It was so exciting from the beginning, this is the bell!

The opening staccato is like a firefly in the night, how can it be described as a dazzling brilliance, it is not clear whether it is eye-catching, anyway, Mozart, Baili, Yoshikawa Akiho and others can no longer leave the sight.

The ordinary staccato and technique are very basic, the full name is staccato strumming, as the name suggests, it is the strumming that is broken between each note, but the opening of "The Bell" is different, its staccato appears in the high register.

It is a staccato of a very large interval.

It goes without saying that even if you don't understand the piano, you know that in the treble area, the mistake is obvious and harsh, and the most important thing is that this failure is extremely obvious, don't say that you don't understand the piano, even if you don't understand the music, it's very easy to hear.

It's like a computer suddenly malfunctioning and stuck, just like the author suddenly has a headache and a cold, just like the codeword is suddenly destroyed by the police.

Correct! This is not the point, the most important "Bell" jumps far beyond the limit of human hands, if you look closer, and then play it back in slow motion, you can see that Lu Shichen's fingers are running in a very abnormal way.

With this alone, it is difficult to achieve high accuracy without practicing for a considerable amount of time...... Well, this considerable time is converted into a specific time, which is several years.

By the way, the words are not finished yet, the score of "Bell" requires that the melodic voice sound be highlighted, in human terms, it is not only necessary to dance very accurately, but also a little more or less is not allowed, which is just like what Song Yu said is too long if you add one point, and if you subtract one point, it is too short.

Therefore, the opening of "Bell" seems extremely exciting to outsiders, but in the eyes of insiders like Mozart and Baili. It's like walking a tightrope, and I'm terrified.

"Lu Xiao, this is a bit too bullying. This opening alone has already made this "Bell" reject 80% of the pianists. Baili muttered quietly, and his fingers couldn't help but dance to the melody.

"It's like walking a tightrope in the air. It's still the kind of one thousand meters in the air, and it can still be played so well, and the main theme must be highlighted, and there are also big jumps with ornamental notes in some places, crazy imagination. Yoshikawa muttered in a voice that he could only hear.

"Objectively speaking, according to the score, although the opening of "Bell" is extremely difficult, many people can barely play it. The difficult thing is the performance of LU, which at least raises the difficulty by seven or eight notches. Mozart whispered.

Yoshikawa Akiho, Mozart and Baili, the three did not communicate, they all talked to themselves, but they all had the same point of view, and this "Paganini Great Etude" is far more difficult than the "Rohm High Technical Etude".

This is true of even one of the most difficult Sparks of Rohm's Virtuosic Etudes.

"Bell" is one of the top ten piano pieces in the world, the difficulty is self-evident, and it is important to note that he has one thing in common with the memories of Norma played by Lu Shichen before. That's compression, crazy compression.

Norma's memories are of compressing more than two hours of opera into ten minutes.

And in comparison, Zhong was not inferior in the slightest, and Liszt himself studied it for two years. Compressing Paganini's violin concerto "Bells" into more than four minutes, you must know that Paganini himself is a representative of the virtuosity.

In a nutshell, Liszt, the pervert, turned the piano into an orchestra.

Now Lu Shichen is going to reproduce such a scene. He's completely in a state of madness!

The following theme continues with the timbre characteristics of the piano's upper register, by breaking down the root notes of the octaves. All kinds of bells with different rhythms jumped out like elves.

The sound of "ding dong" when they collide with each other is also the core of the name. The crisp and melodious timbre of the piano's high register and the short and powerful sound formed by the pause articulation form a series of vivid and vivid bell ringing.

A sense of picture that is completely opposite to the shocking and fierce rhythm, just like an ancient and dilapidated monastery, an old man slowly rings the bell, and the laurel tree planted at the door has bent over and is overgrown with weeds, but the old man still hits the clock on time and on time every day.

"Boom!" "Boom!" ……

Each hurried bell reveals heaviness.

As I said before, the "Bell" on Earth was written by Liszt after watching Paganini's recital and then being undoubtedly conquered.

But there is one thing...... Mozart also noticed this, because during the recording of the radio, he did not dare to speak loudly, so he could only mumble to himself: "This is the real bell!" ”

Since the timbre of the piano is easier to imitate the sound of the bell than that of the violin, the effect of the bell is more pronounced, so in a way, Liszt's "Bell" is more powerful than Paganini's violin concerto.

Lu Shichen and Yoshikawa Mingbu's fingers are quite slender, but the latter is a simple thinness, a bit like a layer of skin on a bone, while the former is very beautiful, and it is not the kind of beauty that women have, and they know that it is a man's hand at a glance.

To say it without modesty, even if Lu Shichen doesn't play in the future and becomes a hand model, he will be able to become popular.

The theme is woven in the leaps of the sixteenth note long intervals, the agile jumps of the long intervals.

It is also necessary to highlight the theme melody, Lu Shichen's big finger is deep and continues to fall on the black and white keys with expression, his hand is close to the keyboard, and his fingers and wrists instantly become extremely soft, like a trickle flowing through the high and low ranges.

The most important thing is that Lu Shichen's fingers are not just soft, and when they "flow" through the black and white keys, their fingers quickly and firmly adjust their positions.

Even Zhu Lang, who was not so skilled at the piano, saw the difficulty, and then the rapid octave repetition, which was also not an easy technique, was found in measures 98-130, and the timbre was bright and contrasted with the heavy and rapid bells.

Every time Lu Shichen plays the piano, it is like a halo on his head, like a small golden wavy hair, delicate facial features, especially those eyes, as Hugo described in Les Misérables, the eyes are shining under the eyebrows, just like a fire in the thorn bush.

It is no exaggeration to say that a pair of wings for Lu Shichen can be an angel.

The melody is like a spiraling staircase, coming and going, repeating the journey over and over again, listening to it, it feels like falling into a complex, continuous labyrinth, losing the beginning and the end.

Lu Shichen held his fingers, wrists or lower arms firmly into a whole, and every time he played an octave, his fingers immediately flexibly departed from the key, and each finger seemed to dance ballet on the black and white keys, continuing to write the puzzle of the next paragraph.

It's really Nima so gorgeous that it falls off the scum, or that state where the scum has fallen out! (To be continued......)