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Mailing a Toshiba T5200C laptop to her boyfriend, Xiao Xiuxia's mood is extremely complicated - Xiao Xiuxia's complicated mood is not only from the guilt she felt when she was about to cuckold her boyfriend, but also from the fact that it took her more than ten days to make up her mind, but it took her longer to wait for Xu Cun's unspoken rules!

That night, after Xiao Xiuxia told Xia Yushun that she was still her first daughter, Xia Yushun came to see her with a smile on her face the next morning, and asked her for warmth and warmth, and left her 500,000 Taiwan dollars of pocket money before leaving. The next day, Xia Yushun took her to meet Yang Dengkui, Yang Dengkui was more generous, and directly gave her two million Taiwan dollars of pocket money - this is also the reason why Xiao Xiuxia has the money to buy a Toshiba T5200C laptop, you must know that this computer is the world's first laptop with a battery and a DSTN color LCD screen.www.biquge.info

But then, Xiao Xiuxia was anxiously waiting for Xu Cunqian...... When I was looking for her, there was no news again!

After waiting for seven days, Xiao Xiuxia, who was suffering, finally couldn't hold her breath and called Xia Yushun, lying that she wanted to go to the United States for a few days.

At that time, Xia Yushun asked Xiao Xiuxia to hang up the phone first and ask.

After about half an hour, Xia Yushun called Xiao Xiuxia back again, telling her that Xu Cun was not in Taiwan now, and asked her not to go anywhere and wait for the phone at home.

After that, there was no news......

While speechless, Xiao Xiuxia couldn't help but be a little angry, "I, the big girl with yellow flowers, have been waiting for you to dive in vain, and you still don't come with a shelf, what kind of cow are you!" From this, it is not difficult to see that Xiao Xiuxia has a grudge against Xu Cun, and this resentment is quite small!

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Just when Xiao Xiuxia was anxiously waiting for Xu Cun's unspoken rules to her, Xu Cun was in Germany discussing with He Chaoqiong and Jiang Zhiqiang about building a cinema in Germany.

Although not as big as Britain and France, Germany has long been the third-largest box in Europe – on a par with South Korea at its peak.

The First World War divided the European film market into three regions - the West, with France, England and Latin countries directly conquered by American films. To the east, Russia, with its vast territory, could only import some foreign films from Vladivostok or Scandinavia. Central Europe, isolated by these two blocs and isolated from the rest of the world, was ruled by Germany and had a dire shortage of screenings.

By this time, German industry had learned that film had become a lucrative industry in the United States, and that Wall Street was interested in it, so that the supply of films to Central Europe, like the production of food substitutes, quickly became a "national responsibility", and the German General Staff Headquarters understood the importance of this.

As a result, a number of big capitalists in the banking, chemical industry, electrical industry, and munitions industry joined forces to create a powerful company, which was the "Universe Film Co., Ltd.", which was known to the general public by its abbreviated name UFA.

The Ufa Film Company is a cartel organization that unites major producers in order to fight for corporate monopoly and thus serve politics.

In this process, Wufa Film Company controlled all the movie theaters owned by Nordic companies in the past.

Later, after the Kaiser's escape, the established republic withdrew all the official shares of the former Ufa Film Company - the Ufa Film Company became a private company, and its subordinate institutions engaged in war propaganda were abolished.

Later, during World War II, Goebbels became the big boss of the Ufa Film Company, and the Ubels Film Company once again became an organization for war propaganda work. During this period, Goebbels took advantage of the situation to expel Danish cinema from Germany, and then purchased cinemas in Switzerland, Northern Europe, the Netherlands, Spain and other countries.

After the Second World War, German cinema, which had been at a low ebb, began to change in the sixties under the influence of the global trend of cinema revolution - in the early sixties, the crisis of German cinema was mainly manifested in the cessation of financial insurance for films by the government (before that, there was hardly a single German film that was not subsidized by the government). This led to the collapse or merger of large companies, and at this time the Wufa Film Company merged with the New Film Art Company and the Alliance Film Company to form the Hanseatic Film Company, and the cinemas under the names of the three major film companies also merged to form the Hanseatic Cinema Line - thus the largest cinema chain in Germany was born.

From the mid-60s to the mid-70s, nearly 1,000 films were made in Germany, forming a continuous creative dynasty and a powerful and long-lasting film movement, which led to a brief period of glory in German cinema.

However,

In the mid-to-late seventies, the economic crisis had already shown a decline in German cinema, a depression in the film market, and the domestic screening income of German films could not cover the production costs.

Nowadays, the German film industry is deteriorating, and German audiences are really not interested in "German-made" films -- according to statistics, the number of moviegoers in Germany accounts for only 10 percent of the cinema audience, and the survival of German cinemas is basically dependent on American and Hong Kong blockbusters.

The main reason for this is that the Germans place too much emphasis on the pure artistry of the films, and most of the German films are dull in color, pay too much attention to psychological descriptions, and prefer to express the distorted aspects of human nature, and lack of appreciation and entertainment compared with Hollywood and Xiangjiang movies with moving plots -- the audience often has an indescribable sense of depression after watching German films. A veteran of the German art world described German cinema as follows: German cinema often tries to inculcate ideals and preach to the audience with missionary enthusiasm and a never-ending attitude that never stops until the goal is achieved, and the obscure and esoteric dialogues in the films and the bookish scripts push German cinema to the opposite of enjoyment and pastime.

It is precisely because of the recession of the German film industry that Xu Cun bought the Hanseatic Cinema Line, the largest cinema chain in Germany, without much effort (of course, Xu Cun did not spend less money - you know, the German economy was really good at this time, and Xu Cun bought all the cinemas with land. ）。

The Hanseatic Cinema chain has not only cinemas in Germany, but also in Switzerland, the Nordics, the Netherlands, Spain and other countries due to historical reasons.

In addition, taking advantage of the opportunity of East Germany to break away from Soviet control and prepare to merge with West Germany, Xu Cun asked He Chaoqiong and Jiang Zhiqiang to lead a large number of people to buy the original cinemas in East Germany, and asked He Chaoqiong and Jiang Zhiqiang to lead people to find a place in East Germany with a better geographical location to prepare for the construction of new cinemas.

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