The stereoscopic screen is really a few streets away from the flat screen in terms of realism.

It may also be the reason why most people are accustomed to flat large screens, but lack of awareness and resistance to stereoscopic screens.

The stereoscopic image pays great attention to the details of the actors, and the all-round lens also affects the display effect. If the actor's acting skills are too inconsistent, the audience can easily feel it. But if the acting skills are mellow and realistic, it will also be more able to infect the audience.

Yu Xinzhen's performance in the movie is not bad, but the most classic is obviously this scene of crying, the expression is natural and emotional, the sad eyes and the arm action of hugging Hu Huanting tightly all illustrate his pain and reluctance. Chen Yu also sighed: "He also played at a super level in this scene." ”

The emotions on the big screen are magnified dozens of times, so the same emotions can often be conveyed more completely on the screen than in reality. The audience has already watched the story of the brother and sister and understood their personalities and feelings, so Yu Xinzhen's sadness and reluctance at this time can obviously be conveyed to everyone more completely.

The ending is happy, the actor is finally saved, and his parents wake up when they almost lost their second son, and they are no longer immersed in the tragedy of the past. Although the mother's illness is still severe, the atmosphere in the home is no longer gloomy.

Yu Xinzhen smiled and cried and said to his parents: "I dreamed of my sister. ”

The mother listened and was silent for a while before asking, "Is she okay?" ”

Yu Xinzhen said: "She said, I should learn to grow up. ”

The answer visibly stunned both parents, and finally the mother smiled softly and touched his dog's head, and the story came to an end.

At the end of this movie, there is a song called "The One Who Loves You Never Leaves". Because the final form was relatively new, few of the audience left immediately, still watching intently.

In the three-dimensional image shrouded in the curtain, the red curtain is lifted from time to time, and then the animated version of Hu Huanting is seen floating in the air, while Yu Xinzhen is attending classes, working, doing housework, and taking care of his parents. Whenever Yu Xinzhen started to cheat his father, Hu Huanting, who was sitting in the air, pulled out a big hammer from the air, and then smashed it down on Yu Xinzhen's head violently.

Yu Xinzhen, who was smashed on the head, looked around blankly, but found nothing, and finally could only touch his head depressedly and continue to work.

This scene made many people who were still shedding tears chuckle, dispelling the sadness and incompleteness brought about by the disappearance of my sister again.

On the day of the movie's release, someone brushed the two topics of #Give me a shake S Loli sister# and #Give me a shake M uncle brother# on the Internet to create a symmetrical formation, and then these two topics were brushed on the hot list. In terms of the number of retweets and comments, the number of participants is equivalent to more than half of the total premiere. Regardless of the random crowd that has never watched the film at all, the remaining number of participants can basically explain the problem.

When Yu Xinzhen saw the topic, his whole person collapsed, and he complained to Lin Shu: "I am obviously a beautiful young man in his youth and in his prime, where is the uncle!?" Where!? ”

Lin Shu is so narcissistic that he does not hesitate to blacken himself with a series of idioms, and at the age of twenty years old, he still tries to rely on the queue of beautiful teenagers, and only a string of ellipses can be given to the other party.

As the number of stereoscopic cinemas grows, so does the demand for stereoscopic cinema. Although Star Shadow continues to produce animated films and live-action films, the demand for cinemas is still too weak.

In fact, during this time, there are more people who are interested in stereoscopic movies and want to try the waters.

The promotion of film and television equipment before Star Track has been slow, but with the popularity of several movies, the situation has visibly improved. Every day for the past week, people who have had little interest in new technologies have come to learn about the technology and filming techniques, and even if only a few of them are really willing to test the waters, that's pretty good.

Ge Mei was busy, but he was in a pretty good mood. After all, the promotion planner hired with a high salary, if the work has not been fruitful, she will not be able to stay in the star track forever.

But even so, Star Shadow still lacks enough film sources at present. Unlike most other film and television companies, Xingying has no shortage of good scripts and technology, what they lack most is actually all kinds of professional behind-the-scenes personnel, which is also the natural result of its extensive network but too shallow foundation.

In the case of a shortage of professionals, Star Shadow wants to be prolific, and the average quality of the film is above the standard, even if the three-dimensional shooting technique is far less dependent on the background than the general flat film, it is still difficult.

For this reason, Xingying finally changed his business strategy for next year and planned to find another way.

