Zhang Tianyuan turned on his computer, called up the email sent to him by Pipiru, and found that there were three cents in the email.

The first is the "Museum Management Measures", the second is the "Imperial City Museum Management Measures", and the other is a letter of recommendation, in which Pipiru introduced Zhang Tianyuan to a capable person, who has rich experience in the field of private museums, and can be contacted.

Of course, Pipiru said in the letter: "If it is inconvenient for Zhang Gongzi, you can call me, and I will help Zhang Gongzi contact me." ”

Look at how considerate this person is, this is the benefit of having a background and a relationship, if Zhang Tianyuan has nothing to do with the Nie family, this Mr. Pipiru is afraid that he will not be so positive.

Generally speaking, the procedures for individuals to open museums vary from place to place, and for those that are unified across the country and the imperial capital, they should consult the museum department of the provincial cultural relics bureau in other places.

The imperial capital, at the feet of the Son of Heaven, after all, many things are different, but Zhang Tianyuan and the museum are ready to be placed in the imperial capital.

It's very simple, if you want to be big, then you have to put it in the cultural center of China, and the imperial capital is such a place, not to mention that you look at the British Empire Museum and the Louvre Museum in Paris, which are not all in the national capital, naturally have their special benefits.

In fact, it is not complicated to apply for a museum by a private individual, as long as you have a fixed location, sufficient funds, plus collections that are in line with the purpose of the museum, find suitable management personnel, and meet the safety conditions, this is fine.

For this, even if Zhang Tianyuan hadn't studied it before, he would have thought about it. You don't even have a place. So what do you want to do with museums? Do you really want to learn from a leather bag company? You can't just put things on the road for people to visit.

Besides, even if it's okay. One day is fine, but what about two days? What about three days? What about rain, what about snow? You can stand it. He can't stand the collection and the tourists.

Where is the specific location of this museum, how big the exhibition hall and warehouse are needed, this is the auditor's final say, but under normal circumstances, as long as it is suitable for the other party's release, the requirements are not very high.

Let's talk about this fund, as the so-called clever woman is difficult to cook without rice, you don't have the money to run a museum, don't say anything else, you may not even have the fees to pay for the application. Then you don't need to review it, just don't figure it out.

Although it may not require a lot of money, at least it must be able to maintain the normal operation of your museum, otherwise you will not do it for a long time, and the government will waste time to get you this and that, which is not only a waste of social resources, but also a waste of other people's precious time. You may have done more for others.

Speaking of this collection, there must be a basic quantity, and it must be systematic, and it doesn't matter whether the value of the thing is high or not. The point is, you can't let tourists come and see nothing.

Whether it's a matchbox, a flower card, a car, a debris, etc., as long as you feel that your object has a certain appreciation value, it can attract tourists. That's enough, whatever it is. The key is to have.

There are also museums abroad that specialize in women's stockings, although this thing may not be easy to get in China. But after all, there are also a number of systematic things, and you can also apply for museums.

In fact, even clothes, farm tools, and even stones that are considered worthless can be used as collections, it doesn't matter, the important thing is that you are happy, the important thing is that you have something, anyway, it is your money that is spent, and the government does not have the leisure to care about you.

When it comes to management personnel, this is actually not a requirement, now the company recruits a random person, then you have to graduate from college, even if you are not a college graduate, then you have to have relevant technology and experience, right?

Don't underestimate museums, museums are also a technical job.

You have to have someone who knows this knowledge to be at the helm, especially a genuine antique museum like Zhang Tianyuan, you also have to have professional maintenance personnel, otherwise, who is it if the antique is damaged, so what's the point of Zhang Tianyuan getting these things back?

The reason why he wants to exchange these things back is not for spoilage, but for good protection.

Finally, let's talk about this security measure, which is needless to say, Internet cafes now pay attention to meeting the safety conditions, and the museum is naturally the same for the safety of tourists, and the other is also for the safety of cultural relics.

"Alas, this can't work!" Zhang Tianyuan suddenly slapped his head and said with some annoyance.

"What's wrong, what's wrong?"

"Mengmeng, you see, it is said here that the name of the museum is generally not allowed to be named with the words 'China', 'China', 'country', etc., or abbreviated as 'China'; if it is really necessary to bear the word 'China' under special circumstances, it shall be examined and approved by the Office of the Central Organization Establishment Committee in conjunction with the administrative department for cultural relics under the State Council. The name of a non-state-owned museum may not be titled with the word 'China'. I still think of a tall name, how boring it is without the word China. "Zhang Tianyuan obviously has not completely passed the second phase of secondary school.

He thinks that the whole big China XX Museum is very magnificent and awesome.

