Lin Zixuan supports Zhang Jizhong to try, and any new thing is born in continuous attempts. Pen % fun % Pavilion www.biquge.info

Martial arts dramas in the mainland cannot follow the creative model of Xiangjiang martial arts dramas.

The life of Xiangjiang people is fast-paced, and the martial arts dramas filmed are also fast-paced and compact, but they pay more attention to the emotional entanglements that modern people are interested in, highlighting the emotional stories between the male and female protagonists and third parties.

Moreover, in order to pursue the maximization of profits, the scale of investment is often not high, the selected scenes are rough, and the production is not sophisticated enough.

In other words, the overall pattern of Xiangjiang martial arts dramas is too small, which is related to the regional culture of Xiangjiang.

If mainland martial arts dramas want to be better, they must work the pattern, show traditional culture in martial arts dramas, look at martial arts from a historical perspective, and give martial arts a sense of heaviness.

"The TV colleagues over there said that Xiangjiang's current TV stations rarely shoot martial arts dramas, saying that popular family dramas and professional dramas, martial arts dramas are outdated, and our martial arts dramas have just started filming, and they are outdated. Zhang Jizhong said with emotion.

"Take your time, society is developing fast. Lin Zixuan responded.

From what type of TV series the audience likes to watch, you can have a general understanding of the state of social development and the living standards of the people.

The 80s was the heyday of Xiangjiang martial arts dramas, the stars were shining, and martial arts dramas were like a dream, and in the 90s, the people of Xiangjiang paid more attention to reality, and urban themes became popular.

In particular, professional dramas such as doctors, lawyers, and police officers are the most popular.

The mainland also has a similar theme, and has filmed a lot of dramas about the police, but they are relatively not professional enough, and can only be regarded as urban emotional dramas, not professional dramas.

If the mainland wants to shoot a professional professional drama, I am afraid it will take a few years to do it.

In May, Lin Zixuan got a message from Wen Jun that Wen Jun planned to send "Sunny Days" to participate in the Golden Horse Film Awards held in Treasure Island.

The Golden Horse Awards in Baodao have always admired literary films, and this film has a great chance of winning awards.

"Sunny Days" was filmed in 94, but it was only 95 years before it got the opportunity to be released in the mainland, so it was able to participate in the Golden Horse Awards in 96 as a mainland film.

What's more, this film has investment from Hong Kong and Baodao, and there is no problem in qualifying.

Compared with the Xiangjiang film industry, which is still in its final glory, the film industry of Baodao has long been ruined by themselves and has become the box office of Hollywood movies and Xiangjiang movies.

This has something to do with the fact that they like to make niche literary films.

It is difficult for literary films to compete with commercial blockbusters, so they gave up the film market.

Without the market, the literary films made could not make money, famous actors were developing in Xiangjiang and Japan, the loss of film practitioners was serious, and the film industry on the island declined.

However, the Golden Horse Awards still have a lot of weight in Chinese films and have a certain popularity in Asia.

Founded in 1962, the award has a long history, and there is no geographical restriction in the selection criteria, and the selection is open to all Chinese-language films and Chinese-speaking filmmakers.

Due to various reasons, before the 80s, the Golden Horse Awards were mainly selected for films from Xiangjiang and Baodao.

With the easing of ******** and the stagnation of the film industry in Baodao, in the 90s, mainland filmmakers also participated in the competition for the Golden Horse Awards.

The Golden Horse Awards usually announce the nominees at the end of October, and the awards ceremony is held in December.

Although "Sunny Days" has already won awards at the Venice Film Festival, it is an honor to win a few more film awards, and there is no reason not to participate.

According to Wen Jun's analysis, the Golden Horse Awards also need weighty Chinese-language films to improve the standard of participating films.

The award is decided by a jury of more than a dozen film professionals, and is more artistic, with little emphasis on commercial or box office results.

"Sunny Days" is of high quality among literary films, and the Golden Horse Awards prefer literary films, so it is natural to win the award, which is a good thing for everyone.

Since Shu Qi joined the crew of "Endless", Wen Jun has come to the mainland more often.

As an agent, he has to protect the rights and interests of his artists, which is his duty.

Many Hong Kong and Taiwan artists are prejudiced against the mainland, thinking that the filming environment in the mainland is poor, the crew is unprofessional, etc., this phenomenon cannot be said to be absent, but it is rare, and it is more due to the different working methods of the two sides.

For example, in the mainland, everyone is more familiar with it, find a place to eat together after filming, talk about the plot and the following shooting plan, and talk about things after a meal.

Hong Kong and Taiwan artists will go back to the hotel after filming, rarely communicate, and the actors can't find anyone to rehearse, let alone talk about things.

They think that after filming, the rest of the time is my own, and you are looking for me to rehearse at this time, doesn't it take up my time, and divide work and life very clearly.

This makes mainland actors very uncomfortable, thinking that Hong Kong and Taiwan actors are too arrogant, they are all actors, why are they doing so much.

Ge You has worked with Hong Kong and Taiwan actors before, and those people are like this when filming, they are good when filming, and they do their own things after filming, and rarely say that let's go out for a drink and exchange feelings.

To be honest, he is not used to this way of working, he prefers to communicate with the actors in the opposite scene before filming, so that he knows the roots, so that he has a more tacit understanding when filming.

However, Ge You would not go to the hotel to communicate with Shu Qi, he was timid and afraid of causing misunderstanding.

The crew arranged a general hotel for Shu Qi, although there was no special car, but there would still be a car to pick up and drop off during filming, which was a good condition, and many actors lived in guest houses.

In order to let Shu Qi understand the working methods of the mainland crew, Lin Zixuan talked to her.

It's not that it takes up too much of her personal time, but it's an attitude, how to integrate into the crew, how to communicate with the mainland staff, which is good for future filming.

The character and way of doing things in the capital are that kind of self-familiar, either they want to take advantage or anything, or they are poor.

In order to avoid misunderstandings, Lin Zixuan emphasized that we are a regular crew, and there are no messy things.

Wen Jun should have explained these things to her.

This year, Shu Qi was only twenty years old, and the practice of returning to the hotel after filming can also be said to be a kind of self-protection, it is said that the entertainment industry in Xiangjiang is very chaotic, and actresses know how to protect themselves.

It's not easy to think about a girl alone in the capital and without friends around her.

While Wen Jun was in the capital, Lin Zixuan arranged for them to visit the capital, and also made a guest on a show.

This program is a new program cooperated by Mu Shanshan and Phoenix Satellite TV's Chinese Channel, called "Miramar National Trip". (To be continued.) )