; of course, no matter how the process standards change, the final focus is still on the four major reading effects that readers are pursuing.

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So, why did 101 formulate such a structure, in fact, 101 has always felt that the principles and skills of online writing are not systematic, east and west, very messy and trivial, newcomers don't know how to master it, learn to make it cool today, learn to substitute tomorrow, learn to look forward to the day after tomorrow, and can't figure out the relationship between them at all.

Then according to the 101 system architecture, it is clear for newcomers to enter the industry at a glance, from top to bottom, first clarify the definition of each field, and the relationship between fields and domains, and then drill into it to learn specific things, so that it is advanced in a certain context, clear and effective.

Of course, there are specific skills under each field, such as "narrative technique" and "perspective" under the writing, and "suspense", "contradictions" and so on under the plot.

P.S. (101 used to be a foreign company to do process management, and when I have the opportunity to use excel files to make flow charts, it is convenient to share them with everyone as a writing template, and I will have time to enrich it slowly in the future!)

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Finally, in order to help you understand the above structure, the following is an analogy of the process of cooking.

For example, cooking

The reader is the customer, and he comes into the store to order

Let's make a recipe, right?

If there is a dish, it is called live roasted carp (book title)

The introduction (synopsis of the novel) is the carp on the table, or alive

Even if you don't eat it, you have to call it up

The name of the dish here is live roasted carp, which follows the theme and is intended to be novel

Well, after ordering

The reader should smell the smell, see the color, and taste the taste

If you can continue to whet your appetite before you eat it properly

This relies on a sense of substitution and anticipation

The sense of substitution is the identification with the characters of the book

If the carp is burned alive, it is too contrary to the harmony

Looking at horror, the reader can't agree with this taste, and there will be no interest in continuing to appreciate it

Recognition is the premise of being willing to taste

The sense of expectation is the initial test of the color and aroma of the dish

Smell the smell, look at the color, taste the taste, and if it makes your finger flutter, the sense of anticipation is definitely well done

The last feeling of pleasure is whether the customer is happy when the dish is officially eaten

Skill 4 elements

Tell us the secret to making a good dish

They are: ingredients, recipes, heat and experience

And the plot, the rhythm, the characters, the writing, the right seat-

Characters should be ingredients

The plot is the procedure

The taste of the ingredients themselves is certain

But when put into different plots (practices), it gives people a different feeling

It may not be too appropriate, but I think it can be a good match

Writing is experience

Experienced chefs and novice chefs make dishes different

The rhythm is the heat

If the foreshadowing is not enough, the heat is insufficient, and staying in a scene for too long is that the heat is old......

Well, to give this example, it is to illustrate:

1. We need to know what kind of food our readers like to eat

2. How to make a dish that readers love to eat

Now, we're more concerned with how to make a good dish

The plot ---- no choice but to read more books

Usually do a good job of accumulation, record new and interesting little jokes

There are 36 models of drama in the West

I've summarized some of the content about the plot, which you can add

1. Narrative and explanatory content such as background and setting

2. Foreshadowing (before orgasm)

3. Orgasm

4. After orgasm

5. Transitional plots

6. Types of contradictions

That's pretty much it, for example, if you say I won't explain the background, then look at the relevant bridges

Look at how the great god does it, for example, tomatoes are generally introduced by the father to his son

For example, if you say that I can't write climaxes, then look for the part where the scrap wood broke out

The climax of various books is analyzed together

There is a climax of literary drama, there is a climax of martial arts,

How is the foreshadowing done, whether it is a layer of foreshadowing or a multi-layer of foreshadowing.

Well, the plot expands so much first, and I'll add it later

figure

Character-related techniques include:

1. Personality and behavior settings

2. Character description (language, behavior and demeanor)

3. The will of the characters is embodied

……

Therefore, if these four skill elements are extended to study, many small skill elements will be extended

I hope you can try to use the architecture of today's lecture to organize the writing principles and skills you have mastered.