Chapter Ninety-Four: The Song Is Dead, and the Man Is Alive

Chapter 94 of the main text volume: The song is that the dead are alive

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"The difference in nature?" Mio Akiyama asked curiously, "What is the essential difference?" ”

"I don't know, it's just ......" Yui Hirasawa said with a frown, "The music I played, although it seems like that, can't express the true taste of this song...... There is also a very important thing missing. What is it......? ”

"The difference in nature?" Ye Su thought for a moment, and then said, "Artistic conception?" ”

"Yes! That's it. Hirasawa nodded seriously, and then said with a yearning face: "To be honest, what attracts me most about this piece is not the ethereal taste expressed in this song, but the unique artistic conception of this song, which is really beautiful beyond imagination, of course, that ethereal taste is also very good...... It's just that, I think, the artistic conception in this piece is the most important. Although I wanted to express the mood of this piece, I still couldn't play it......"

"It seems to be true." Mio Akiyama also nodded next to her and said, she was a little surprised, she didn't expect Yui Hirazawa, who was usually in a daze, to be able to say such words.

To be honest, even she couldn't feel so much from this song.

Listening to Yui Hirazawa's words, Mio Akiyama realized that if she thought about it carefully, it seems that this is exactly the case, compared to Ye Su's guitar music, Yui Hirazawa's guitar music lacks artistic conception, that is, it lacks soul.

It is still very difficult to play this guitar song with soul.

Ye Su nodded, thought for a moment and said, "That's it...... This is indeed a problem. ”

This is really a problem, and it is so important to want to play a guitar song with a sense of meaning.

Yui Hirasawa asked, "Is it because I'm not skilled enough in the relationship?" After mastering this guitar song, will you be able to master that kind of artistic conception? ”

Yui Hirasawa looked at Ye Su, wanting to get Ye Su's answer, and Mio Akiyama next to him also looked at Ye Su, wanting to hear Ye Su's answer.

In terms of realm, Ye Su is far from being comparable to Yui Hirasawa and Mio Akiyama, as an elder, although he didn't bring a pair of toad glasses, he looks like an old pedant, but as a senior, he is the protagonist of today's teaching, and he must be explained.

Ye Su thought for a moment before saying, "Let me tell you my opinion......"

"Eun." Yui Hirasawa and Mio Akiyama nodded excitedly.

Ye Su glanced at Mio Akiyama and Yui Hirasawa, and then said, "I think, you guys may be too idealistic about music." ”

"Huh?" Listening to Ye Su's words, whether it was Yui Hirasawa or Mio Akiyama, they couldn't help but be stunned, what does this mean? Idealizing music? This is......

Ye Su continued: "In fact, there are many pieces that do not have any specific emotions to express, and the composer probably just wants to create a general atmosphere, and then create something towards this goal, and after the thing is written, he will choose a name according to the sound feeling. As far as I know, most people who are engaged in creative work are in this process, from a vague concept, slowly concretized, and finally a name, and I have hardly ever seen someone who comes up with a name and then creates. ”

Hearing Ye Su's point of view, Yui Hirasawa and Mio Akiyama couldn't help but widen their eyes slightly, this was the first time they had heard such an opinion.

Ye Su continued: "As far as the poem of the wind I just played is concerned, although what I played has a unique artistic conception, but this artistic conception, you are mistaken, this is not the artistic conception expressed in this song!" It's the mood I express! ”

"Does it make a difference?" Listening to this vague concept, Hirasawa was stunned for a moment, and said with some incomprehension.

Compared to Yui Hirazawa, Mio Akiyama was obviously a lot smarter, and she knew what Ye Su was going to say, so she said, "That's ......"

"Of course there's a difference." Ye Su glanced at Hirasawa Yui, and said seriously: "The song is dead, people are alive, I will make an analogy, sometimes, we walk on the street, inexplicably there is a melody in our hearts, a very short phrase, and then record it, go home and continue to write according to this inspiration, according to this phrase to develop something richer, this time is the inspiration to take the lead, and then combined with rational music skills to develop the music, at this time I am not thinking about anything at all, "I want to express a pain of falling out of love through this song", Or "I'm going to express an excitement that the person I like also likes." ”

"It's like this guitar song I just had. This piece is a ...... I wrote it, and I had this flavor when I wrote it, but in fact, before that, I just had a very abstract concept, and I wanted to write a very subtle, very aesthetic work, such a concept. The name of this piece is called Poem of the Wind, but in fact, I didn't stand in front of the wind and get such inspiration...... It was only after I wrote it and listened to the piece that I decided on the style and name. ”

Hearing Ye Su's words, Mio Akiyama and Yui Hirasawa widened their eyes in shock, such words were an unimaginable huge impact for them.

Ye Su didn't care how much impact this brought to them, and continued: "Of course, there are also some things that have been determined before creation, for example, I went to the Mongolian steppe, and I felt deeply, and was moved by the vastness and freedom, so before I went home to create, I decided that I wanted to write about the Mongolian steppe, the music should be broad and free, and there should be a little Mongolian national characteristic instrument in it......"

In the end, Ye Su concluded: "So, you don't have to be attached to the emotion and content that the composer wants to express, that thing may not exist at all; Your feelings are the most important, the atmosphere of the music evokes certain emotions and memories in you, that is the most real, you can enjoy the atmosphere and emotions to the fullest. When you're eating, you just enjoy it, maybe you're eating the taste of home, the taste of dinner when you first fell in love with your girlfriend for the first time, you just allow yourself to immerse yourself in that feeling, and if you think about what the chef is trying to express, isn't it very disappointing? ”

Ye Su's words made Mio Akiyama and Yui Hirasawa immersed in shock, they seemed to be led by Ye Su, pushed open the door to the new world, and saw a broader field and world, this feeling is very good!!

Ye Su's reaction to Mio Akiyama and Yui Hirasawa couldn't help but smile, he understood that his teaching this time was not useless.