Jumping away from the emotional rendering of the animation, if you take it out alone, it will make people feel silly. Pen "Fun" Pavilion www.biquge.info

Therefore, how to make this behavior that seems stupid in people's common sense understanding is very touching, and this is the time to really test the skills of the supervision and production team.

Nagai Ryuyuki and the production team Chaoping and Buste have this skill, so the scene written by Okama is extremely touching.

And Lu Ge knew that he was two pounds, and he didn't have too many expectations for the animation production company he cooperated with, so when making the last scene, Lu Ge followed up the whole process, repeatedly considered his memories, and didn't dare to deviate from the original animation at all.

Under Lu Ge's efforts, the viewers who watched the TV premiere watched the animation, where several main characters with normal IQs stupidly ran out of the wooden house to look for Mei Yi outside.

While looking for it, it also matches a hide-and-seek atmosphere.

Most of the audience was affected by the plot of the animation, and they did not feel naïve at all, but moved by the rhythm of the animation.

"Hide and seek, I miss it so much."

"What a touching scene."

"Mei Yi is inside the house, don't run out of the house to look for it."

….

Some of the tears in front of the TV are relatively low, and they have been moved by the sentence "I haven't hidden it yet~~" by Mei Yi.

Art comes from life and is higher than life, and the protagonists are still in high school and are still playing hide and seek.

is similar to the youth drama when I was a student and climbed over the wall to go to the Internet café in the middle of the night to stay up late.

From a rational point of view, this is a very stupid opinion, which not only hurts the body (staying up late is very harmful to the body, all-round), but also hurts money, and also affects grades.

But it is such a scene, put in a high-quality film like "To Youth", that is the "old. What a crazy youth I was back then."

However, if it is placed in "Little Times", it is probably a brain that has been scolded by countless people. Crippled, cane-making, hypocrisy or something.

Therefore, the same material scene, like the same pile of ingredients, depending on the author or the chef, some can be sublimated into a delicious dish, while some can only be bleak into a dark dish.

And in animation, whether an animation is broken or not, in fact, can't be blamed entirely on the scripter who wrote the story.

To give an example that has been said repeatedly, Okochi.

In fact, the core of the story written by Okochi has not changed from the beginning to the present, and that is the second middle school.

From "Lelouch" almost single-handedly confronting the world, to "IQ Opportunity" where high school students establish politics. house, and then to the king of the academy in "The Crown of Sin", and finally "Iron City" ..... "Iron City".

The first part is a classic, and the last two parts, although not very famous, are still very successful commercially, but "A Iron City" is completely a patchwork of paddling, and there is nothing to be desired.

Yes, I'm just denying the value of the existence of "Iron City".

In short, judging from Okochi's previous works, his works have always run through the two characters "middle two".

Whether the animation producer can wrap and dress up these two words well is a test of his skills, and to a certain extent, it also determines the quality of the works produced in Okochi.

It can be said that the animation production team is very important for the expression of a work.

Because of the right animation production team, "REO" has made its novel from a domestic (Japanese) second-rate novel to a best-selling novel overseas.

"Tokyo Seed" was originally a first-class high-quality comic, comparable to "Asian" and "Parasitic Beast", but from the perspective of the quality of animation production, the animation of "Seed", the quality of the first season fluctuated greatly, except for the first episode and the last episode, which were not bad, many scenes in the middle were completely supported by the storyline in the comics.

As for the second season, it is more of a existence that needs to be praised for its advantages, and a lot of shortcomings can be found with its eyes closed.

Although two seasons in China. The popularity of summer is good, but its results are in its hometown (Japan) and its sales are dying in existence.

And the reputation and sales of the animations of "Asian" and "Parasitic Beast" are good, and the word-of-mouth is mainly exaggerated whether it is in China or in China, which is generally regarded as a restoration of the quality of comics.

However, if you think about it again, the reputation of the "Mew Seed" comic is actually almost the same as that of the latter two comics.

But after the animation, the latter two are not bad, but "Meow Seed" has become a different situation.

Therefore, it is very important for the original work to choose an animation production team or company, just like a woman marrying a good man. At the time of the production of "Lelouch", because the animation production company perfectly matched the style of Okochi, "Lelouch" became a classic and became his masterpiece.

And this kind of matching with more than 90% of the fit can be regarded as an encounter but not a must.

This is true of Okochi, and the same is true of Jun Maeda.

Jun Asaeda's recent work "Charlotte" has become a work of Honkai, and there is nothing to the contrary.

In the later stages of the "Charlotte" episode, it feels like the plot is very rushed, giving people a feeling of "did you miss a season".

In fact, the problem is that Ma Zhijun wrote a very, very long script according to his own habits, but the animation produced by the animation producer only has 13 episodes, which can't cover so many plots, so it causes the audience to be extremely confused in the face of the plot behind

In fact, this was also the case in "Angel's Heartbeat", and Jun Asaeda also wrote a very, very long script.

It's just that that time the producer was smarter and made a very sophisticated choice of the plot of the story written by Junri Maeda.

This avoids the tragedy of the prequel to "Charlotte".

As mentioned earlier, the scripts written by Ma Zhijun are very, very long, so how long should it be to include the number of animation episodes in his script?

This can refer to "Littlebuster", "LB" has a total of three seasons, and this story is mainly in the first two episodes, with a total of 47 episodes.

The work "LB" can be regarded as a work that truly perfectly shows the talent of Ma Zhijun, the plot of the first season and 26 seasons is foreshadowed, and it is not until the second season that the truth of the story is gradually revealed.

The quality of the work continues to upgrade, and it has become a work with the best reputation in the Ma Zhi Zhun work column, which is a masterpiece with no bad reviews.

It's just that the amount of foreshadowing of a season, the pace of the story is too slow after all, and many friends who watch the animation don't have the patience to get through it, resulting in not seeing the real essence of the back, which is inevitably a little regrettable.

Moreover, such a long foreshadowing also led to a not-so-successful commercial development.

As for "Angel's Heartbeat", which is now more famous and has a good reputation, when this work was just finished, the word-of-mouth was far less good than it is now.

As for why there is such a statement, recall the plot, and you will find that the distinctive characters created by Ma Zhijun in the early days did not use unique episodes to enrich the background stories of these characters in the later plot development.

As a result, these characters, who originally seemed to be quite interesting, eventually became symbolic characters.

And fans who have watched "LB" know that all of the characters in Jun Maeda's pen have a heavy backstory waiting to be explored.

There are four male characters and six female characters in "LB", and there are a total of ten main characters, each of whom has a more touching story, and even some of the characters' stories are very touching.

And this tradition is carried over to "AB", and you will find that "LB" and "AB" are very imaginative, and at the beginning they lead to characters with interesting personalities, and then everyone is waiting for Ma Zhijun to continue the tradition of the previous work and tell the touching stories behind these characters.

The production team cut all of these and only told the story of the actor and Lihua.

Although it is a bit of an artistic shame to do so, and the interesting characters created in the early days have become symbols, such a fast pace and prominent themes have made "AB" a better commercial result than "LB".

But if it is commercially successful, the word-of-mouth will be much worse than "LB".

It's just that many years have passed now, and the previous criticism of "AB" has almost disappeared, and all that still exists now is praise.

Sure enough, it's still an advantage that is easy to remember

…… (To be continued.) )