Chapter Ninety-Three: The Difference in Nature

Chapter 93 of the main text volume is fundamentally different

4918787.html

Next chapter

The selected guitar tunes, Ye Su also thought about it, many tunes are not suitable for beginners, but the tunes suitable for beginners are often too simple, and it is very difficult to play a simple, but very nice tune.

After careful consideration, Hasu chose Kotaro Oshio's guitar song.

Born on February 1, 1968 in Osaka, Kotaro Oshio is a new generation of Japanese guitarists and fingerstyle guitarists.

He can play on the guitar to make people think that it is impossible to play the same guitar at the same time, which is a combination of power, gentleness, and softness.

As a very successful guitarist in commercialization, because of the relationship between the body, he naturally can't play the ultra-difficult tunes in Europe and the United States, and the various physical indicators of the big animals in Europe and the United States are not something that ordinary East Asians can achieve, and the most difficult piece at the end of the song is the classical eight-level level, but the difficulty of the tune is not the standard for measuring a master.

The reason why Oshio can be Oshio is that he is different. His guitar music tends to give people the feeling that the guitar is played like this.

As a guitarist with a strong personal charm, Kotaro Oshio is very popular not only in Japan, but also in Japan.

Although he debuted at a very high age, he is still prolific with one album a year, which is enough to show his efforts, and the style of those songs is always different.

However, what has changed is the way to play the oshigo, and as a guitarist with a strong and unique style, this is the characteristic of his large number of fans.

It's like this in many industries, whether it's novels, comics, or music, as long as you have something that others can't have, and if you have such characteristics, you will naturally have a lot of fans.

What Hasu is going to play is one of Kotaro Oshio's works, the Poetry of the Wind.

It's a very slow guitar piece, and although it's slow, it starts with a pair of octaves, and with the technique of kneading the strings in the high position, it looks ethereal, and this octave is the finishing touch to the whole piece. The soothing melody that follows is like a breeze blowing.

Ye Su just played for a while, and then Mio Akiyama and Yui Hirasawa next to him were stunned.

Because in this song, a lot of glissandos are used, and these portamentos are very good to give the "wind" movement, as if it is on a high mountain hill with a clear breeze, and only the gentle breeze remains.

This is an introductory track, but it is very difficult to express the mood of Xiàn.

It's been a few years...... When Ye Su was very young, this piece was his entry single.

At that time, Ye Su spent a lot of thought for this song, and finally learned it.

After many years, playing this piece again made Ye Suhui taste the feelings he felt a long time ago.

This unique feeling makes Ye Su play more and more smoothly and perfectly.

Mio Akiyama opened her mouth slightly, looking at Ye Su in a daze, a little unconcerned, and she didn't know what she was thinking......

It's a very good, very ethereal tune.

When I listened to this song, I only felt that my soul had been washed, and every qiē in the earthly world seemed to be put down, and the impetuousness in my heart, the uneasiness in my heart, the anxiety in my heart, and the confusion about the future in my heart seemed to have disappeared at this moment. All we have is incredible stability.

This wonderful feeling fascinated Mio Akiyama deeply, and even yearned for it......

Yes, she actually has some yearning.

Mio Akiyama, who is shy by nature, chose bass not for nothing, although bass is a very important part of a band, but it is a very inconspicuous part of the band.

The main melody and rhythm of a band are the keyboards and guitars, and the bass is dispensable, just a simple accompaniment, belonging to the type of foil.

However, Mio Akiyama, as a bass player, doesn't hate such feelings, she is very shy and doesn't like to be noticed by such and such eyes, as long as she stands on the edge of the light, it is enough to be able to shine a little light.

But now, she actually has a yearning, this ethereal guitar song, which makes Mio Akiyama very envious, but helpless, this is a song that the bass can't play.

Not to mention the bass, even the electric guitar can't play it well, and only the folk guitar can come out perfectly.

Yui Hirazawa, who feels different from Mio Akiyama.

Yui Hirasawa, who is very sensitive to music, can clearly feel that the difficulty of this piece is not as high as imagined.

Although this piece is very special and very good, the difficulty of this piece should be just an introductory piece.

However, it is incredible that this piece, although simple, is so beautiful.

It's amazing......

For a while, her heart was full of admiration, admiring Ye Su who could play such music.

It's amazing!

There are little stars in her eyes, which is full of longing, and she will play such a beautiful guitar music.

As a guitar player, although as a member of the band, the main effort has to be put on singing, rather than this kind of folk guitar solo, but such a good guitar music, if you don't master it, it's a pity!

The artistic conception brought by this piece fascinated Yui Hirasawa and couldn't extricate himself.

After Ye Su finished playing, Yui Hirasawa hurriedly said, "I'll give it a try too......"

Ye Su nodded and handed the guitar to Yui Hirasawa.

Yui Hirasawa closed her eyes, lost in her memories, and searched for the beginning of the song repeatedly, and then she began to play......

The only way Pyeongtaek started playing was exactly the same as Ye Su, as if he had already learned the piece.

However, as the first time this song appeared in this world, Yui Hirasawa was categorically impossible to learn.

In other words, this guy can play it just by listening to it once......

Although there are still a lot of flaws inside, many details have not been noticed, and even some notes are out of tune, but in the end, this piece can be played 7788.

"It's amazing." After Mio Akiyama listened to it next to her, she couldn't help but sigh with emotion.

"It's pretty impressive." Ye Su nodded and said, "I didn't expect you to learn it so quickly, although there are still a lot of problems, but it's just a matter of proficiency." ”

"Because this piece is meant to be very simple." Hirasawa nodded and said, "However, I always feel that there is a fundamental difference between the music I play and the music you play Ye Su...... What is this essential difference? ”