"Performing arts, what the hell is it?"

The café is just a place that Han Woo used to play with Kim Min-suk, or a place to lay out performances. Pen? Interesting? Pavilion wWw. ｂiquge。 After Info admits that Kim Min-seok is qualified to be his professor, Han Woo takes him to the place where the class is actually held.

The basement of an old building in Cheongdam-dong.

"Have you been exposed to acting theory before?"

Picking up the coffee from the table and taking a sip, Han Yu's slightly narrowed eyes looked particularly sharp in the dim light.

"Ah, in terms of performance theory," as a composer, Song Hyuk has also dealt with several cross-border actors, and barely knows a little bit of skin: "Stanislavsky or something......"

Looking tentatively at Han Woo, Kim Min-suk's voice gradually lowered.

"Your kind of classification is the division method of the former Soviet Union and the Chinese," laughing softly, Han Yu shook his finger: "Or, it is more appropriate to be the three schools of mainstream performance theory, Stanislavsky, Brecht, Mei Lanfang, to be specific, some people prefer to call it, experientialism, expressionism, methodology." ”

"Wow." With his mouth slightly open, he could hear the clouds and mountains covered in mist, and Kim Min-seok clapped his hands and praised with a lot of face: "It's amazing." ”

"The requirement of experiential party performance is to start from oneself and live in the situation of the character." Seeing the doubts in Kim Min-suk's eyes, Han Woo smiled slightly and explained in detail: "On the stage, in the life environment of the character, it is exactly as correct as the character, logically, and in an orderly manner, like a living person to think, hope, seek and act," stretched out his finger and pointed at Kim Min-suk, Han Yu made a final decision: "This is the experiential school!" ”

"That is, from the inside out, completely becoming the character itself?" As if he understood something, Kim Min-seok hung his head slightly, his eyes were deep, and he muttered to himself.

"That's right!" His ears were very sharp and accurately captured Kim Min-suk's voice, and Han Yu nodded approvingly: "You are indeed very talented, you can understand it so quickly." The ultimate goal of experiential school is that on the stage and on the screen, the actor is no longer the actor himself, but a living character in the eyes of others! ”

"And this is the most dangerous, because if the actor is too deep into the play, he can't get out of the frame of the role completely immersed," a pity flashed in Han Yu's eyes: "At that time, who did you say about him?" ”

"Is it an actor who plays a role? Or is it a character who is out of nothingness? ”

Kim Min-seok held his breath, his body unconsciously leaned back, and he only felt a cold sweat on his waist.

"The second way of performance is called methodism, and this method has something in common with Brecht's performance system, but it cannot simply be called Brecht's theoretical system methodology." Han Woo seems to be more concerned about this subtlety that ordinary people don't pay much attention to, and carefully reminds Kim Min-suk: "According to Brecht's proposition, the actor should be higher than the role, control the role, show the character in the play instead of the actor melting into the role, enter the role at any time, jump out of the role at any time, face the audience, if you leave, gallop freely." The actor and Orange keep their distance, forming a "double image", that is, the actor is both the actor himself and the character in the play, and it is the actor who uses superb acting skills to express the characters in the play. ”

"In other words, experientialism and expressionism are completely opposites, right?" Carefully pondering the meaning of Han Yu's words, Kim Min-seok asked with a slight frown: "One wants the actor to fit the role completely, and the other wants the actor to keep a distance from the character." ”

"Good question!" This is how it is to meet a student with superb understanding, and there are some things that you don't need to mention specifically, he can think of them himself. Han Yu nodded with satisfaction and said, "It should be said that the two methods still have something in common. Despite the demand for a "distancing" effect, Brecht still demanded that the actor be experiential, but in contrast to the equal status of the experiential actor and the character, the acting school demanded that the actor be absolutely superior to the role. ”

As for the method school, it is relatively simple, compared with the complete in-depth fit of the experience school, it requires the actor to at least meet the standard of the role on the outside, and there is a saying that "love is frozen in the fish and outside the star field". It seems that he doesn't respect the method school very much, and it may be that he doesn't know much about it, Han Yu didn't introduce it in detail, but just mentioned it in one sentence.

"It's the emotion that moves on the inside and the form on the outside." Listening to Han Yu's vague Chinese and pondering carefully for a long time, Kim Minshuo figured out the true meaning of this sentence and said it in a straight voice.

"Do you know Chinese?" His eyes lit up, and Han Yu looked at Kim Min-suk's gaze and really paid attention to it: "That's great, when you look for information in the future, I can let you watch more Chinese films." ”

"Well, you know all three ways to perform." With one hand on his chin, Han Yu straightened up from his desk and paced: "First of all, I want to state that there is no such thing as who is higher and who is lower in the three ways, only whether it is suitable or not, and whether the performance is good or bad." ”

It can only be said that, in contrast, the experiential school needs the talent of the actor the most: the talent of emancipating oneself, the talent of believing in the situation. The performance party actor has the highest requirements for self-control, and the method school is moderate, anyone can try it, anyone can get started, but to be proficient, without decades of skills, you can't get it at all. ”

"Having said so much, I don't know what kind of performance Teacher Han Yu will teach me?" Smiling slightly, Kim Min-seok looked directly into Han Woo's eyes without flinching.

"As I said, there is no high or low, only suitable and unsuitable." Han Yu's attitude was much more serious: "If possible, I naturally hope that I can hand over all three to you and cultivate an unprecedented and unprecedented all-rounder." But alas, that's not possible. ”

"The experiential and the expressionist are inherently in conflict, and the methodists are cunning to walk a dangerous tightrope between the two."

"For example," seeing that Kim Min-seok did not fluctuate, Han Yu sighed and raised a finger: "Song Kang-ho's predecessor, he is a relatively standard experiential school, every role can be truly integrated, and his acting skills are sophisticated and real, so he can be called the head of the troika of the Korean film industry." ”

"And the methodist, what I admire the most is the Chinese actor Chen Daoming," glanced at Kim Min-suk: "You learn Chinese, you should have heard of this gentleman, everything he plays is himself, but every role is so tasteful!" ”

"As for the methodists, Xue Jingqiu is a relatively unsuccessful example." With a little regret, Han Yu commented: "He is a typical person who uses too much force, does not grasp the distance between him and the character, goes too deep, is biased towards the experiential school, and he doesn't have such a high talent, so," shrugged helplessly, Han Yu joked: "If you don't go crazy, you can't survive, which is why Xue Jingqiu is called a drama maniac and can only succumb to the troika forever." ”

"As for you," walked up to Kim Min-seok who was sitting, Han Woo lifted his chin and looked deeply into Kim Min-suk's deep eyes: "Which way are you suitable for, which way to choose, you can only rely on your own enlightenment to see through." ”

"That's all for today's lesson, we'll see you next time." (To be continued.) )