"This is probably for fear that some private museums will dare to do bad things in the name of the country, if you don't let it be used, you won't use it, now not many people on the Internet like to call China the Celestial Empire, you get a Celestial Empire XX Museum, isn't that also very high?" Liu Mengxun said with a smile.

"Celestial Empire, ahem, this is a bit too middle-of-the-second. Zhang Tianyuan smiled bitterly.

"Oh, don't worry about the name for now, you can figure out the rest first, think about the name slowly, it's too late. Liu Mengxun said.

"Yes, if you really can't ask Mr. Li, he is a contemporary Confucian, he should be able to come up with a better name, this museum is my disgusting work, I can't be ridiculed because the name is too bad." Zhang Tianyuan is still very concerned about the name of this museum, and he can't be too casual, after all, this may be the proudest thing he has done in his life, and he must not come nonsense.

"Husband, look, the curator is required to have a bachelor's degree or above and more than two years of experience in museum management, or have expertise in related fields;

"What a simple answer, didn't Elder Wang promise to help me? Wang Zhengjun Wang Lao probably doesn't know this person, right? This person is a real cow man, he actually has a private museum, but the collection is mostly some damaged antiques, and the number is limited, the reason why he proposed to let me get this museum is that he really thinks that my museum has a future, and he is even willing to give up his own museum. He is a top student of Imperial Capital University, he has more than ten years of experience in museums, and his apprentices are all college graduates, or many of them are apprentices who have followed him since childhood, at least four or five years of work experience, if they are all dug up, then there will be no shortage of people in my museum, hehe. Zhang Tianyuan said with a smile.

"Is Elder Wang really so powerful?"

"No, I used to love to read his books, and I put those books by the bedside, two of which he wrote. ”

"Tell me, this person looks like a man with a story. Liu Mengxun suddenly became interested.

"Okay, I'll tell you about it. ”

"I'm a loser and pick up rags, and I can't afford to play with the whole thing, so I play with the pieces, which is called painting cakes to satisfy hunger. Wearing a white cardigan and a pair of black round cloth shoes, and playing with a piece of blue and white fragments of the Yuan Dynasty in his hand, Wang Zhengjun often teased himself like this.

Wang Zhengjun's public position before retirement was the director of the Shaanzhou Provincial Cultural Relics Bureau, a real old cadre, but this official is big, but he is not very famous, but he has a more well-known title: director of the Qinling Cultural Fragments Museum in Shaanzhou.

This private museum in Xifeng Xiaozhai has a rich collection, including nearly tens of thousands of ancient fragments, broken clay pots, broken jade and so on from the Shang and Zhou dynasties, Qin and Han dynasties, Tang and Song dynasties, the Yuan Dynasty, the Ming and Qing dynasties.

"Looking down at these broken porcelain tiles, you can spell out a complete history of ancient Chinese ceramics. Wang Zhengjun was full of words.

It's no surprise that Wang Zhengjun fell in love with collecting. The Wang family in Xifeng was once a "wang family" who lived in the mansion, his father Wang Zhenfeng returned to China in his early years, opened the first travel agency in Xifeng, and was still a well-known collector, Wang Zhengjun was a child on antiques are not uncommon.

But in "that special era", almost all the antiques in the house were smashed. The only remaining official kiln porcelain was also sold by him to a big director in Hong Kong in the early 80s of the last century. With the 10,000 yuan foreign exchange coupon for selling antiques, the family bought household appliances, "At that time, I thought that the tape recorder was much better than the official kiln porcelain." It wasn't until the director sent him a magazine that he saw that the more than 20 pieces of the magazine with a price tag of hundreds of thousands of yuan or even millions of yuan were all from his family, Wang Zhengjun was immediately dumbfounded: "I'm really a loser!" From then on, he began to visit the stall to find old porcelain, and vowed to learn ceramic identification.

And Wang Zhengjun's fascination with fragments stems from his father-in-law.

One day, the old man took out a small wooden box, which contained twenty or thirty pieces, all of which the old man picked up in the Forbidden City. The old man said. Playing with these exquisite fragments is "like touching history", and Wang Zhengjun has been addicted to picking up fragments since then. "My grandfather is collecting, my father is smashing, and I am picking up. He summed it up this way.

Initially, he went to the Yunju Temple in the imperial capital, the Guanzi River in the Forbidden City and the Fuhai in the Old Summer Palace to pick up, but later, he simply set his sights on the garbage dump. He drove a "noodle car", tracking the muck truck all the way from the construction site to the Sihezhuang garbage dump, with a broken straw hat on his head, broken sneakers on his feet, woven bags on his shoulders, and a two-toothed rake bent from thick wire, picking up broken things in the garbage heap. (To be continued......)