After the video is played, the following is the time to communicate with the students. Pen @ fun @ pavilion wWw. ｂｉｑUｇE。 ｉｎｆｏ

The students raised a more pointed question, with some arguing that the plot of the film was too protracted, and that a 30-minute documentary would be stretched into a 90-minute film.

Some people feel that the image of the female policeman in the play is too positive and not real enough, and this arrangement is suspected of being deliberate.

Some people also put forward different opinions that the film is too dull and the color tone is too gray, and they feel that the director deliberately shoots such a story with a cold attitude, which is a bit pretended.

There is criticism, and there is naturally also praise.

Regarding the procrastination of the plot, some people feel that it is precisely because of those inconspicuous details that the characters are fuller.

The policewoman is the only character in the film who feels warm, and without this character, the film would be even more gloomy.

Everyone's views on a movie may be diametrically different because of their different life experiences and personal preferences.

Some people think it's a bad movie, but some people watch it with relish, which is a normal phenomenon.

The director brought his own film to communicate with the students, just to hear more about other opinions.

Of course, you can't listen to all opinions, if that happens, the movie will be changed beyond recognition and a mess.

The first thing to make sure is that your movie can't please everyone, and second, to be clear about the positioning of the movie.

"Coming Home" is a literary film, and the consumer group of the film is those lovers of literary films, not all audiences, so they cannot follow the suggestions that ask for a faster pace of the plot.

In that case, it will be no different from a commercial film.

It's not that commercial films are bad, but then they have become four different, and they are not pleasing on both sides, so positioning is very important.

The director needs to know whether the film is going to be released in theaters or just as an underground film.

Without the role of a policewoman, it would be difficult to pass the censorship.

Those students who think that female police officers should not exist probably have no experience in actually making movies, and they don't know what aspects to consider when making a movie, so they do it exactly according to their own ideas.

Even in Hollywood, there are a lot of restrictions on making movies, and you can't be unscrupulous.

For those big directors, they know what they want to make and will not be swayed by the opinions of their students.

Just like Zhang Yimou, he will communicate with students, and he will accept suggestions that inspire him, and ignore other opinions.

When faced with criticism, new directors are often eager to defend themselves or doubt themselves, which is also a test.

In everything you do, your mindset is very important, even in the face of criticism, as long as you think that this is what you want, you must stick to it, and you can't look ahead and backward, which may be ruined.

Lin Xiaoling's mentality was quite relaxed.

Before coming to the film academy, this film was screened within the Good Dream Company, Lin Zixuan, Feng Xiaogang and others have seen it, and everyone has discussed the gains and losses of the film.

Compared to film school students, their views are more professional.

They are generally not optimistic about the box office of "Going Home", and it would be good for the audience to insist on such a dull film without leaving, but the film does have a certain degree of artistry.

In other words, whether it is popular or not, it will win word of mouth in the industry, but the audience will not buy it.

This is a common dilemma encountered by literary films, so how to make a profit?

If the General Administration is willing to promote it, it can raise the box office by chartering the venue, or sell it to the movie channel of Huaguo TV and broadcast it on TV.

The most common is to go to major international film festivals to win awards and sell films.

Commercial films have the mode of operation of commercial films, and literary films have a way out for literary films, like this kind of small-budget literary film, as long as the shooting is not too bad, it is not difficult to recover the cost, as long as you find a suitable way.

The only influential film festivals in the second half of the year are the Venice Film Festival and the Tokyo International Film Festival, and Lin Zixuan is inclined to Venice.

At the end of the exchange, the three of them left the film academy with an indescribable emotion.

Seeing those students is like seeing their former selves, they are not afraid of anything, they dare to say anything, they are sharp, they feel that they are the pride of the sky, and they have no scruples.

Perhaps only after a period of tempering in society will you know how to converge.

"These guys are not affectionate at all, am I so bad at shooting?" Lin Xiaoling complained.

"Okay, and those who say that my acting skills are not good, I'm used to it." Xu Jinglei said indifferently.

Since entering the showbiz, the media has had a lot of controversy about Xu Jinglei's acting skills, mainly because the actors who played with her were too outstanding, and it seemed that her acting skills were very average.

In "The Two of Us", she played against the old drama bone Jin Yaqin, who won the actress of the Tokyo International Film Festival.

In "Crouching Tiger, Hidden Dragon", Xu Jinglei, as the protagonist, was completely suppressed by Chen Daoming and Yu Feihong.

When it came to "Carry on Love to the End", her acting skills exploded, but youth idol dramas don't pay attention to acting skills, and the media and the audience don't care, a group of young actors, what acting skills can they have.

When I was just communicating with students, someone suggested that Xu Jinglei obviously did not have Liu Lin in "Going Home".

The two are classmates, and their fame is very different now, and in this movie, she is indeed not as good as Liu Lin.

"I took advantage of the role, let's change, you must be better than me." Liu Lin explained.

"Don't comfort me, you used to work hard in the class, you have a good foundation, I can be lazy, I will be lazy, and I will be wasted, and when I really want to learn, I will graduate." Xu Jinglei said helplessly.

"You should tell those juniors and sisters that you should take this as a warning." Lin Xiaoling quipped.

"How can I say this kind of thing, I'm an idol now, and I have to maintain a good image." Xu Jinglei said with a smile.

This is not a joke, she has received a lot of advertisements, and those advertisers value her youthful and healthy image.

There is a provision in the contract that once there is news that destroys the image, the manufacturer will not only terminate the contract, but may also claim compensation.

Negative press is a disaster for celebrities, involving issues such as acting contracts and advertising contracts.

Of course, the hype scandal does not count, that can be clarified, and it will not cause irreversible negative impact.

"I can't figure out how young people nowadays think, how they like the role you play, if they know what your life is like, they probably will be heartbroken." Lin Xiaoling teased.

"Are you jealous, is my life so bad?" Xu Jinglei said dissatisfied.

"It's not too bad, it's just a big grin, no heart and lungs, lost, not paying attention to dressing up, love to sleep lazy, don't like to cook......" Lin Xiaoling said.

Liu Lin watched Lin Xiaoling and Xu Jinglei sarcastically mock each other, and was a little envious.

In the entertainment industry, it is not enough to have acting skills, but also to pay attention to opportunities.

Xu Jinglei met Lin Xiaoling, joined the Good Dream Company, and participated in many film and television dramas, and this road went very smoothly. (To be continued.) )