(Today is the New Year, and it is about to be the first day of the Lunar New Year, so I would like to give you a New Year's greeting.) I wish you all a happy new year, all the best, and a happy family. Haha, look at the words of the Spring Festival Gala code, write a little, rest assured, the New Year is over, it will be updated, I wish you all a good year, by the way, ask for a red envelope reward, thank you for voting)

At half past two in the afternoon, the meeting continued, but this time the content was somewhat material, a group of "big brother" figures, led by Chinese collaborators, talked about their own opinions on the field of literature they are good at, and some also talked about some far-sighted ideas on the future development direction of modern Chinese literature.

Maybe some of the young writers here have already heard these contents in their ears, but for Ye Chen, it is a supplementary lesson.

Since I woke up from that sleep, I found that the world has lost Jin, Gu, and Liang, "Fairy Sword", and "Journey to the West", and the world cultural order has been revised. At the beginning, he would also have thought, consciously or unconsciously, whether these many things were gone, and whether the 5,000-year history of China's literary development had also been revised.

It turns out that the development of world literature began in the pre-Qin period, that is, the legendary Three Emperors and Five Emperors, Xia, Shang, Zhou, Spring and Autumn, and the Warring States period to the period before the Qin unified China, which was the beginning of the ancient Chinese civilization. As the beginning of ancient Chinese literature, pre-Qin literature evolved from oral literature in primitive societies to myths, legends and ballads, to poetry and praise in slave societies, and finally to prose and Chu ci in the embryonic period of feudal society.

After Qin unified China, it was thousands of years of division, merger, re-division, and re-merger, and experienced several prosperous eras, "Qin Emperor Han Wu", "Tang Dynasty and Song Ancestor", and each prosperous era had a very prosperous literary genre. Like during the reign of the Tang Dynasty, poetry flourished, and modern Tang poetry was passed down from generation to generation and was catchy. Later, during the reign of the Song Dynasty, the "sister" literary genre of Tang poetry, Song Ci, emerged, which has been passed down to this day. Later, in the prosperous era of the Yuan, Ming and Qing dynasties, there was a cultural feast of "Yuanqu Ming and Qing novels".

After listening to the eloquent talks of literary masters, he has a general understanding of the history of the development of Chinese literature in the world in which he is located today. There was no cultural fault line in Chinese literature before the Republic of China, and the historical development was still the same as in the impression, with the four books and five classics, the four famous works, Tang and Song poems and the wheels of history rolling together. However, since the Republic of China, there has been a fault line in literature, and only then has Ye Chen's current literary world background.

In the afternoon, the time of the meeting passed, and the first day of the meeting passed peacefully.

At nine o'clock the next morning, the last day of the Chinese Young Writers Literary Summit continued at the Beijing Auditorium.

It was this morning that the most exciting and important part of the meeting came.

In the morning meeting, it was the representatives of writers in the major literary fields who spoke, whether it was Zhou Guoguo, who won the "Maoton Literature Award", or Liu Cixin, a science fiction writer who won the "Hugo Literature Award", and others, all of whom were named by the host of the conference to deliver speeches according to the list.

These people who have been named to speak are all the outstanding young writers in the major literary fields today, and they are the pillars in the middle. After these people have made literary discourses in their respective fields, other young writers who participated in the conference can use them to express their personal opinions and engage in literary discussions.

As one of the highest-level literary conferences in China, the Chinese Young Writers Literature Summit naturally gathers elites in major literary fields, such as traditional literature, fairy tales, history, science fiction, military, martial arts, and so on.