I haven't thought that plot innovation is a problem for 101 for a long time, but looking for a new classmate who reads the manuscript of 101, 9 out of 10 books are written about the protagonist's waste wood, and then faced a certain test, after being insulted by a rich child, a beautiful girl paper came out, and she had to be with the protagonist of waste wood in life and death. Pen "Fun" Pavilion www.biquge.info

101 I don't understand, is it that everyone has been brainwashed by "soybean meal"? Why are the plots conceived so similar? So much so that yesterday the rookie author was pointed out by me that the plot is old-fashioned, and he asked me how to write it?

I didn't say angrily: "You just write that the rich kid is the protagonist, and he was going to step on a certain scrap wood proudly, but the scrap wood broke out with some kind of hole card, and the rich kid was knocked over, and then the rich kid used the authority in his hand to investigate the hole cards of the scrap wood, and secretly got it, and even his beautiful sister paper was snatched over, and since then he has been rampant and domineering, and the fish and meat are ...... in the township."

As a result, the rookie author's eyes lit up, and he even said why he didn't expect it, so he went to write it excitedly.

This is of course a joke about 101, but it also reflects that readers have seen too much of a certain routine, and they can't wait to substitute into a certain villain, which is better than substituting into the protagonist of waste wood!

Having said all that, the following is a writing guide on my editor's cangcang**, sharing it with you may help you innovate and make breakthroughs.

In addition to mastering various principles and skills, writing a book also requires innovative thinking and extraordinary imagination, otherwise it is destined to achieve nothing.

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There are several ways to write the word hui

Many authors feel that it is not easy to seek innovation and change, and they are afraid that readers will not accept new ones, and they are afraid that readers will not be satisfied with them.

Actually, my thinking is too rigid to learn to see the world from a different perspective.

For example, when writing about divorce, everyone writes about divorce, and the reader is about to vomit when he sees it. It is nothing more than the woman withdrawing from the marriage, and the man is not satisfied, and he rises hard.

The point is that as an author, I don't want to use my brain, there is something in physics called the control variable method. The angle of entry is different, the variables are different, and the plot is different.

Marriage is a matter for two people, and it is also a matter for two families, or even for two people.

To put it simply, there are two variables, the male protagonist and the female protagonist, the male protagonist withdraws from the heroine, and the heroine withdraws from the male protagonist, there are at least two plots that can be written. You can also withdraw from the male owner to the female owner.,The female owner doesn't agree.,The female owner withdraws from the male owner.,The male owner doesn't agree.,The male owner plans to withdraw from the female owner.,Unexpectedly, the female owner preemptively proposed to withdraw from the marriage.,Otherwise, the female owner wants to divorce the male owner.。。。。

Playing with flowers.

It's a little more complicated.,The male owner withdraws from the female owner.,The female owner agrees.,But the female owner's parents don't agree.,The male owner withdraws from the female owner.,The parents of the female owner agree.,But the female owner doesn't agree.。。。

It's a little more complicated.,The male owner withdraws from the marriage to the female owner.,The female owner agrees.,The parents of the female owner agree.,The patriarch of the female owner disagrees.,Or the female owner doesn't agree.,The parents of the female owner don't agree.,But the patriarch of the female owner must withdraw from the marriage.。。。

Each level has several variables, and as long as there are small adjustments, the plot is different. At the level of parents, the male protagonist has parents here, and the female protagonist also has parents, and at the level of the patriarch, the male protagonist has the patriarch here, and the female protagonist also has the patriarch.

The routine is dead, the person is alive, or the elements of the plot are dead, and the combination of plots is alive. ‘

End of tongue twister~~