This is a book review about the previous chapter, and I want to be a little more verbose. Pen, fun, pavilion www. biquge。 info accidentally exceeded 1,000 words, more than the prescribed 500, and simply opened a single chapter.

Friends who are not interested in literary accomplishment can directly skip and not watch:

Do you know what the author was thinking when he wrote the last chapter? I don't say it, you must not know that I think so much, and even if I do, it is only one in a hundred of what I think.

I'm so angry.,I'm used to writing this kind of ps after the end of the chapter when I upload the chapter.,I've written a few hundred words and it's over.,I didn't think the system would suddenly quit automatically.,An hour of blindness is still a trivial matter.,The problem is that the previous state can't be recovered.。 The rewrite is too much worse.

I have always believed that online literature is more literary, and only then can they develop the human-centered theory of words to the extreme.

This chapter has two neat sentences of fourteen lines each, but it is not a true sonnet, and in order to distinguish it, Shen Zhou deliberately chose fifteen words per line. When I got to this chapter, a special feeling came to me, and as soon as my mind moved, it was written like this.

It is not difficult to write in this way, and it is also very time-saving, and I consciously have a special presentation of the scene and atmosphere, eliminating the need to use too many descriptions to achieve similar effects. The use of this kind of writing in the novel is a deliberate attempt by Shen Zhou.

The prose with words and words is poetic, and the prose has its own poetic and picturesque rhyme, just like the background music must be in a modern movie.

The book has finally arrived at the much more expansive main station, and since it has come here, it has to take with it part of its predecessor.

This book will pay attention to this similar special cesium, these special cesium, that is, the literary special cesium, because this work, from, where does literature go?

In the book, of course – it's an old idea. Now the reality is - to the net.

From the beginning of high school, Shen Zhou never forgot that literary works must have both cognition, utilitarian and aesthetic effects to be good works. Shen Zhou will not ignore any indicator, and he is also very interested in the beauty of language.

In a purely written work, the literary beauty should be embedded in the readability of the sentences, and the approximate effect of film synthesis music should be achieved simultaneously in the flow of language.

As early as the primary and secondary school days before Shen Zhou refined the "true distance of language", he deliberately strengthened the tempering in this area, and intentionally hammered his words and sentences like his father hit a sledgehammer.

After all, a novel is a novel, and it cannot be won in the poetic language of prose.

Shen Zhou is boasting that this book "The Water Is Not Warm Moon" is a novel in a poem, and it is also a poem in a novel, and the poetic language and poetic imagination of prose are who relieves the confidence of Shen Zhou.

But we must be aware that this is by no means the mainstream of a novel, and too much poetry will weaken the necessary rhythm of the novel.

How to make the writing more beautiful but not more procrastinating greatly tests the author's wisdom in layout and word changes. Therefore, those obvious poetic language, Shen Zhou will try not to use it intensively, and would rather let such words spread all over the book, rather than ask them to gather too much together, and use the advantages of the group to compete with the traditional authentic novel language in the novel, which is not okay, Shen Zhou will not let this phenomenon grow.

how to grasp the poetic language and imagination of prose in the novel; and how to grasp the balance between kitsch and elegance in the novel, who solved the two big problems that Shen Zhou gave himself in this "Water Is Not Warm Moon".

It's good to have a problem, so that you don't write and you doze off.

The rare literary feature of cesium is where the collection value of this book lies.

Excited and impressed yourself first, then you have the courage to shout: Please collect it! Click it! Vote for a recommendation! And it doesn't cost anything.

Because of your support, Shen Zhou has the confidence to write more exquisitely.