The words were divided into two ends, Lu Shichen was recording here, and Zhao Geng and Yang Jicong went home on the other side and started hard training.

"What is Xiao Geng doing?" After Zhao Mingguang came home from work, he looked into the study and found that Zhao Geng did not surf the Internet in the study.

"He practiced in his room. Zhao Geng's mother Dong Ran said: "As soon as I came back, I practiced, and it has been two or three hours." ”

"Oh?" Zhao Mingguang touched his chin with a little beard, and said: "I asked him to practice the piano before, but he has only arrived at Qinglan Academy for a few days, so he consciously volunteered." ”

"Get some saltwater duck that Xiao Geng likes to eat tonight, and reward the reward. Zhao Mingguang instructed.

Dong Ran nodded and agreed.

"Duet in D major", a repertoire that requires the cooperation of violin and piano, can really be practiced alone, and Yang Jicong and Zhao Geng both have such an idea, first practice their own well, and then play together to pass the assessment when the time comes.

As for asking them to practice together, it is impossible, not to mention Yang Jicong, who is not very good-tempered, even Zhao Geng, who has a good temper, is now full of anger in his heart.

Can you meet Lu Shichen's requirements, to give the simplest example, for example, acting, in a lot of time, he holds the script and thinks about his own scenes, but people also have such a thing.

If the communication is insufficient, you can often see that the actor's skills are obviously very good, but it always feels like he is outside the play.

There is a not-so-obvious god: Chen Daoming, whose line skills are excellent in all aspects. But it's just too good, and the communication is insufficient. In other words, other actors can't take his play.

So often it feels, a sense of dislocation. In contrast, Wang Zhiwen, another person whose line skills are also so strong, obviously does not have this shortcoming, and he looks more comfortable.

These two little guys didn't follow the right way, but Lu Shichen continued to interpret in the right way.

"Bell" is a three-part song, and the theme changes its playing technique every time it appears, playing the melody with one hand while taking into account the control of the vibrato.

Lu Shichen did this to highlight the urgency of the bell and the effect of showing off his skills, of course, at present, it seems that the latter is more important.

Use the number of vibratos and the timbre and dynamics of the vibrato to create a variety of bells with different charms. The different numbers prescribed and the uniform distribution of trills change the rhythm into curved flowing water, swaying rhythms, and constantly changing bell curves like the nine songs of the Yellow River, which are full of emotion.

The trills of the left hand cater to the rhythm of the main theme of the right hand, and at the same time as the main statement is fast, there are more overtones, like the monastery bell standing quietly in the drizzle, like God's deep expectation for the world.

There seemed to be more silence in the bells......

In Liszt's tunes. Toning is a common technique, and it is generally found in the low register, such as Rigoletto, which is found in the Crazy 6 Western Madness. On the contrary, the bell appears in the high register, which is a more difficult setting.

Not to mention. He still pauses continuously, so the density increases. The difficulty is also doubled compared to the normal pause, and the tremolo at the top is used to make a strong sound. The technique of alternating two-hand vibrations is generally used, which is known as strong two-hand vibrato.

It's also a hassle here, and it takes a lot of slow practice to achieve evenness and strength.

Seeing that Yoshikawa Akiho, who was fiddling with the camera here, only felt a little, Lu Shichen was trying his best to increase the difficulty of the song.

"Paganini should really come and see it. Mozart felt that after watching Lu Shichen play, if Paganini also watched the violin concerto, he would be able to complete it.

Even if you can watch the video later, there is still a certain gap between the scene and the video.

The performance continues.

In the third section, the tone of the main melody turns again, the rhythm becomes more swaying, the complex changes are more violent, the left and right hands run rapidly, and the scattered groups of notes are concentrated through the rapid playing link to the passage of the colorful nature, and the alternating touch keys of both hands adopt the delicate non-linked touch key method, the fingertips touch the keys carefully and quickly, and then quickly leave the keys to make agile jumps of long-distance intervals.

This technique appears after the two-handed jump, and although it is only 2 bars, this place is still one of the most difficult techniques of Kanyuki.

A lot of people think that "The Clock" is nothing difficult, and Guy only has four minutes in total, but Liszt is a guy who has a lot of difficult tricks crammed into, like this super-fast chord group now.

To play to the right is not wrong for many people almost six or seven hundred days of training, the right hand not only has to be neat and accurate in the chords, but also very fast, this fast, this high speed is enough to kill, plus the left hand has a big jump in progress.

Therefore, it is extremely difficult, and in just 2 bars, the difficulty far exceeds the difficulty of any subsection in "Don Juan's Memory" and "Petruska".

Forget to mention that both Liszt's "Memories of Don Juan" and Stravinsky's "Pidruska" are among the top 10 most difficult piano pieces to play in the world.

"Fast group running, super fast chord groups, one-handed maximum interval staccato, melodic trills, high-speed finger wheeling, etc., these altitude techniques, LU actually compressed them all into these few minutes of playing. Mozart said: "Aside from LU's live performances that have raised the difficulty by several levels, the score alone is enough to become one of the most difficult pieces in the world." ”

"It's a different genre than Norma's recollections, but it's hard anyway. Baili had watched the live performance of Lu Shichen Norma's memories live.

In contrast, the piano music adapted from the opera is fast, fast, as if pouring rain, and Gatling suddenly goes crazy, while the latter is a violin concerto arrangement, so it takes a lot of techniques to play it with a lot of layering.

Everyone in the recording studio began to communicate in a whisper, first Baili said: "I have entered the third section, although it is not finished yet, but it obviously surpasses the performance of Jin En and Wen Ruiyu." ”

"It's either brilliant or crazy. Mozart's answer was to agree with Baili's words.

Baili continued: "I saw the foreign Xiurui network saying that there are no pure pianists in China, it is really short-sighted, Jin En will suffer the same experience as his teacher, and he was really hit by Huang Yelou's words, and the second one fell into the fish. ”

"No, Shi Chen, he won't be the second person. Zhu Lang said, and then threw out another point of view...... (To be continued......)