Lin Xiaoling's "Coming Home" is in post-production and is ready to be screened at the film school to listen to the students' opinions. Pen × fun × Pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

This is a tradition of the film school.

Due to limited funds, it is impossible for her to go abroad to do post-production like Jiang Wen, so she can only edit in China, fortunately, she did not overspend, and the remaining money is enough for the crew to have a final meal.

The film's documentary style doesn't need to be too fancy, as long as the story is told completely.

This is Lin Xiaoling's first film directed independently, and "The Two of Us" is equivalent to a student work, with Zheng Dongtian in the back.

After honing in the films "The Two of Us" and "Spring in a Small Town", she has clearly found her own way of expression.

At the end of June, the weather is hot and humid, and the film school holiday is imminent.

Lin Xiaoling, Xu Jinglei and Liu Lin walked on campus, reminiscing about their past campus life.

Unconsciously, it has been a year since they graduated from film school, and they have stepped into society, and only they know what it is like.

Xu Jinglei has become a first-line actor with "Carry on Love to the End", and she has emerged among young actors, and from time to time students will come up to her to ask for autographs.

They are all juniors and sisters, and she will not refuse.

In comparison, Liu Lin is a lot lonely, except for a few acquaintances, there are very few people who know her.

This is the reality, you may not notice it when you go to school, but once you enter society, the gap will gradually widen.

Especially in a place like the entertainment industry, some people will be popular all over the country, and some people will be unknown.

Now, Liu Lin signed a contract with Haomeng Company and became an actor under the company, and will play Zhang Jiayi's wife in "Borrowed Gun", one of the two heroines in the play.

Her image is mature and beautiful, and she is suitable for starring in film and television dramas with the main theme.

In "Borrowing a Gun", she played Zhou Shuzhen, a famous drum book artist in Jinmen, who closed the mountain after marrying Zhang Jiayi.

Therefore, she has to learn the drum book for half a month, and she doesn't need to sing well, but she must look good and have a full aura.

Just like Zhang Jiayi originally learned cross talk in the play, he must practice a few crosstalk passages, such as "Reporting the Name of a Dish" or something.

Liu Lin read the script, this drama is mainly supported by Zhang Jiayi, her role is relatively dull, and there are not too many flashpoints.

The role of Zhou Shuzhen and Wang Cuiping in "Latent" cannot be compared, Wang Cuiping and Yu Zecheng complement each other, and Zhou Shuzhen is more like a foil.

Despite this, Liu Lin still seriously pondered the role.

Others have given you a chance, if you don't know how to grasp it, then maybe there will be no next chance, play this role well, and there will be the next role waiting for you.

If it weren't for her outstanding performance in "Coming Home", it would be impossible to participate in the filming of "Borrowed Gun".

Lin Zixuan likes to take care of the actors in his company, and will provide them with acting opportunities, such as Zhang Hanyu and Fu Biao will play important supporting roles in "Borrowed Gun".

Every play is a grind, and when he feels that it is almost over, he will let this actor take the lead and play the leading role.

A company has limited resources, and it is impossible to be fair to every actor, and there is no absolute fairness in this world.

Lin Zixuan likes the kind of actor who is willing to work hard, and every play has progress, and such an actor has a future anywhere.

He watched the film "Going Home", and Liu Lin's performance was in place, showing different images of the characters.

She is a prisoner in front of the policewoman, she is a daughter in front of her mother, and she feels like a sinner in front of her stepfather.

can show the inner activities of these three images, which shows that this actor is very malleable.

Lin Xiaoling has a certain reputation in the film school, but there is no way to compare it with those big directors, not to mention that there will be influential figures in the film school every year.

After a year's absence, those freshmen may not know who Lin Xiaoling is.

The screening of "Going Home" did not cause much of a sensation, and most of the students who came to see this film came for Xu Jinglei.

The film is 90 minutes long and has a standard three-part structure.

The first 30 minutes tell the story of 1980, the middle 30 minutes talk about the process of the policewoman sending the female prisoner home, and the last 30 minutes take place after returning home.

This is a complete story, with a beginning cause, a foreshadowing in the middle, and a later **.

In fact, this film has always been dull and bland, nothing **, even when the feelings intensified at the end, it was very bland, and a few faint sentences explained the past.

Although dull, the film is very full of details, and there are no too deliberate arrangements or pretentious scenes.

Everything seemed so real, like what was happening in life.

Some students can't stand the first 30 minutes of life.

In this reorganized family, there are often quarrels over trivial matters, and parents are maintaining their children in their own ways, and they are also dissatisfied with each other and tired of life.

It is extremely life-like to show the daily state of an ordinary family.

If you can get through the first 30 minutes, the next 30 minutes will be a long journey home.

In the cold winter, the female policeman took the prisoners to walk non-stop on the streets of the capital, and by helping the prisoners solve small things, they resolved the panic and confusion in the hearts of the prisoners and narrowed the distance between them.

This kind of shooting will make the audience very tired to watch, and the audience wants to see the conflict after the prisoner returns home, rather than the process on the road.

After an hour, the female prisoner finally arrived home, and it was her stepfather who opened the door.

The moment he saw the female prisoner, the stepfather was stunned, but he still let the female prisoner into the house.

Just when the audience thought that the next episode would be a big drama with an emotional outburst, what they didn't expect was that the plot below was still very bland, without jumping into their mother's arms and crying, and there was not much emotional exchange.

Rather, it is restraint and forbearance.

The mother wants to care about her daughter, but she is also worried about the psychology of her stepfather, who has been in prison for many years and is no longer good at expressing her feelings.

They cared about each other, but they didn't know how to express themselves, they just answered each other in the most ordinary and simple words.

If it is the kind of sensational film, this scene is the time of tear-jerking, allowing the audience to vent the emotions that have been suppressed.

But Lin Xiaoling just recorded the story of this family in this calm and objective way, without big ups and downs, ** and one after another.

Fortunately, in the end, the stepfather and the female prisoner reached a reconciliation, and the family was able to continue, and the audience could breathe a little sigh of relief.

After watching it, the audience was generally in a heavy mood, and instead of getting pleasure from watching the movie, there was a kind of depression that faced the reality of a bleak life, and worried about the family's future life.

This is the feeling that students at the film school have always been worried about, and they can't let go of it in the end.

This is the difference between literary films and entertainment films, entertainment films make the audience relaxed and happy, and literary films give the audience heaviness and thinking. (To be continued.) )