To put it mildly, this is a controversial scenario. Pen % fun % Pavilion www.biquge.info

The lack of foreshadowing, which leads to the expression of emotional release, is not so appropriate.

It seems that Gangma's release of the character's emotions is like Maeda's obsession with baseball, no matter how long the article is, the protagonists always have to play baseball.

In Gangma's pen, the characters have to have a stage of emotional explosion.

After thinking about it, Lu Gesi felt that it was enough to have a final scene for the expression of the character's emotions, and there was no need to demonstrate it in advance in this hide-and-seek cabin.

As a result, when Lu Ge made some changes to the depiction of this scene when he was making the animation, the confessional expressions of several other characters were weakened.

Make it seem less forceful.

The expression of the storyboard is mainly focused on Renta, who plays a heavy role in the whole plot, and Lu Ge also appropriately accompanied some sad music to set off the atmosphere of the animation.

In short, everything makes this scene not so awkward.

After Ichigan expressed his desire to apologize in front of the ancient house, Renta rushed back to the house to find Mei.

The lights are bright and the cottage is only so big.

Mei Yi was lying on the table weakly, and Renta naturally found out about Mei Yi's abnormal condition very easily.

The two had a conversation, and Mei Yi lay in Renta's arms, and slowly recalled her wishes.

Let Renta let go of the burden in her heart and cry without pressure.

It's just that Meiyi's time is running out, and whether her wish needs to be fulfilled is not so important.

Speaking of which, I have to sigh that the logic of Gangma's storytelling is really very capricious, and the people in front of me are trying to find clues to realize their wishes, but here, it has become an irrelevant thing.

The disappearance of Mei Yi is only about time, not about the fulfillment of wishes.

"Almost, it's time to say goodbye." Mei Yi, who was lying in Renta's arms, was a little reluctant and resigned to her fate, ready to close her innocent and beautiful aqua blue eyes.

"Wait a minute.

You can't just say goodbye to me. Renta grabbed Meiyi's soft and white little hand tightly and said anxiously.

"I want to see you, I've always wanted to see you.

I always want to call your name and always apologize to you.

I want to say to you, I like you....and, everybody thinks so, everybody likes you, everybody wants to see you. Renta said sincerely while carrying Mei Yi on her back.

Then, Renta carried Mei on his back and ran all the way out of his home, thinking about the secret base where everyone used to gather when he was a child.

The process of Renta running all the way is actually an interesting stalk.

is a Japanese drama long-distance run, a Japanese TV series or movie, when the plot is about to end, the hero or heroine will always have a sunset run.

led to the emergence of a stalk with no long-distance running and no Japanese drama.

And Nagai Longxue also closely followed the fashion of Japanese dramas in the animation of "Unheard of Flower Names", and used such a bridge.

With the morning sun looming in the distance, Renta carries Mei Yi on his back, through residential areas, through streets, and across wide chain bridges.

Running forward with all his might, the animation uses a lot of footage here.

When Lu Ge was making the animation, he also added some things by the way.

is the opening scene of the later theatrical version of the circle of money.

The theatrical version of "Unheard of Flower Names" is part of the total episode, and the other part is a new plot of about 20 minutes.

Lu Ge never came up with the idea of coming up with a theatrical version of the general episode of "Unheard of Flower Names" to make money.

As a result, I didn't hesitate to use some of the shots that originally belonged to the theatrical version.

As Renta runs, as he passes through these objects, Lu Ge also adds some abstract expressions.

For example, at the beginning of the theatrical version, Renta carries Mei Yi on his back, in a monotonous and dark space, constantly moving forward, as if stepping on the surface of the lake, splashing round and round of ripples.

This rather intentional shot, Lu Ge also directly added it to the TV animation.

The distance is constantly approaching the secret base, and Renta is also talking to Mei Yi about the words from the bottom of her heart.

Panting, Renta carried Mei to the humble hut.

The other companions were waiting in the hut with the orange lights on.

Seeing Renta running in so tired, he looked a little surprised.

However, the moment Renta ran into the hut, something happened that made the hearts of the NUE audience chuckle.

Renta herself, too, can't find out about Mei Yi's existence.

Renta is mentally confused, and he is completely distracted and searches indiscriminately.

And when the companions noticed the general course of events, they also panicked.

When Mei Yi reacted to the reason for the incident, she tried to block her eyes that wanted to cry with her hands, and then said in a suppressed crying trill: "Come on....let's play hide and seek." ”

When the audience saw this, their emotions were also brought in by the plot, and they followed, and they became inexplicably sad.

Then, the plot enters a scene where everyone goes out to look for Mei Yi, and Mei Yi keeps saying, "It's not hidden yet....".

is another scene that has been criticized by many people and said that it looks a little stupid.

However, at this point, Lu Ge did not make any changes because of the pursuit of reasonableness.

Instead, I try to recall the scenes I have seen before, depict every scene of this scene in detail, and repeatedly consider and choose them.

Sometimes, there is really only one step away from the gods' work and the scum work.

Hollywood has an Oscar for a good art film, and a counterpart for a super bad movie.

Don't think that only domestic products have bad movies, and any country has bad movies.

However, there are times when God's work and "God's work" are too close to each other, and there is only a pair of quotation marks.

So the Golden Sour Plum Award also has a slap in the face.

For example, Bullock, who won the Oscar for Best Actress, won the Golden Sour Plum Award for Best Actress the day before the Oscars.

This made her the first star in Hollywood's history to win both the Oscar and the Golden Sour Plum at the same time.

And, in this legendary anecdote, this personality Bullock, when she learned that she had won the Golden Sour Plum Award, she parked a truck at the entrance of the Golden Sour Plum Award party, and the truck was loaded with the DVD of "All About Steve", which is the movie that won the Golden Sour Plum Award.

"If you can't understand it, I can take the script from the time of filming, read it to you page by page, and explain what is in it for you." Bullock said as he received the Golden Sour Plum Award.

Go back to the animation

The last scene of "Unheard of Flower Names" especially tests the skills of supervision, storyboards, pictures, soundtracks, or the portrayal of characters, the balance of which is particularly difficult to grasp, and if one aspect is not done well, it may become a super tragedy with embarrassing cancer throughout the whole process.

If there was no camera from his previous life to follow, Lu Ge would never dare to try such a scene.

If you don't master it well, it will become a stupid scene that everyone thinks, and only a production team with profound skills and tacit understanding can make such a scene that looks a little embarrassing into the deep feelings of the audience.

Following the actions of the animated characters, they thought they were playing hide and seek, and shouted in their minds: "Are you hiding?" ”

….. (To be continued.) )