This winter vacation, Lin Shu will go to BRW and LWE with Du Sitong to watch the drama all over the place, and then select some of them for three-dimensional film adaptation.

Three-dimensional movies are suitable for stage adaptations, which has been put forward by many high-level executives of Xingying before. However, there are still a lot of differences among everyone about how to adapt, and there is only a rough plan at present, probably starting from the set, lens, and special effects changes.

The adaptation of stage plays in the form of three-dimensional films does have unique advantages, and the degree of restoration is very high. But for Lin Shu, it is not enough to just restore, they must have a corresponding sublimation compared to traditional theatrical performances.

But he doesn't have an accurate concept of the specific plan, and he generally still has to watch more performances to understand and comprehend.

Their schedules are quite tight, and the travel team is relatively large. Xingze booked tickets according to the number of people, and they had to see forty-six performances in twenty-five days, including the time to travel, which was actually quite urgent.

What's more, people are not purely here for tourism, they also have to discuss the adaptation scheme that may be used for each performance, even if it will not be actually adapted, then they must have an understanding of the general situation, analyze which ones are more suitable for adaptation, and which adaptations can have what kind of effects or defects.

Because they want to have a comprehensive understanding of drama, most of the repertoire set by Lin Shu and them are the classic repertoire of major theaters, and only a small half of them are popular plays that are being staged today. The repertoire includes operas, plays, musicals, ballets, etc...... The types are quite varied.

These plays are basically comedy-based, with only a few particularly classic tragedies interspersed. However, stage plays are not fashionable in China, and various domestic dramas, such as Peking Opera and Hui Opera, lack a foundation that can be understood and appreciated by mainstream audiences, and are not straightforward and easy to understand.

Therefore, choosing a stage play for adaptation and dubbing it is already a more compromising approach.

However, not all repertoire is suitable for adaptation, for example, some repertoire themes are too high and low, some repertoire places too much emphasis on the power of the stage, leaving the stage will lose most of the charm, and some repertoire is the same as that of Peking Opera in China...... It's too jerky to understand.

These parts need to be identified one by one, and then think of solutions. Once the solution is reached, the opportunity cost is also compared to maximize the outcome.

In the following period, Xingze's group watched more than a dozen plays, and after watching each one, they held a meeting to discuss the content of the stage play.

According to the current perception of the people, modern drama is more vivid, but the content of classical drama is more charming. The charm of the revue is unstoppable, and the moving music itself carries an irresistible beauty, but unfortunately it also limits the audience. For music itself to move people, it must first be able to resonate. The tunes of the revue are beautiful, but not everyone can appreciate them.

An era has an era of popularity, and a culture has a cultural preference.

How to choose is likely to affect the development of stereoscopic movies in the future, so Lin Shu and others have to think carefully.

"If we were to choose the content of the opera, I don't think we would be able to copy it. Even modern opera is not something that everyone can enjoy, and Disney's kind is pretty much the same. If we really want to adapt the opera, we'd better rearrange it...... In addition, the Chinese version has to rewrite the words, and the workload is probably not small. ”

Lin Shu said: "You can also only incorporate part of the song and dance. I also think that if the full restoration is too much work, the audience may not buy it. But moving singing and dancing are indeed the essence of some stage plays, and they can have a stunning effect. ”

Du Sitong said: "I'm afraid it's not easy - considering the differences in styles at home and abroad, how to adapt is a big problem, and I'm afraid it takes everyone to do it." But people may not be able to adapt to the epidemic. ”

"Half and half chances." Lin Shu thought for a while and said.

There are always some outstanding works that have to be praised by time. There are also masterpieces that shake the heart and can move the heart from the very beginning.

For Star Shadow, or for all music-related projects, there is such a side that depends on luck.

After that, the group discussed how to use the advantages of stereoscopic projection in background transformation and special effects display, so that the stereoscopic version of the drama film showed a more attractive scene than the live version.

Stereoscopic projection is definitely inferior to the scene in terms of sound effect, because no matter how beautiful the original sound is, it can't compare to the natural sound that really has no barriers, so it is more and more necessary to make up for it in other aspects. Although it is said that the stage play will be adapted into a movie, if there is no feature beyond the scene, the adaptation is actually a failure.

Therefore, many people are trying to optimize the shooting technique so that it is better than the blue.

The regular brainstorming during this period of time has also inspired many excellent ideas, which will be verified in the future.