Chapter 152, the quintessence of Peking Opera, Jiangyang's new journey (ask for subscription)
The start of this issue is not particularly formal, and after the recording, Lang Kun regretted a little that he was rash at the beginning. In his original identification, Jiang Yang was definitely not so good, he wanted to teach Jiang Yang a lesson through Professor Ke Yao, and let Jiang Yang know that the history and culture are broad and profound, and it is not something that an eighteen-year-old boy can preside. But the result made him never expect that Jiang Yang was not only familiar with history, but also, citing scriptures, could complement Keyao, the sun and the moon together.
In CCTV, there are a large number of such hosts who are full of wealth and wealth, and they can do things like Jiang Yang, and Lang Kun knows that there is. But the youngest of those hosts are often around 30 years old, and the older ones are in their 40s and almost 50.
However, Jiang Yang, he is only eighteen years old, his future, his future is bright. The program that started was an open class for young students, Jiang Yang's positioning, as a young person, he can play with everyone, and make some more boring open classes such as history colorful, so that CCTV's ratings have been improved, and culture has been promoted, killing two birds with one stone.
After sending off Professor Ke Yao, Lang Kun invited Jiang Yang to his office, this young man had already passed the customs with him, and Lang Kun was very satisfied with the program at the beginning of the broadcast.
This time, the relationship between Jiang Yang and Lang Kun has undergone subtle changes, Jiang Yang is talking about the start of the program, including the program can invite ten representatives from major universities to ask questions, and in it, he will play more of the host's role in driving and adjusting, so that the speech will fly, and it will not be simple to make the initiative, Lang Kun agreed one by one.
Jiang Yang hopes that Professor Keyao can be invited again to make some corrections and modifications, and as long as the repair is completed, the first issue can be broadcast smoothly.
As for the publicity work in the early stage, of course, Jiangyang can't manage so much as a host, and it is completely handed over by Director Lang Kun to the functional departments below.
With his own program, Jiang Yang has become the host of CCTV, and he is officially suspended on the CCTV comprehensive channel.
The first issue is to invite historians, and then there will definitely be some cold technology directions, masters of Chinese inheritance art. In addition to songs, cross talk, sketches, which are relatively popular arts, on CCTV, it is the Chinese opera that is often promoted and promoted.
China's quyi has fallen into a state where there is no successor and is gradually lost, although CCTV has increased its publicity and promotion, and the program has been repeatedly exposed, it can be said that Quyi is a more traditional culture, and modern young people do not like it so much.
For one, it doesn't have the catchy, melodic style of pop music.
Second, it is often difficult to sing quyi, you need to have a good voice, and you need to have a teacher to guide you, and it is more difficult for ordinary people to participate in it.
Therefore, quyi has gradually become the art of a small number of people, except for some quyi families that have been passed down from generation to generation, ordinary people have very few opportunities to listen to it, so they go to learn.
Voice conditions, as a host, I have been practicing my voice and singing songs, and I can cope with it easily. Or, in terms of traditional quyi, I will also work hard, and after the official broadcast of the lecture, I will invite a quyi master to talk about the development of quyi in China and promote the quintessence of China.
As the host, Jiang Yang is actually the producer who has started the lecture, under the premise that there is no one to connect with CCTV, maybe the first few issues of the lecture will be started, and Jiang Yang will give advice, since he is a historian in the first issue, he will come to a quyi artist in the second issue, first put out his traditional cultural skills, and then play something, I am afraid that others will no longer suspect that he is young and incompetent.
So decided.
After thinking about it, Jiang Yang decided to learn quyi, in this regard, Jiang Yang didn't know any masters, but last time, because of the cooperation with Mr. Hu Yulin on the transverse flute and xylophone, Jiang Yang guessed that Mr. Hu, who lived in the capital, must know the master in this area.
Compared with Henan Opera, Qin Opera, and Hebei Bangzi, Cantonese Opera, Kunqu Opera, or Yue Opera, Jiangyang first wants to try Peking Opera.
Peking Opera is one of the five major opera genres in China, regarded as the quintessence of China, and is the "top of the list" of the three tripods of Chinese opera.
Peking Opera was originally Hui Opera, and later evolved, originally performed in the south of the Sanqing, Sixi, Chuntai, and Chun, the four major Hui troupes entered the capital one after another, they cooperated with Han artists from Hu Province, and at the same time accepted Kunqu Opera, Qin dialect part of the repertoire, tunes and performance methods, folk tunes, through continuous exchanges, integration, and finally formed Peking Opera.
Compared with other operas, which are mostly developed locally, Peking Opera directly opens the country and goes to the world.
In 2010, it was included in the Representative List of the Intangible Cultural Heritage of Humanity, and many foreigners began to learn Peking Opera.
As a descendant of Yan and Huang and a descendant of Huaxia Dragon, Jiang Yang has no reason not to learn the traditional quintessence of the country, but lags behind foreigners.
I made a phone call with Mr. Hu Yulin, who said that he would help Jiang Yang contact Mr. Mei Baojiu, and if Mr. Mei didn't want to accept apprentices, he would contact other people for him, and Jiang Yang said yes again and again.
When it comes to Mei Baojiu's name, even if Jiang Yang didn't learn Peking Opera in his previous life, it is like thunder. Master Mei Baojiu is Mei Lanfang's ninth child and the artistic successor of the Mei School.
"Farewell My Concubine", "The Drunken Concubine", "Mu Guiying in Charge", "Taizhen Gaiden", "Luoshen", "Xi Shi" and so on are all his representative works.
In the previous life, Master Mei Baojiu died in 16 years because of bronchospasm, and now in 06 years, he is still making unremitting efforts to promote Peking Opera culture, in his previous life, he accepted eleven apprentices, compared to the five apprentices who received in 13 years and did not learn too much essence from Mr. Mei, the six apprentices in front of him are also well-known in Peking Opera.
At this time, Master Mei Baojiu's apprentice is only one in 01, that is, Han Dongbai, and it was also at the end of March this year that his second apprentice entered the master's door, if he is lucky, Jiang Yang hopes to become his second apprentice, of course, this has to wait for Mr. Hu Yulin's thread.
CCTV started to speak, and after Professor Keyao took the time to come over on the third day, Jiang Yang and him, plus several student representatives, re-spoke and completed, and the first issue ended perfectly.
At this time, the overall effect of the lecture was much better than the previous one, Lang Kun was satisfied, Professor Ke Yao was satisfied, and the students on the scene also enjoyed watching it.
In the follow-up, just wait for the editing to be completed, CCTV will set the time, and it will be broadcast at a fixed time, and Jiang Yang will no longer wait. At this time, CCTV's Spring Festival Gala has entered the final countdown state of program collection, and on next Tuesday, it will enter the first trial, and after the third trial, the Spring Festival Gala of the Year of the Dog will meet with audiences around the world.