Chapter 512: Director

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At the beginning of May, "Crouching Tiger, Hidden Dragon" was launched at Tianshan No. 1 Glacier.

According to the rules of Hong Kong and Taiwan, you must worship God when you start filming, bless the filming process smoothly, and the box office is a big hit.

Li Yu took the staff with incense and worshiped to the West.

This is due to the fact that the snow in the Tianshan Mountains melts into a river, and the water comes from the west, and the water represents wealth and should be worshiped towards the source of wealth.

After worshipping the machine, I didn't expect it to rain in the local area, the people were very happy, and said that you worship really well, and brought the rain, where there has been a lack of rain.

But for the crew, it's not worth being happy, most of the filming in Tianshan is on location, and it can't be filmed when it rains.

In particular, the colorful city needs daylight to shoot unpredictable colors.

The rain is only one aspect, the crew has just come to Tianshan, and many people have altitude sickness, chest tightness and headaches.

Li Yu has been living in a big city, and he has severe altitude sickness, and he has to take medicine to maintain it.

Since they had no experience shooting in the plateau, they were not well prepared.

There is also the question of the actors, the first shot was shot at the foot of the Tianshan Mountain, Luo Xiaohu looked at the sheep, Yu Jiaolong walked out of the Kazakh tent, and the two watched the sunset together outside the tent.

This was originally a very beautiful picture, but Zhang Zhen and Xu Jinglei, who played Luo Xiaohu, were not familiar with it.

The two are neither enthusiastic nor emotional, and the picture is not natural at all.

Zhang Zhen came to Beijing in March, and he had no problem communicating with mainland actors, but he didn't know him before, so he was a little slow to enter the play.

Li Yu didn't say anything, he wasn't in a good state.

The assistant director from the mainland called Lin Zixuan and told him about the situation, the actors couldn't act, and the director didn't talk much, and the crew was quite confused and didn't know what to do.

Generally speaking, when an actor is not acting well, the director should talk about the play and guide the actor.

Moreover, this is a mixed crew from both sides of the Taiwan Strait, not Li Yu's own team.

In this case, the director should show his skills as soon as he comes up, show two brushes, and convince everyone, so that he can lead and dominate, otherwise the people below will see that the director is incapacitated, and they will steal and play tricks.

Being a director is sometimes a kind of performance, and the performance shows people how you direct.

Some directors like to scold, maybe he doesn't really want to scold, it's just a means of deterrence.

Lin Zixuan told the assistant director that he could do things with peace of mind, and he didn't have to worry about what Li Yu would do.

Li Yan is also a big Hollywood director who has directed many films, this little thing can't help him, each director has his own style, some rough, some gentle.

But anyone who can mix to the level of a big director has two brushes, and it is not so easy to bully.

This filming may be unfamiliar to Li Yan, and there are many problems, but Lin Zixuan believes that this is all temporary.

There are five assistant directors in the crew, two from Xiangjiang, two from the mainland, and one from Baodao.

The assistant director of Baodao is Li Yu's assistant director.

The assistant director of Xiangjiang listened to Jiang Zhiqiang, and the assistant director of the mainland listened to Lin Zixuan, although Lin Zixuan did not follow the crew, he had to keep abreast of the filming progress of the crew and what happened in the crew.

This is not to say that Li Yu is not trusted, but that conflicts and disputes can be resolved in a timely manner.

Once the film is turned on, the crew spends a lot of money every day, and it is best to make everything go smoothly.

Li Yan's approach is to explore and observe clearly, so that he will know what to do next, and he feels that he can't set a boundary first, so that he can't play freely in the process of shooting.

The crew prefers to have a clear direction as soon as filming starts, and if the director and command are determined, it is convenient for everyone to work, otherwise they will be very confused.

Li Yu usually enters the state halfway through filming, and at least one-third of the filming does not have a look, and there will be bumps and bumps in front.

Do it, adjust the deviation, and have the opportunity to open up more creative space.

Fortunately, Li Yu is a big Hollywood director, although he doesn't look very reliable, and he doesn't have the posture of a big director, the crew is still doing their own work and preparing what should be prepared.

That's the credit issue.

If a rookie director does this, he will definitely be questioned, Li Yu has made a lot of films and won a lot of awards, this alone can almost stabilize people's hearts, at least there will be no immediate opposition.

So, the crew of "Crouching Tiger, Hidden Dragon" started work in this state.

After adapting to altitude sickness, Li Yu began to intervene in the filming of Wuxing.

In Xiangjiang, literary opera and martial arts are carried out separately, and it is difficult for literary opera directors to intervene in martial arts.

If you point fingers from the side, it is a layman who guides an insider, so that the martial arts will have no face, and there will even be contradictions.

In the crew of "Crouching Tiger, Hidden Dragon", the literary drama is directed by Li Yu, and the martial arts drama is controlled by Yuan Heping, that is, Yuan Baye.

But Li Yu is not worried about the filming techniques of Xiangjiang Wuxing, and wants to keep the overall style and content of the movie consistent.

It can't be said that the literary dramas he shoots have a literati atmosphere, and the actors are very elegant, once it comes to filming martial arts, the actors have become brave and ruthless, which looks like schizophrenia.

Therefore, he spent a lot of energy communicating with Yuan Heping and designing various actions.

When filming, it is divided into two shifts day and night, filming literary dramas during the day and martial arts dramas at night.

If he wasn't a big Hollywood director, it is estimated that those Xiangjiang martial arts would have rebelled long ago.

Even so, it made Yuan Heping quite helpless.

Li Yu is actually studying carefully, he has read martial arts books and visited martial arts masters, but he finally feels shallow on paper, and he only knows that they are two different things when he actually shoots.

His eyesight is not enough, and he can't see whether the actions of the actors and martial arts are in place.

For example, with a kick and a punch, the timing of the actor's reaction is just right.

It's not a real fight, watching the fists come over, and there is physical contact with the actor, but there is actually no strength, at this time, it depends on the actor's performance, whether there is an exaggeration, whether there is a correct reaction.

It is very important to take care of the proportions in this, otherwise it will make the audience feel fake.

This is not a comedy movie after all, and it does not need to be exaggerated.

The first martial arts scene of the crew was the scene where Yu Jiaolong flew up and kicked down the four bandits, and the big man who played the bandit was kicked to the ground by Xu Jinglei.

In Li Yu's opinion, the bandits flew up and landed on their backs, which looked quite good.

However, Yuan Heping didn't think so, the bandit seemed to be on his back to the ground, but in fact he didn't fall solidly, his legs hit the ground first, and he unloaded his strength, not a real fall, this person didn't work hard.

As a martial artist, you can't be lazy when doing things.

Now I also get a steel wire to help unload the force, in the eighties, Xiangjiang's martial arts fell from the second and third floors, all of them were desperately hard and hard, and they couldn't get up when they reached the ground.

Therefore, the Xiangjiang kung fu movies at that time were good-looking, and now not many people are willing to work so hard. (To be continued.) Mobile phone users, please browse and read, a better reading experience.